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Studies on role play for children
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Traditionally, children who were perceived to be highly imaginative and involved in pretend play were believed to be at risk for developing mental disorders like schizophrenia (Sperling, 1954). However, in recent years, these types of behaviours and thinking, for instance, having an imaginary companion, have become accepted as normal aspects of development in children (Taylor, 1999). Research has also indicated an individual difference in children’s engagement in fantasy, some are more reality focused and others more fantasy oriented. Fantasy orientation (FO) has been described as “an individual’s tendency to think and play in a fantastical realm” (Sharon & Woolley, 2004; Singer & Singer, 1990; Taylor, Cartwright & Carlson, 1993). It is suggested to be an individual difference that is stable throughout childhood and sometimes even progresses into adulthood, for instance highly fantasy oriented children tend to go into careers that entail creativity as adults such as those involving art, theatre and writing. These children who are high in FO explain their world through fantasy; they are interested in fantastical toys and games and believe in fantastical entities. Furthermore, it is suggested that these children often engage in pretend or role play as well as have an Imaginary Companion (IC), for example, boys sometimes are seen to refer to their bedroom as a superheroes haven and girls instead refer to theirs as a fairy’s castle.
Initial studies of fantasy in children mostly involved either a detailed observation of children’s play (Griffiths, 1935; Piaget, 1962) or a normative investigation of children’s stories, daydreams, and reported play activities (Ames, 1966; Green, 1923). Observation studies of imaginative/pretend play pr...
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...ording to what they think themselves. Likewise, this measure could have been addressed by proving the participants with a ‘Don’t know option’ which removes the forced choice aspect of the questionnaire.
One could also suggest that this questionnaire could have been further developed by incorporating other measures of fantasy orientation in order to heighten the reliability of the results obtained. For instance, the Fantasy Toy Preference Task (Taylor & Carlson, 1997) which involved children having to choose between a fantasy oriented toy (magic wand)/colouring book (Peter Pan/Tinkerbelle on the cover) or a reality oriented toy (a pinwheel)/colouring book (children selling lemonade on the cover). This task calculates the number of fantasy items chosen for a toy fantasy score of 0-2, therefore using the number of fantasy items chosen as an indicator of levels of FO.
Faris, Wendy B. "Scherazade's Children: Magical Realism and Postmodern Fiction." Magical Realism: Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham; N.C.: Duke UP, 1995.
Children can identify themselves with fairy-tale characters; they imagine themselves as heroes, who are capable of killing dragons, or simpletons, who demonstrate the superiority over clever people. Fantasies based on the fairy tales are extremely important part of the children’s lives, and this is not only because they describe threatening situations that resemble main fears of a young child such as the fear of getting lost, fear of wrong decisions, fear of monsters or evil animals. Happy endings, which are always present in fairy tales, give children the confidence that despite all their fears they will be able to win in the end. This knowledge helps them to prepare for the difficulties of life, regardless whether they are real or imagined (Doughty, 2006).
Imagination and reality are often viewed as opposites. People are told to stop playing pretend and to face reality like an adult. However, in Alison Gopnik’s short story, “Possible Worlds: Why Do Children Pretend,” she discusses counterfactuals and how humans of all ages experience these counterfactuals. Gopnik’s definition of a counterfactual is the product of hope and imagination, also known as the woulda-coulda-shouldas of life. These counterfactuals include all the possible scenarios that could have happened in the past and all that could happen in the future. Scientists have proven that knowledge and imagination go hand in hand and without imagination, pretend, and fantasy there would be no science or opportunity for change. In the text, Gopnik explains how even babies are capable of
Tatar, Maria. Off with Their Heads!: Fairy Tales and the Culture of Childhood. Princeton, NJ: Princeton UP, 1992. Print.
Imagination does not always involve dealing with realistic feelings or reading books and having to understand ideas in an intellectual way. Imagination does not need to be taken seriously; intelligence, on the other hand, should be taken seriously. Giving a child a book will test his reading and literacy skills. Putting a child in front of a 20/20 broadcast will confuse him. Reading books are meant for learning, not to expand one’s imagination. Children are not supposed to believe that television and video games are bad for them when this addictive hobby only makes them happy. It is only an excessive amount of television entertainment that will truly damage a child’s intellect. Adults, however, understand both how to read and the difference between reality and fantasy worlds and the effects television has on their intelligence.
Many parents read fairy tales to their children. Young people are able to use their imaginations while listening to these fantastical stories. Filled with dragons, witches, damsels in distress, and heroes, these tales stay in the mind children for years to come. However, these young listeners are getting much more than a happy ending. Fairy tales such as "The Goose Girl", "The Three Little Pigs", "Cinderella", and "Snow White" one can find theories of psychology. Erik Erikson's theories of social development as well as Sigmund Freud's theory of the map of the mind and his controversial Oedipal complex can be found in many fairy tales. Within every fairy tale there lies a hidden lesson in psychology.
...Fein, G. G. 1981. Pretend play in childhood: An integrative review. Child development, pp. 1095--1118.
Imagination is the key to the universe. In order for one to use it, they may create a world of their own. Fantasy literature uses imagination as its key source, and everyday life as its secondary. Not one element can bring a piece of the art form together. Society lives on both factors as well. Fantasy art can either make or brake a world, just by the ideas and thoughts that are used with the imagination. This fantasized world is mainly inspired by reality and especially religious beliefs. Considering that fantasy literature is one of the oldest works, that any period of history can relate to; many stories seem to be fictional, if analyzed they become parallel to any cultural society. The characters in fantasy art works may represent actual people in everyday life, for example an evil witch may be compared to a mean motherly figure.
Children are fascinated by magic, and are innocent enough to believe that it might actually exist. Because of this, they delight in any fantastical or supernatural tale. Adults, on the other hand, have the life experience to know that there is no such thing as magic, and to believe in magic is immature and foolish. Because of this, most adults find it patronizing to be expected to suspend their disbelief and accept the possibility of magical lands and wizards and fairy godmothers. It is for this reason that most fantasy stories are traditionally regarded as being for children, such as fairy tales, Alice in Wonderland, and the original text The Wonderful Wizard of Oz, are traditionally regarded as being for children. By placing the magical component in the story in a dream sequence, however, the story is able to have the realism that adults respect while still inspiring wonder in younger viewers. This is what made it possible for the Wizard of Oz to attract an audience across age ranges, and why Rushdie chose to employ the same device when writing Haroun and the Sea of
The beast uncoiled her sleek tail, slimy as it was, and leapt; plunging at the girl with all her might. The second I describe this story, your mind plunges into the fantasy I have created, imagining, on the edge of it’s seat, what will happen next? Fantasy is one of the strongest tools of humanity, and it can affect your reality in many ways. Fantasy can rip it apart, piece by piece, or it can strengthen it with new, profound energy. The quality of your reality entirely depends how you perceive them both together. When in a difficult situation, many people tend to hold on to “hope”. However, “hope” can simply be translated as fantasy, but that of a brighter future. One with a happy ending. This “hope”, or fantasy, is essential, as it makes the difficult
“In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn and fairy tales come true” (Walt Disney). We read fairy tales for entertainment and to learn and teach important life lessons. Adults read these stories to their children, so their children can develop a wondrous imagination. Fairy tales are suitable for kids because in stories like Rapunzel and Ariel’s, they are taught to think outside the box and to try new things. In addition, Cinderella’s story instructs kids to always be kind and courageous even if you are being treated unfairly.
Jones, Marnie. "The Threat to Imagination in Children's Literature." International Journal of the Book 3.2 (2005/2006): 71-76. Print.
Hansjorg, Hohr, (2000). Dynamic Aspects of Fairy Tales: social and emotional competence through fairy tales. Scandinavian Journal of Educational Research, Vol 44, No 1, Department of Education, Norwegian University of Science and Technology
Fantasy allows the reader to “consider and speculate out central and sometimes painfully realistic themes a way that is more palatable than in realistic fiction or fact” (Kurkjian et al. 492). The creation of character and setting in a fantastical realm provides the audience with an emotional distance that gives them room to objectively reflect on sensitive and important ideas more than in other genres. However there is an irony about fantasy that “despite the fanciful characters, strange imaginary worlds, and bizarre situations encountered, encountered, it has the power to help us better understand reality” (49...
"Children's Literature - Early History, Fairy and Folk Tales, Victorian Childrens Literature, Contemporary Childrens Literature - Encyclopedia of Children and Childhood in History and Society." Internet FAQ Archives - Online Education - Faqs.org. Web. 18 Oct. 2010. .