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Character analysis of paul the rocking horse winner
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D.H. Lawrence’s writings often mirror elements of his own life, though they contain decidedly fictitious components. The characters in Lawrence’s The Rocking- Horse Winner closely resemble his own family. Like Paul, Lawrence was seeking a way out of the misfortune of pre-war London living. Unlike Lawrence, Paul is already well-to-do. Paul’s search consists of a yearning for affection and acceptance. In The Rocking-Horse Winner a young boy finds a certain calling within himself that serves to vastly improve the standing of his entire family. However, Paul’s supernatural ability to choose the winners of horse races is but a cursory assessment of the story’s secrets. Digging deeper, the reader becomes aware of a darker meaning to Paul’s wild rides. There are two things are revealed throughout Paul’s character development; first, that he is seeking his mother’s affection. Secondly, in doing so, there is an apparent autoeroticism linked to his seemingly innocent rocking-horse.
Chief in the comprehension of Paul’s longing for motherly affection is having an understanding of Paul’s mother. She is generally a detached woman. Cold by most accounts, even her own, “only she herself [knows] that at the center of her heart [is] a hard little place that [can] not feel love, no, not for anybody” (Lawrence, 559). Paul’s mother feels the three children are a burden on an already cash strapped and unfulfilling relationship with her husband. Therefore, she is phony and removed where they are concerned. “She [has] bonny children, yet she [feels] they [have] been thrust upon her, and she [can] not love them […] when her children [are] present, she always [feels] the center of her heart go hard” (Lawrence, 559). Symptoms of post-partum depr...
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...nt Psychology: Individual Bases of Adolescent Development. Ed. Richard M. Lerner and Laurence D. Steinber. 3rd ed. Vol. 1. Hoboken: John Wiley & Sons, 2009. 576-81. Print
Gioia, Dana. "The Rocking-Horse Winner." Literature: An Introduction to Fiction, Poetry, Drama, and Writing. By X. J. Kennedy. 11th ed. New York: Pearson Longman, 2010. 556-63. Print.
Isaacs, Neil D. “The Autoerotic Metaphor in Joyce, Sterne, Lawrence, Stevens, and Whitman.” Literature and Psychology. 15th ed. 1965. 98-102. Print.
Kazdin, Alan E. "Oedipus Complex." Encyclopedia of Psychology. Vol. 5. Washington, D.C.: American Psychological Association, 2000. 494-96. Print.
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Widmer, Kingsley. The Art of Perversity. Seattle: Washington UP, 1962. Print.
In All the Pretty Horses, Cormac McCarthy reveals the limitations of a romantic ideology in the real world. Through his protagonist, John Grady Cole, the author offers three main examples of a man’s attempt to live a romantic life in the face of hostile reality: a failed relationship with an unattainable woman; a romantic and outdated relationship with nature; and an idealistic decision to live as an old-fashioned cowboy in an increasingly modern world. In his compassionate description of John Grady, McCarthy seems to endorse these romantic ideals. At the same time, the author makes clear the harsh reality and disappointments of John Grady’s chosen way of life.
Lipking, Lawrence I, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume 1c. New York: W.W. Norton & Co, 2006. Print.
Ellison, Ralph. "Battle Royal." Literature: an introduction to fiction, poetry, and drama. 9th ed and Interactive ed. Eds. X.J. Kennedy and Dana Gioia. New York: Pearson Longman, 2005. 555-566.
The Oedipus complex came to my knowledge in my first semester of college, during my English class as we study Greek mythology. The first time I read the story I took it as it was; a story. But later on, on my first psychology class I finally understood the complexity of it and how it was used. Even now after a few more classes on psychology I still have some disagreements and have a hard time accepting it. It is because of my background that I’m facing challenges with t...
All the Pretty Horses by Cormac McCarthy may seem like an ordinary tale of a young man and his heroic Western journey but in reality, it is a complex web of the actions and reactions of characters, specifically the actions of the women in John Grady Cole’s life and his reactions to them. His actions can be directly tied to a decision that one of the female characters in the story has made. Their roles directly affected the path he took throughout the story, suggesting that this is not just a coincidence but moreover a correlating sequence of events. As a Western novel, the plot development that women principally dictate John Grady’s fate is unusual, yet important to his character and the story’s events.
The horses are kicking, jumping, bucking, frightened by the loud pop of the fireworks and woohing of the crowd. A black broncho had fallen rolling in fear on the hard and cold ground. A beautiful white mustang is rearing up, fighting the restraint of a lead rope clutched tightly in two cowboys’ hands. They try vigorously to escape the hands of the cowboys. A thick cloud of dust surrounds them, flying up in their eyes, blinding them from their vicinity. This was Jack's chance, his chance to win. It is the 4th of July, 1935 and the Wild Horse Race is taking place. Each man wanting the same thing, victory. Being in such depressing times they all need a little boost of spirits in their lives. This was a way of showing that they would not let the times they were in get the best of them. Men from all over the county came to compete in this race. The cash prize was small, but in their position everything counted to them.
Human Development. Ed. Deborah Carr. Vol. 1: Childhood and Adolescence. Detroit: Macmillan Reference USA, 2009. 50-55. Gale Virtual Reference Library. Web. 21 Nov. 2013.
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Oehlschlaeger, Fritz. The Stoning of Mistress Hutchinson: Meaning and Context in The Lottery. Essays in Literature Vol. XV, Fall 1988. 259-265. Rpt. in Short Story Criticism, Vol. 9.
The short story, "Rocking-Horse Winner", and the movie based on it contrast considerably. When the written story has ended the movie continues with ideas, which may not come from the author. Three major differences of the two are: the mother, the father, and the ending. In the movie the mother, Hester, is portrayed as a loving and self-sacrificing person. While in the short story she is exposed to be a cold-hearted, and greedy person. Another instance where the short story and movie differ is the role of the father.
“All the Pretty Horses”, a novel written by Cormac McCarthy tells the tale about a man and his friend travelling the plains of Mexico after leaving their homes in Texas. As the novel’s name alludes to, horses are a central theme in the story as they represent manhood and freedom when John Grady, the protagonist, and his friend Rawlins get thrown in jail. McCarthy’s novel became critically-acclaimed which gained him more recognition, as well as a movie adaptation directed by Billy Bob Thornton. Even though Thornton’s adaption has the basics of the novel’s story it does not appropriately grasps its depth. While Thornton’s version stays faithful to the dialogue from the book’s included scenes it does fall short by having an erratic pace, having
The first indication the relationship between Paul and his mother is not one that is ideal is when we are first introduced to the mother. She reveals she feels her children, "had been thrust upon her, and she could not love them," whenever her children were present, "she always felt
... becomes very disappointed that his mother hasn’t shown any affection. All the money he won never got Hester to show any affection to him and crushes Paul’s heart. The love of his mother is gone because of her selfishness and greed she revealed when her son was just trying to make her happy so he can receive affection.
According to D.H. Lawrence: a study of the short fiction Paul’s last words ““Mother did I ever tell you? I am lucky!” Are really a desperate, confused proclamation of his love” (4)? This demonstrates that even after all his mother has done he still loves her and cares about her. He sees more in his mother than her materialism, he knows that she still loves her family, even if she cannot control her need for more money. Unlike his mother Paul shows that he does not care about money by saying “oh, let her have it, then! We can get some more with the other,” (Lawrence 800). This proves how different both characters are and how not all people are materialistic even if they come from the same family. He is willing to give his mother all the money he has earned just to make her happy. This proves how important his mom is to him and how money is not important to him because he is willing to give up all the money he
... Norton Anthology of English Literature. 9th ed. Vol. D. New York: W.W. Norton &, 2012. 1166-86. Print.