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Di̇scuss The İnfluence Of Petrarch On Engli̇sh Sonnets
Sonnets shakespeare and petrachian
Traditional and modern poetry
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In truly Renaissance English artistic fashion, poets such as Phillip Sidney and William Shakespeare negotiate poetic boundaries, while implementing Italian conventions. They manipulate the sonnet form and climb Castiglione’s “ladder of love” throughout their poems. Sidney’s Astrophil (Astrophil and Stella) behaves wildly, as Castiglione’s Bembo (The Courtier) expects from a young courtier; he is incapable of being able to see beyond physical form. Shakespeare’s speaker in “Sonnet 130” sees beyond form, almost to a fault. He berates his lover by straying from typical poetic intimacy, but he does so because he sees beyond her physical beauty. Sidney implements predominantly traditional Petrarchan sonnets, but creates a caricature of a “sensual lover;” while Shakespeare experiments with style, and he creates an exceptionally “reasonable lover.” Some scholars sharply contrast the two authors, asserting that Shakespeare’s Sonnets negatively respond to sonnets like Astrophil and Stella. However, the two both develop distinctive stylistic alterations to Italian conventions and Shakespeare borrows from Sidney within his poetic innovation. Castiglione’s The Courtier outlines various principles ingrained in courtly Renaissance culture, and in his piece, he discusses the power of reasonable love versus sensual love: Reasonable loves are more attentive to their loved ones’ needs. Castiglione also has his character Bembo assert that the lovers most capable of “reasonable love” are older men. He declares that young lovers are more apt to be carried away by feelings of “bitterness… wretchedness… jealousies…desperations [and] suspicions” (715). Meanwhile, elder lovers are prone to treat their women with more sensitivity and grace, which attra... ... middle of paper ... ... Norton Anthology of English Literature. 9th ed. Vol. D. New York: W.W. Norton &, 2012. 1166-86. Print. Sidney, Phillip. Astrophil and Stella. Ed. Stephen Greenblatt and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. D. New York: W.W. Norton &, 2012. 1045-1083. Print. Sidney, Phillip. Defense of Poesy. Ed. Stephen Greenblatt and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. D. New York: W.W. Norton &, 2012. 1084-1101. Print. "Sonnet." Columbia Electronic Encyclopedia, 6Th Edition (2013): 1. Literary Reference Center. Web. 3 Dec. 2013. Steele, Felicia Jean. "Shakespeare's SONNET 130." Explicator 62.3 (2004): 132-137. Academic Search Complete. Web. 29 Nov. 2013. Wood, Jane. "Elizabeth Barrett Browning And Shakespeare's Sonnet 130." Notes & Queries 52.1 (2005): 77-79. Humanities International Complete. Web. 2 Dec. 2013.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Greenblatt, Stephen, and M. H. Abrams. The Norton anthology of English literature. 9th ed., A, New York, W.W. Norton & Company, 2012. Pp
...e speaker admits she is worried and confused when she says, “The sonnet is the story of a woman’s struggle to make choices regarding love.” (14) Her mind is disturbed from the trials of love.
Sonnet 130 is Shakespeare’s harsh yet realistic tribute to his quite ordinary mistress. Conventional love poetry of his time would employ Petrarchan imagery and entertain notions of courtly love. Francis Petrarch, often noted for his perfection of the sonnet form, developed a number of techniques for describing love’s pleasures and torments as well as the beauty of the beloved. While Shakespeare adheres to this form, he undermines it as well. Through the use of deliberately subversive wordplay and exaggerated similes, ambiguous concepts, and adherence to the sonnet form, Shakespeare creates a parody of the traditional love sonnet. Although, in the end, Shakespeare embraces the overall Petrarchan theme of total and consuming love.
"Poetry is the revelation of a feeling that the poet believes to be interior and personal [but] which the reader recognizes as his own." (Salvatore Quasimodo). There is something about the human spirit that causes us to rejoice in shared experience. We can connect on a deep level with our fellow man when we believe that somehow someone else understands us as they relate their own joys and hardships; and perhaps nowhere better is this relationship expressed than in that of the poet and his reader. For the current assignment I had the privilege (and challenge) of writing an imitation of William Shakespeare’s "Sonnet 87". This poem touched a place in my heart because I have actually given this sonnet to someone before as it then communicated my thoughts and feelings far better than I could. For this reason, Sonnet 87 was an easy choice for this project, although not quite so easy an undertaking as I endeavored to match Shakespeare’s structure and bring out his themes through similar word choice.
"Sonnet 116." The Norton Anthology of English Literature. 6th ed. Vol. 1. Eds. M. H. Abrams,
Canfield Reisman, Rosemary M. “Sonnet 43.” Masterplots II. Philip K. Jason. Vol. 7. Pasadena: Salem Press, 2002. 3526-3528. Print.
Greenblatt, Stephen. The Norton Anthology Of English Literature. 8th. A. W W Norton & Co Inc, 2006.
Spencer, Edmund. “Amoretti: Sonnet 54”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
113- The Norton Anthology of English Literature. 6th ed. of the book. Vol.
Steele, Felicia Jean. "Shakespeare's SONNET 130." Explicator 62.3 (2004): 132-137. Academic Search Complete. Web. 22 Nov. 2013.
Shakespeare's Sonnet 73 well fills and fits the three quatrains and single couplet of the Elizabethan sonnet. We can be sure there is no doubt to believe that some of Shakespeare's sonnets, like Sonnet 73, were well known and he was surely placed at the head of the dramatists and high among the non-dramatic poets. As Bender and Squier claimed (75), in the sixteenth century, Shakespeare is England's greatest playwright and the best of the Elizabethan sonneteers.
Shakespeare, William. "Sonnet 130." The Longman Anthology of British Literature: compact edition. Ed. David Damrosch. Addison-Wesley, 2000. 556.
The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 460. Print.