Ovid’s Metamorphoses is as an epic containing fifteen books about the element of change. This work describes the myths of transformation as well as the many forms of love and power. The transformational power of love is a common theme in the stories of Metamorphoses; the forms that love takes are different and thought as provoking. One of the stories Ovid describes subsists that of Venus and Adonis; the transformational power of love shown in the epic is sorrowful, yet beautiful. However, are Ovid’s descriptions of love in this epic the true act of pure love or just the uncontrollable urge of lust? Some as an act of love can see decisions Venus makes, but there are some aspects, which question if the transformations she produced are made in …show more content…
Venus angrily claims to Fate as she sprinkles his blood with sweet nectar, causing it to swell before the blood red flower springs up from the soil: “My grief for Adonis will be remembered/ forever, and every year will see, reenacted/ in ritual form, his death and my lamentation/ and the blood of the hero will be transformed to a flower”(Ovid 10.843-846). This transformation is seen as an act of love because Venus couldn't accept the loss of Adonis, but it brings up the question of if she would have done such a thing if she weren’t under the influence of Cupids arrow. Ovid claims that these stories in the epic describe change and the forms love can take, but evidence such as the fact Venus was scratched by Cupids arrow moments before she laid eyes on the young and beautiful Adonis makes it appear less than genuine. If Venus wasn’t under the influence of Cupid’s magic would Adonis have still intrigued her to the point of abandoning all of her self-indulgent hobbies, and eventually turning his blood into a flower? It seems more believable that the actions the goddess of love made is representative of lust or sexual love like Eros. In addition, Venus changes her demeanor into that representative of Diana, which implies that if Adonis meets her in a more honest, self-indulgent attitude he may not have been as attracted to her. Thus, their relationship appears to be less of an innocent, pure love and more of a lustful, selfish
It is often—in books, poems, paintings, and sculptures—that one hears of and sees the goddess of love. But when is it that one hears of the god? In Greek mythology, Eros is the god of love, and a god who is many times overlooked. In Robert Bridges’ “EPÙÓ” and Anne Stevenson’s “Eros”, the idea that Eros is overlooked is portrayed, but in two separate ways. Techniques such as diction, imagery, and tone are used to help convey the idea.
"Where did man come from? Where did time begin? Who, or what, created all things?" These are questions that mankind has sought to answer from the beginning of existence as it is known today. Many stories and fables have been told and passed down from generation to generation, yet two have survived the test of time and criticism.
The depiction of the Greek and roman myths are given unique insights from different authors. The Hymn to Demeter and Ovid's Metamorphosis provide and insight to Demeter's love for her daughter, Persephone, and explores its affect on the surrounding environments. The theme of separation and isolation is present in both of these myths, however, in Ovid's Metamorphosis, he symbolizes the environment in important events, has characters playing different roles, and empowers female deities.
From the very start we see Apuleius using references to Roman myths as similes to everyday occurrences. When Fotis, the slave, enters his bedroom to make love to him, he remarks that "she stood, transformed into a living statue: the Love-goddess rising from the sea. The flushed hand with which she pretended to screen her mount of Venus showed that she was well aware of the resemblance; certainly it was not held there from modesty." He describes a slave girl trying to seduce him as Venus rising out of the sea. Some of this description may be a hyperbole for Lucius' love of Fotis. However, Apuleius goes beyond this by linking Fotis directly to Venus. Thus, the most beautiful goddess in the Pantheon is easily seen in a slave girl. Similarly, Thelyphron, when telling the story how members of a household attacked him, describes himself as feeling "like Adonis mauled by the wild boar, or Orpheus torn in pieces by the Thracian women." This...
Ovid wrote the Metamorphoses nearly two thousand years ago and Dante wrote Purgatorio 1600 years after that - two pieces of literature that dealt with topics which transcend humanity's perceived reality. Each piece of literature attempts to arrive at a truth concerning the essence of human existence, Dante seeks answers within the confines of Catholic dogma while Ovid approaches existence from a paganistic perspective. This demonstrates two very different approaches to the same exact query. Mankind has questioned the existence of a metaphysical realm for generations and consequently shapes the nature of the supernatural world.
Eupriedes, Medea and Sappho’s writing focus on women to expose the relationships between a variety of themes and the general ideal that women are property. The main characters in both pieces of literature demonstrate similar situations where love and sex result in a serious troll. These themes affected their relationship with themselves and others, as well as, incapability to make decisions which even today in society still affects humans. Headstrong actions made on their conquest for everlasting love connects to sacrifices they made to achieve their goal which ultimately ended in pain. Love and sex interferes with development of human emotions and character throughout the course
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
In Ovid's Metamorphoses, the concept of love seems to vary from character to character. In one case, a god in the form of a man desperately seeks a particular woman and refuses to relent until he has her. In another instance, a female goddess cares deeply for a man and goes to great lengths to protect him from danger. In yet another case, both who are arranged to be married seem indifferent about the matter.
The beginnings of the world are mythologically recorded by the poet Ovid, who lived from 43 BC to 17 or 18 AD. During this time period, he wrote a collection of poetry that spanned the history of Rome’s beginnings up to Julius Caesar. His poetry had political purposes, but was also well known for its codification of love affairs. While it met the standards of traditional epic poetry, the style of his couplets varied in rhythm and length, so it was labelled more ambiguously as “Roman mythological poetry.” In his largest and most famous work, The Metamorphoses covers hundreds of Roman myths. It is comprised of a series of 15 books, each with a different theme or virtue. The theme of Book 10 seemed to center around the love affairs of the gods. Each love story has an initial period of happiness, followed by a tragic event, resulting in the lovers being separated. There is a lot of sex and passion, but also a focus on mourning and sorrow. Nature also plays a large part in the lives of Ovid’s characters. By entwining nature and its animals with the human protagonists of his myths, Ovid wrote a creation epic that appealed to Medieval authors like Boccaccio, as well as writers such as Shakespeare and Dante.
As the last speaker, and the most important one, Socrates connects his ideas with Diotima of Mantinea’s story of Love’s origin, nature and purpose. Different from the earlier five speakers who regard Love as an object and praise different sides of it, Socrates, referring to Diotima’s idea, considers Love as a pursuit of beauty gradually ranging from “physical beauty of people in general” (Symposium, Plato, 55) to the “true beauty” (55). The first five speeches bond with each other. Each of them mentions the opinions of the former in order to either support or against them. However, just like the elements of a beautiful picture, they fail to show us the integration of love.
Euripides, one of Ancient Greece’s most famous playwrights, could be considered as one of the earliest supporters of women’s rights. With plays such as Alcestis and Medea, he clearly puts an emphasis on the condition of women, and even integrates them in the Chorus of the latter play, a feat that was not often done in Ancient Greece. Throughout the years, it has been argued that the two central characters in each of those plays offer conflicting representations of women in those times, and I can safely say that I agree with that argument. I will expand on my view by pointing out an important similarity between Alcestis and Medea, followed by a key difference, and will finish it off by contrasting them with the Ancient Greek depiction of an “ideal woman.”
In classical Greek literature the subject of love is commonly a prominent theme. However, throughout these varied texts the subject of Love becomes a multi-faceted being. From this common occurrence in literature we can assume that this subject had a large impact on day-to-day life. One text that explores the many faces of love in everyday life is Plato’s Symposium. In this text we hear a number of views on the subject of love and what the true nature of love is. This essay will focus on a speech by Pausanius. Pausanius’s speech concentrates on the goddess Aphrodite. In particular he looks at her two forms, as a promoter of “Celestial Love” as well as “Common Love.” This idea of “Common Love” can be seen in a real life context in the tragedy “Hippolytus” by Euripides. This brings the philosophical views made by Pausanius into a real-life context.
All of the eulogies and speeches within Plato's novel give great insight as to the social workings and aspects of ancient Greek intellectuals. Through The Symposium the reader learns the different aspects and natures of love as viewed by these intellects. The theories and themes within the novel are discussed and compared with the opinions and beliefs of each person present. The more notable themes in the novel are the ideas of physical love and lust, and the importance of the reproduction of ideas as they are filtered through each of the speakers.
Transformations from one shape or form into another are the central theme in Ovid's Metamorphoses. The popularity and timelessness of this work stems from the manner of story telling. Ovid takes stories relevant to his culture and time period, and weaves them together into one work with a connecting theme of transformation throughout. The thread of humor that runs through Metamorphoses is consistent with the satire and commentary of the work. The theme is presented in the opening lines of Metamorphoses, where the poet invokes the gods, who are responsible for the changes, to look favorably on his efforts to compose. The changes are of many kinds: from human to animal, animal to human, thing to human, human to thing. Some changes are reversed: human to animal to human. Sometimes the transformations are partial, and physical features and personal qualities of the earlier being are preserved in mutated form.