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Effect of media and films on society
Effect of media and films on society
Topics on how American film affects culture
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The Post-Modern Reality of Hollywood
The shower of bullets leave white grooved funnels in the air, as the hero in slow motion leans back to avoid the deadly aims of the gunmen—all the while his black trench-coat billows underneath him. The saddened husband in heaven spans the chasm of hell to be reincarnated with his soul-mate wife. The young business executive places the pistol in his mouth, his blood-shot eyes rolling upwards as beads of sweat trickle down his grimy face. Moments later, after the bullet has been released into his head he turns to see that his nemesis, his alter-ego, is now dead on the concrete. Sound unbelievable? Perhaps, but when realized as scenes from famous movies such as The Matrix, When Dreams May Come, and Fight Club, they seem not quite so unreachable as before.
In recent years, Hollywood has been inundating the American public with movies that question the very essence of reality. While set in highly entertaining, thrilling, and spectacular films, the very foundations of reality have been challenged, and some unsettling questions have been left unanswered in the minds of the American public. When did Hollywood become such a philosophizer? But more importantly, why has Hollywood taken to creating powerful films that manipulate the emotions and beliefs of their viewers as specifically concerns reality and their understanding of it?
Surely the foundations of reality have not always been so heavily emphasized in Hollywood in years past. Looking to motion pictures such as Casablanca, The Sound of Music, Clint Eastwood Western’s, Indiana Jones, and James Bond 007 (a handful of famous films), we do find questions posed and important scenarios of life brought to the screen. However, such movies were...
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...wood with a nice paycheck. Granted, not all films produced by Hollywood are illusionistic mind-benders such as The Matrix, and there are still films which present a very “real” reality. However, the increasing number of films such as Pulp Fiction, Fight Club, and The Matrix, and the subsequent encouragement by the American viewing public is most definitely a phenomenon worth exploring in greater depth. Hollywood has indeed become one of the largest mediums and beneficiaries of the post-modern, and this can be seen clearly in the post-modern reality which it so brilliantly presents.
According to Michael Albert in his article “Post-Modernism”. http://zena.secureforum.com/znet/ZMag/articles/albertold10.htm
Godwa, Hollywood Worldviews, pg. 17
Veith, Postmodern Times, pg. 35-36
Godwa, Hollywood Worldviews, pg. 19
Downing, When Heaven Becomes Desolate, pg. 6
Beginning the mid 1920s, Hollywood’s ostensibly all-powerful film studios controlled the American film industry, creating a period of film history now recognized as “Classical Hollywood”. Distinguished by a practical, workmanlike, “invisible” method of filmmaking- whose purpose was to demand as little attention to the camera as possible, Classical Hollywood cinema supported undeviating storylines (with the occasional flashback being an exception), an observance of a the three act structure, frontality, and visibly identified goals for the “hero” to work toward and well-defined conflict/story resolution, most commonly illustrated with the employment of the “happy ending”. Studios understood precisely what an audience desired, and accommodated their wants and needs, resulting in films that were generally all the same, starring similar (sometimes the same) actors, crafted in a similar manner. It became the principal style throughout the western world against which all other styles were judged. While there have been some deviations and experiments with the format in the past 50 plus ye...
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
According to Rohike and Stollman (2012), fecal microbiotic transplantation (FMT) first was used in 1958, as a treatment option for patients with antibiotic-associated diarrhea. However, the procedure was rarely performed or used in medical practice in the United States and in other countries. Because of increasing incidences and severity of CDI, FMT has gain acceptance as a quick and inexpensive treatment option (Brandt, 2012) for recurrent CDI. FMT involves the instillation of fecal material from a healthy individual into the intestinal track of a patient with recurrent CDI. Fecal material can be administered via endoscopy and colon...
There is no underlying cause for IBS. It is known that a person who has IBS has abnormal contractions, or spasms of the muscles of the colon. However, through research, it has not been found that IBS is caused by abnormal action of the colon. The colon is what moves food wastes through the large intestine. Some of the contractions cause constipation, pain, and gas.
The purpose of Ulcerative Colitis medications is to reduce inflammation in the colon, therefore giving the tissue a window to heal.
Neill, Alex. “Empathy and (Film) Fiction.” Philosophy of film and motion pictures : an anthology. Ed. Noel Carrol and Jinhee Choi. Malden, MA: Blackwell Publishing, 2006. 247-259. Print.
In the textbook ‘American Film: A History’, Jon Lewis discusses the components which he believes are markers of “the end of cinema as we know it”. By Cinema, Jon Lewis is meaning the all-encompassing thing that is film-making and film-viewing, as well as the marketing, and business side of Hollywood itself. The changes that resulted from the conglomerate business model, the marketing system of the industry and the advance in technology are the major argument points discussed by Lewis, however I think that technology itself is truly the overarching cause of the changes that’ve been seen.
In his first thought, Greg M. Smith establishes nothing is random within fictional lives. First off, he points out how easy it is to treat films like everything happens by chance, but proceeds to prove this is not the case. We are encouraged to get caught up in the movie’s world. Even a pedestrian of a scene has specific directions to follow. Outfits are chosen at length. Environments are carefully picked for being utilized by filmmakers. Everything in a movie has a purpose and has been edited and reviewed several times before reaching the big screen.
The effects caused by earthquakes are devastating. They cause loss of human life and have effects on infrastructure and economy. Earthquakes can happen at any time anywhere. In January 12, 2010 an earthquake of a magnitude of 7.0 hit the nation of Haiti. An estimation of 316,000 people were killed, and more than 1.3 million Haitians were left homeless (Earthquake Information for 2010). Haiti was in a terrified chaos. After the earthquake, families were separated because many of the members were killed. Homes, schools, and hospitals were demolished. People lost their most valuable belongings. It will take time for the country to recover from this terrible disaster. The long damages are economic issues, health-state, and environmental issues that effect in the beautiful island of Haiti.
In his poem 'Mending Wall', Robert Frost presents to us the thoughts of barriers linking people, communication, friendship and the sense of security people gain from barriers. His messages are conveyed using poetic techniques such as imagery, structure and humor, revealing a complex side of the poem as well as achieving an overall light-hearted effect. Robert Frost has cleverly intertwined both a literal and metaphoric meaning into the poem, using the mending of a tangible wall as a symbolic representation of the barriers that separate the neighbors in their friendship.
The postmodern cinema emerged in the 80s and 90s as a powerfully creative force in Hollywood film-making, helping to form the historic convergence of technology, media culture and consumerism. Departing from the modernist cultural tradition grounded in the faith in historical progress, the norms of industrial society and the Enlightenment, the postmodern film is defined by its disjointed narratives, images of chaos, random violence, a dark view of the human state, death of the hero and the emphasis on technique over content. The postmodernist film accomplishes that by acquiring forms and styles from the traditional methods and mixing them together or decorating them. Thus, the postmodern film challenges the “modern” and the modernist cinema along with its inclinations. It also attempts to transform the mainstream conventions of characterization, narrative and suppresses the audience suspension of disbelief. The postmodern cinema often rejects modernist conventions by manipulating and maneuvering with conventions such as space, time and story-telling. Furthermore, it rejects the traditional “grand-narratives” and totalizing forms such as war, history, love and utopian visions of reality. Instead, it is heavily aimed to create constructed fictions and subjective idealisms.
Classic narrative cinema is what Bordwell, Staiger and Thompson (The classic Hollywood Cinema, Columbia University press 1985) 1, calls “an excessively obvious cinema”1 in which cinematic style serves to explain and not to obscure the narrative. In this way it is made up of motivated events that lead the spectator to its inevitable conclusion. It causes the spectator to have an emotional investment in this conclusion coming to pass which in turn makes the predictable the most desirable outcome. The films are structured to create an atmosphere of verisimilitude, which is to give a perception of reality. On closer inspection it they are often far from realistic in a social sense but possibly portray a realism desired by the patriarchal and family value orientated society of the time. I feel that it is often the black and white representation of good and evil that creates such an atmosphere of predic...
Burning and mining coal for fuel is harmful to the environment but because how cheap and easy it is to find many people are unwilling to give it up as a fuel source. One of the problems with coal is that they are limited and are non-renewable so once it has been used we won’t be able to use it again.
When one hears poverty they think of having no money or a house and being on the streets like a homeless person. That is in fact true but, poverty is more than that it is more widespread across income levels. Not just those at the absolute bottom of income earned and wages. 12% of Americans are unable to meet their basic needs 20% being 18 years or younger (mit.edu). Poverty does not just affect people on the individual level it also can have effects on communities as a whole.
Poverty, also known as the silent killer, exists in every corner of the world. In fact, almost half of the world’s population lives in poverty. According to the United States Census Bureau, there were 46.7 million people living in poverty the year of 2014 (1). Unfortunately, thousands of people die each year due to this world-wide problem. Some people view poverty as individuals or families not being able to afford an occupational meal or having to skip a meal to save money. However, this is not the true definition of poverty. According to the author of The Position of Poverty, John Kenneth Galbraith, “people are poverty-stricken when their income, even if adequate for survival, falls radically behind that of the community”, which means people