The Portrayal of Class Stereotypes in the Television Drama Shameless

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The Portrayal of Class Stereotypes in the Television Drama Shameless Paul Abbot lived in Manchester throughout the early periods of his life. He lived and experienced the daily goings on first-hand, making his product, “Shameless”, semi-autobiographical. Combining the reality of Manchester’s underclass and his good sense of situational humour, Abbot moulded his most recently acclaimed TV drama with great intricacy. On many occasions, Abbot creates situations of which provide laughter for adult audiences, and additionally an accurate analysis of a social class forgotten and ignored by the surrounding society. Abbot is experienced in this to the extent that he can incorporate humour, without letting us question the verisimilitude of it all. One excellent demonstration of social class is at the breakfast table. We see Carl, aged 11, staring in admiration down at his two scrambled eggs, arranged like a pair of breasts. Slowly he moves his face down toward his plate, tongue protruding and looking as if he’s living an internal sexual fantasy. He manages about 2cms away from his food, only to be whacked on the head for immaturity by his older sister. The fact that Carl even attempts to do this at the dinner table surrounded by other family members, suggests a lack of mature manly influence, absentness of male pride and additionally a child with little knowledge of how to treat and act around women collectively. The oldest manly influence he has is his father, Frank; a poorly dressed, drastically under-groomed and violent alcoholic whose views on women are of a chauvinist nature. The fact that Carl has been exposed to sexual innuendoes and conversations at the age of eleven portrays an undignified, abnormally conducted family with a poor social class. Fiona reaching into the bin to retrieve a used packet of cigarettes is a short, yet important scene in the middle of the episode. The fact that Fiona is willing to reach into a bin amongst the past few days of garbage, for something as trivial as a small cardboard box, introduces me to the concept that Abbot is attempting to convey another common

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