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The picture of dorian gray morality essay
The mind behind the picture of dorian grey
Essay of the picture of Dorian Gray
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Contrary to Oscar Wilde’s first claim, “art is quite useless,” in his novel, The Picture of Dorian Gray, the story demonstrates how art can have an important role in teaching a moral lesson. This is shown through aspects of the psychoanalytic school of criticism and the Freudian theory of the id, ego, and superego. In the beginning, Dorian Gray is a man who is kindhearted and innocent. This changes when he is introduced into a lifestyle of hedonistic pleasures and he becomes selfish, corrupted, and driven only by his id. As a result, he changes into a man who has no interest in how others perceive him, whose mental state becomes unstable, and one that corrupts anyone around him. The story shows that the willingness of one to allow their id …show more content…
Throughout the novel, it is apparent that those who are associated with Dorian end up with either a ruined reputation or dead. For an example, Dorian murders Basil out of his allegiance to the pleasure principle and his hedonistic lifestyle. In the interaction that reunited Basil and Dorian, Basil pleaded Dorian to recognize what he has done wrong and to change. This had been perceived as a threat by Dorian’s mind which was solely occupied by the id and in order to eliminate the threat, he kills Basil. At this moment in the story, Dorian will do anything to protect his way of life and in order to show his commitment, he eliminates any possible threats to it. Furthermore, Dorian is indirectly responsible for the deaths of Sybil Vane, Alan Campbell, and many more. Dorian’s cruel rejection towards Sybil Vane is what prompted her to take her own life. Alan also took his own life out of guilt because of what Dorian blackmailed him into doing. Although Dorian did not physically murder these individuals, his selfish actions are the reason behind why they took their lives. In the end, the only way Dorian could have stopped his destructive path caused by his id was to allow it to claim himself. He attempts to leave his life of selfish pleasures behind but he is unsuccessful. He does not know how to truly change his pleasure seeking ways without the presence of his superego. In his last attempt to “be good”, Dorian kills himself along with his id. These events reveal how Dorian’s devotion to the pleasure principle causes harm to others and turns Dorian into a murderer. Dorian’s loyalty to this lifestyle is what ruins his the life of himself and many others around
During the novel, The Picture of Dorian Gray, three people die: Sibyl Vane, Basil Hallward, and James Vane. In one way or another Dorian played a part in each of their deaths. Kestner says that the second type of narcissism is the inability to feel (217). Dorian feels no remorse for the deaths of these people and takes no responsibility for his part in it. Sibyl Vane committed suicide after Dorian’s brutal rejection of her. Dorian murdered Basil after showing him the painting. Basil was trying to save Dorian’s soul by begging him to confess his sins. Dorian flew into a rage and stabbed Basil, afterwards “he felt strangely calm” (Wilde 152). He justified his actions by saying that Basil was “the friend who had painted the fatal portrait to which all his misery had been due” (Wilde 152). Then Sibyl Vane’s brother, James Vane, came to get revenge on Dorian Gray and ended up dying when Dorian distracted a gunman during a hunt. None of Dorian’s friends on the hunt cared that the man has died; they only care that he has “spoiled [their] shooting for the day” (Wilde 193). These are the type of people which Dorian surrounds himself, people who will continue his down fall. The friends only care about beauty and titles which then influences Dorian to look at the world in the same way. Oscar Wilde added multiple encounters with Dorian’s friends as a criticism of society. The
Dorian shares Hyde’s immoral nature, but exhibits it in a different way. Hyde is brutal and uses strength to commit his acts of terror. Dorian uses his suave and charisma to corrupt others. Dorian’s story is that he had a magical painting of himself that aged for him, took his ills, and displayed his sins. So long as the picture remained, he would remain immortal and young. Throughout the book, he continued to perform worse depravity, feeling no remorse for the live she destroyed or the people he killed. He only ever killed one man directly, though. His every kill was that of convincing someone to a worse fate, turning rich men to beggars and young virgins to prostitutes.
In the beginning of the book, Dorian seems to be an innocent, charming, beautiful young man, and even referred to as “a wonderful creation” (ch 2). Dorian is described as this amazing person, with looks comparable to a God, charm that could swoon any woman, and a mesmerizing persona about him with the ability to draw anyone near, yet he seems to be so imperceptive to himself. His attitude of simplicity causes readers to be fond of him, passing their first judgments that he could not possibly be evil. As the story moves along readers see the first inkling that Dorian may not be so perfect. Dorian comments on “how sad it is…[that he] shall grow old, and horrible, and dreadful. But the picture will remain always young” (ch 2). This statement lets readers inside Dorian’s thoughts, showing how shallow and frivolous Dorian views life to be. He places so much value and esteem on looks alone, forgetting that being painted should be an honor, or at the very least...
trading his soul for his youth, Dorian rids of the good inside of himself. The
In his search for hedonistic pleasure, Dorian Gray ruins many reputations and is the cause of a few deaths. Even Basil points out that Dorian is linked to destroyed lives, realizing that “One has a right to judge of a man by the effect he has over his friends. Yours [Dorian’s] seem to lose all sense of honor, of goodness, of purity. You have filled them with a madness for pleasure. They have gone down into the depths. You led them there” (143). This is why Sibyl kills herself because after being introduced to pleasure, she cannot act anymore and Dorian unreasonably rejects her. Consequently, after hearing of Sibyl’s death, Dorian is grief-stricken, but quickly recovers and becomes an insensitive Lord Henry clone again: “You [Dorian] were the most unspoiled creature in the whole word. Now, I [Basil] don’t know what has come over you. You talk as if you had no heart, no pity in you. It is all Harry’s influence” (104). Instead of truly acce...
Like many stories, Oscar Wilde’s The Picture of Dorian Gray has a moral, a greater message. Wilde’s lesson about the relationship between the body, mind, and soul is simple, but important: the body is the vehicle for the mind, which is the vehicle for the soul. This is the “natural order” of things, and Wilde shows that it should not be contested. The soul should remain inside a piece of the mind: invisible to the world, mysterious and sacred to its bearer. If this order is changed or contested, Wilde warns of sin, manipulation, and grief to come, making The Picture of Dorian Gray an essentially philosophical and moral novel.
Lord Henry easily influence Dorian because he is young and young people can copy everything what old people say and does. Dorian listened to Lord Henry that being gorgeous is better than to have manners. He showed this like when he just liked Sibyl because she can act but when Sibyl forget about her acting, he unliked her and just dumped her. When Sibyl killed herself, at first Dorian is kind of guilty but then Lord Henry told him that it is not his fault. That Sibyl is only a girl. Also, with the death of James and Basil, he felt really guilty. With James, he feels like because James was the brother of Sibyl so like James is threatening him. Basil also kind of influenced him because he also made Dorian realized or showed Dorian the world of beauty. And with Basil, Basil is the one who knows everything about him and the one who made his portrait that Dorian feels like it is not right because all he see on his portrait is his guilt and every bad thing he did. He blamed Basil for it. He also destroyed the painting because it is not working right and its just becoming worse and worse when his sins are increasing. When he destroyed the portrait, he used the knife that he also used when he killed Basil. At the end, when he destroyed the painting, he also killed himself. The book is
The development of Dorian’s double life discreetly implicates the confinement of homosexuality due to a lack of liberation.1 Before his confrontation with sin, Dorian leads a lifestyle of spiritual freedom and aesthetic oblivion.2 Dorian’s moral corruption does not arise until the forcible fragmentation of his identity when Basil asserts his desire to “stay with the real Dorian,” while referring to the portrait of Dorian.3 His corruption emerges when he begins to feel a “passion for sensations,” which results in a constant fluctuation of emotional stability and discontinuity of his puerile innocense.4 Wilde finalizes Dorian’s breakaway from realism through his proclamation that the portrait was to “bear the burden of his shame,” which foreshadows his shameful future and the degradation of his image.5 The implementation of a double life reflects the beginning of his battle with sin versus morale, and even more intuitively his expression of homosexuality versus traditional relations.6
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
Dorian Gray's life is dictated by his physical appeal. His beauty lies within his youth. Dorian's perception of beauty allows him to love. He is convinced that his beauty allows him to accomplish anything he desires regardless of the consequences and still be loved by his friends. He uses his beauty to mitigate his evil actions. Dorian says, “I don't wish to know anything about them. I love scandals about other people, but scandals about myself don't interest me. They have not got the charm of novelty.” Youth and beauty are the most precious things to Dorian. In his life, beauty is of utmost importance. Then he sees the picture of himself, painted by Basil, absorb his sins and this changed his view. “I hope it is not about myself. I am tired of myself tonight. I should like to be somebody else,” Dorian said. He aspired to have had a good life rather than one filled with artificial meaning and beauty. The moral beauty of Doran lies within the portrait of himself. The portrait imitated his life. He finally realized that beauty cannot help him escape his evil actions. He deeply lamemted his wish that the portrait bore the burden of his age an...
Upon stabbing the painting, the painting returns to its original form and leaves Dorian looking aged and withered to the point where he is unrecognizable. The author tries to show that the actions and “ugliness” of an individual cannot remain hidden forever. Wilde attempts to convey the message that although others may be oblivious or unaware of an individual’s inner “ugliness”, an individual cannot always tune their ugliness out to their own self. Although, in his pursuit of desires, Dorian ignores his moral compass, which prevents him from differentiating between good or bad, he is however not able to ignore the “ugly” person he becomes. Dorian isn’t bothered by his ugliness due to moral reasons but more so due to the fact he doesn’t wan others to discover this side of
Careful examination of Dorian’s initial susceptibility to influence, willingness to commit sin, and interactions with other characters prove Lord Henry plays the biggest role in transforming Dorian from pure to vicious. With his cunning theories and brainwashing comments, Dorian cannot muster the strength to resist Lord Henry’s dominating nature, showing there are no limitations in relationships when it comes to influence. The topic of which character primarily influences Dorian to turn to a dishonest lifestyle is undeniably significant in understanding the purpose of the characters as well as the deeper meaning of the text.