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Morals essay on dorian gray
Dorian Gray's moral corruption
Morals essay on dorian gray
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Oscar Wilde’s novel, The Picture of Dorian Gray familiarizes us to the character of Dorian Gray, once a noble and innocent man who is corrupted by Lord Henry, leading him to have a desire to attain eternal physical beauty, which begins to haunt him as his inner ugliness, begins to reflect in a painting of him. Wilde also introduces the readers to the idea of an invisible mask human beings have the power to wear at all times, which allows them to hide any hideous deeds or imperfections they have as individuals, as displayed through the character of Dorian Gray and his portrait. The author adopts a gothic style while writing this novel to highlight the wicked and maliciousness of the character, which further helps, build up this story. According to the Merriam-Webster Online Dictionary, “Gothic” literature is defined as “a style of writing that describes strange or frightening events that take place in mysterious places”. Given this definition, it becomes apparent that Wilde writes this novel in a gothic manner. Wilde employs gothic …show more content…
Upon stabbing the painting, the painting returns to its original form and leaves Dorian looking aged and withered to the point where he is unrecognizable. The author tries to show that the actions and “ugliness” of an individual cannot remain hidden forever. Wilde attempts to convey the message that although others may be oblivious or unaware of an individual’s inner “ugliness”, an individual cannot always tune their ugliness out to their own self. Although, in his pursuit of desires, Dorian ignores his moral compass, which prevents him from differentiating between good or bad, he is however not able to ignore the “ugly” person he becomes. Dorian isn’t bothered by his ugliness due to moral reasons but more so due to the fact he doesn’t wan others to discover this side of
Gothic writing is a style that depends upon the evocation of moods, which is reflected mainly in the writing style of a novel. ‘Dracula’ is written in the first person – ‘I must have been asleep’ - with a constant change of narrator within chapters. Wilde, however, wrote in the third person, omniscient, giving us the observer’s point of view whilst still showing us the intelligence and class of his characters through the language that they use – ‘come, Mr Gray, my hansom is outside’.
Edgar Allen Poe and Nathaniel Hawthorne, were two authors who became well know for when it came to writing Gothic Literature. Both Nathaniel and Edgar knew exactly what they wanted and succeeded in taking you places you didn’t think your mind could go. They each had their own way of producing Gothic stories, but yet, can still show you what happens behind closed doors that we usually keep doubled-locked.
The gothic literature is only a prime example of how our work reflects us in life, or in this instance the case of Oscar Wilde. In this case, whether conscience of the decision, Wilde has placed himself into the novel as Dorian Gray, and replicated the same decisions as he took in life that led each to the same fate. The use of gothic also portrays the same idealistic rules presented, if not spoken in those who create work for the gothic. Although many artists and authors grow in different background and learn different styles, what is presented in their works will always show similar
The term ‘Gothic’ conjures a range of possible meanings, definitions and associations. It explicitly denotes certain historical and cultural phenomena. Gothicism was part of the Romantic Movement that started in the eighteenth century and lasted about three decades into the nineteenth century. For this essay, the definition of Gothic that is applicable is: An 18th century literary style characterized by gloom and the supernatural. In the Gothic novel Frankenstein by Mary Shelley, a wide range of issues are explored. Frankenstein represents an entirely new vision of the female Gothic, along with many other traditional themes such as religion, science, colonialism and myth.
Gothic writing is related to a style of fiction that deals with the mysterious or grotesque; Nathaniel Hawthorne’s “The Ministers Black Veil” is classified as a dark romantic work because it contains the themes of sin, guilt, and looking at the darker side of human life. He had trouble from his early life, his dreary adulthood, and his fascinations with common man. His early and more unsuccessful work is from his silent and productive years.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
Linda Bayer-Berenbaum’s book, The Gothic Image, discusses the roots of the term ‘gothic’ in that it originated with reference “to the Northern tribes that invaded Europe during the fourth, fifth and sixth centuries” and it evolution over time to be associated with “ruins [or] the process of decay,” dealing with the past (19). In Gothic Literature, Andrew Smith states, “[t]he word ‘Gothic’ means different things in different contexts,” for literature; however, the gothic is a “cultural reconstruction…of a somewhat fantasized version of the past,” (2). He goes on to suggest that the “Gothic style” came with the development of the “Enlightenment,” and Gothicism is closely related to Romanticism through the emphasis on “the emotions and the imagination,” (2).
Dorian Gray is a grand Gothic experiment from the moment in Basil Hallward’s studio when he desperately swears that he “would give [his] soul” if only he “was to be always young, and the picture … was to grow old” in his stead (Wilde 28). Even before this moment, Dorian was a test subject of Lord Henry’s, who wanted to see how many of his own ideas he could inject into the boy. This influence rapidly planted in Dorian the ideas of eternal youth and beauty and led to the encasement of his soul in the portrait. After the switch, Dorian not only is under Lord Henry’s influence, but he is also Oscar Wilde’s subject. In his novel The Picture of Dorian Gray, Wilde manipulates Dorian, his surroundings, and his circumstances to capture a realistic portrayal of the character’s downfall by depicting the nature of the body, mind, and soul, and the relationship they share.
In "The Picture of Dorian Gray" by Oscar Wilde, we see a beautiful young man who makes tremendous efforts to transform the actual world into the idealistic world of art, dreams and sensations. Dorian's quest, however, culminates in his ultimate tragic destruction. Given that Dorian lives a corrupt life, one is likely to focus on the negative aspects of his character. In spite of his significant character flaws, Dorian Gray may still be considered a hero. This essay will examine Dorian's degradation from the innocent world to the vicious, sensation-oriented world. The elements contributing to Dorian’s status of tragic hero will then be discussed.
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
Although the audience is invariably aware of the corruption Gray’s soul suffers, Wilde’s use of gothic language suggests the extent of his malice. The painting could have restrained Gray’s soul but the extent of his hideous actions overwhelms Gray, and the true nature of his soul, represented through the ‘living’ portrait inevitably leaks out into Gray’s pleasant reality and into the tone of the entire text. If it were not for the gothic elements, readers would not be fully aware of the depravity of Gray’s soul. Wilde uses the dark to contrast the naive purity of Gray’s facade, which although appears unmarked cannot hide the ugliness of his soul.
Duggan, Patrick. "The Conflict between Aestheticism and Morality in Oscar Wilde’s The Picture of Dorian Gray." Journal of the CAS Writing Program (2008): 61-68. Print.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
He also blames all the misery of his life on the hideous painting of him (152). Dorian 's hatred towards the two pieces of art mirror how Victorian society looks upon art created by people like Oscar Wilde. Oscar Wilde 's plays, essays and other works of art are looked poorly upon by some in the Victorian era as his work was considered by some to be corrupting. Oscar Wilde, however uses the book The Picture of Dorian Gray to subtly counter these points. “All art us at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril” (4). Oscar Wilde criticizes Victorian culture as he implies that too many people read and analyze the surface or read the symbol, but not both. In order to properly understand a piece of literature the reader must interpret both surface and symbol. Dorian Gray fails to do this as he interprets merely the surface of the portrait and also of the yellow book, but he fails to investigate the symbol of each piece of art. By failing to completely analyze the text he draws terrible conclusions of what the purpose of the book is and as he begins to formulate horrible ideas based off these incomplete conclusions he has drawn from the book. He then proceeds to blame all his corruptness on the book, when in reality it is his poor analysis of the book