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The Passing of the Crown by Shakespeare's Henries
In his histories from Richard II through Henry V to Richard III, Shakespeare depicts the English monarchy as a game between family and friends of vying for a gold ring -- the crown. Shakespeare gives his reader a central metaphor through which to see this equation in King Henry IV part one. The prank Prince Hal, later King Henry V, and his friend, Poins, play on their friends, particularly Falstaff, parallels the plot's focal passing of the crown.
In the first act, Poins outlines his plan to play a prank on Falstaff and their other friends to Prince Hal, "They [Falstaff and others] will adventure upon the exploit [of stealing money from travelers] themselves, which they shall have no sooner achieved but we'll set upon them" (I.ii.169-71). This exactly represents the larger action that takes place in this same piece. King Henry IV, previously Bolingbroke, usurped the crown from King Richard II in Shakespeare's play of that title, and now, in this King Henry Hotspur is trying to take from "Bolingbroke," the name he contemptuously insists on using for the king, the crown which the king 'rightfully' stole already. Hal's prank can, in fact, be seen as the summarizing play within the play so popular in Elizabethan drama. Not only does Hal's light-hearted game sum up the events of this history, it also works as a microcosm of the events in King Richard III, a tragedy wherein Richard steals the throne from his brothers, Edward and George, who, in turn, stole it from Henry VI. The metaphor becomes even more obviously applicable when we hear Falstaff's self-defense for giving up the stolen money so easily, "Was it for me to kill the heir apparent?"...
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...taining the position and participating in its ceremonies is a game. However, I don't think this means that the role is an impossible one to actually possess, that it's always simply an unreachable construct that everyone pretends at. I think it just means that Shakespeare sees the crown as not being as serious a thing to possess as is commonly thought. It's a joke, a gag, a prank, always a gold ring made of cardboard. Where there's "a kingdom for a stage," so too can there be 'a stage for a kingdom' (Henry V, prologue line 3). Being King means playing.
Works Cited
Shakespeare, William. Henry IV: part one. Ed. P. H. Davison, New York: Penguin Books, 1996.
Shakespeare, William. Henry IV: part two. Ed. P. H. Davison, New York: Penguin Books, 1997.
Shakespeare, William. Henry V. Ed. A. R. Humphreys, New York: Penguin Books, 1996.
Shakespeare’s ‘King Henry IV Part I’ centres on a core theme of the conflict between order and disorder. Such conflict is brought to light by the use of many vehicles, including Hal’s inner conflict, the country’s political and social conflict, the conflict between the court world and the tavern world, and the conflicting moral values of characters from each of these worlds. This juxtaposition of certain values exists on many levels, and so is both a strikingly present and an underlying theme throughout the play. Through characterization Shakespeare explores moral conflict, and passage three is a prime example of Falstaff’s enduring moral disorder. By this stage in the play Hal has ‘reformed’, moved away from his former mentor Falstaff and become a good and honourable prince.
Prince Hal is initially portrayed as being incapable of princely responsibilities in light of his drinking, robbery and trickery. Yet, Shakespeare reveals that Hal is in fact only constructing this false impression for the purpose of deceit. Prince Hal’s manipulative nature is evident in his first soliloquy, when he professes his intention to “imitate the sun” and “break through the foul and ugly mists”. The ‘sun’ Prince Hal seeks to ‘imitate’ can in this case be understood as his true capacity, as opposed to the false impression of his incapacity, which is symbolised by the ‘foul and ugly mists’. The differentiation of Hal’s capacity into two categories of that which is false and that which is true reveals the duplicity of his character. Moreover, Hal is further shown to be manipulative in the same soliloquy by explaining his tactic of using the “foil” of a lowly reputation against his true capacity to “attract more eyes” and “show more goodly”. The diction of “eyes” symbolically represents public deception, concluding political actions are based on strategy. It is through representation and textual form that we obtain insight into this
... and men of the community would freely pick their jobs without being demanded. Both women and men received an evenly amount of hours. Most of the time the women would be taking care of household chores and the children while the men produced crops and did most of the farming. At one point a man named Lewis Ryckman, suggested a business of shoemaking which successful.
The main character Winston Smith was a very curious and rebelliousness individual. He wondered how and why the gove...
Shakespeare, William. Hamlet (The New Folger Library Shakespeare). Simon & Schuster; New Folger Edition, 2003.
Shakespeare, William. "The First Part of King Henry the Fourth." The Necessary Shakespeare. By William Shakespeare and David M. Bevington. New York: Longman Group, 2004.
Shakespeare, William. Henry IV: part one. Ed. P. H. Davison, New York: Penguin Books, 1996.
In act one, Shakespeare introduces the idea that Prince Henry is an inadequate heir to the throne. The play opens with King Henry IV, Prince Henry’s father, speaking to his council of a war with Scotland. Quickly the subject of the discussion turns to Prince Henry, or Harry’s, indifference to the affairs of war. The King then compares Harry to Hotspur, son of the Duke of Northumberland in his dialogue:
Most American citizens remember December 7, 1941 and the significance that the incidents of that day had. The attack on Pearl Harbor was a shock to the United States of America and it engaged our country in the Second World War of that century (Pearl, 2009). Unfortunately, due to that incident, many Americans harbor many negative feelings and attitudes towards the country of Japan. While this is an understandable sentiment, it is unnecessary, because Japan is an influence on not on the United States but the entire world. Throughout this paper, we will look at the country of Japan as many have never viewed them before. Their actions of the past are just that, the past. Japan is a thriving and successful country within our environment and it is in our best interest to understand that country better. Japan, as a culture, is the
Hal is the Prince of Wales and heir to the British throne was able to manipulate both the nobles and the court in order to satisfy his needs. Firstly, his ability to speak confidently between the lower class and upper class allowed him to gain authority of many things. In the beginning of the play, Poins tells Hal and Falstaff there is a robbery planned for...
Asking just about any animal rights activists on the thoughts of animal testing, it is virtually unquestionable that the majority of them would come across the thought of some of the laws in regards to animals and how animals are “protected” by these laws. Trained scientists and researchers take on the key role of testing on animals in laboratories and facilities throughout the world. Simply in the United States alone, there are very few laws protecting animals from the unnecessary amounts of suffering the researchers force upon them with many broad exceptions. Additionally, in reference to the scientists who perform these tests, the author lists and goes into detail explaining certain associations that infrequently examine and inspect animal testing facilities to ensure that the guidelines and standards are being followed. The author then goes on to state the problems among these organizations that were originally created by the government to assess
Shakespeare, William. Richard III. The Norton Shakespeare. Ed. Stephen Greenblatt. (New York: W.W. Norton and Company, 1997), 515-600.
Clark, W. G. and Wright, W. Aldis , ed. The Complete Works of William Shakespeare. Vol. 1. New York: Nelson-Doubleday
Shakespeare, William. The Norton Shakespeare. Edited Stephen Greenblatt et al. New York: W. W. Norton & Company, 1997.
Throughout the play of Henry IV: Part 1, King Henry of London has begun preparing the kingdom for his son, Prince Hal, who will soon inherit the throne. Unfortunately, King Henry is apprehensive of his wild child, frightened that he won’t be able to transition from rowdy boy to respectable king. In this passage, Prince Hal is dramatically explaining his scheme, professing that he is capable of successfully inheriting the throne. Through this explanation, it is clear that he has avoided much of his inescapable responsibilities throughout his childhood. By looking at Shakespeare's use of contrasting point of views, we can see that Prince Hal wanted to deliberately victimize and justify his current facade, as well as create the image of the person