Over the years, many people have analyzed Flannery O'Connor’s story, “A Good Man Is Hard To Find,” in ways which they focus more on the history of O’Connor or the historical background and time period of the story. Such scholars that have done so include Sara Kelley (2008), James Nacua (2008), and even O’Connor herself (1963) one year before her death. These “authors have focused on her grotesque detail” (Kelley) such as violence her use of violence to depict salvation. Even though Sara and James’ analysis of the story is fairly recent, it closely follows O’Connor’s overall analysis of the story from 1963. No one has ever analyzed the story in any other way, but the “whole of idea of grace and salvation” (Nacua) and how it was depicted in throughout the story. How come no one ever does a psychoanalytical analysis of the story, because killing a whole family and then the old grandma last is just wrong. Someone would have to have some serious mental issues to write about something like that or they may have had a rough past. Either way, it in no way justifies writing about killing an entire family for no reason, whether it is about spirituality or not.
The similarities of the scholars’ analysis and other people’s analysis is the whole idea about the story and how O’Connor “uses violence to depict salvation, often through spiritually or physically grotesque characters”(Kelley) which, in turn, causes some very heated arguments about religion and faith. It also brings up the question, was O’Connor a Christian? She appears to be a little maniacal in many of her stories which gave her the reputation of being a “writer of shocking and violent stories”(Kelley) things so violent that one sound in mind could not think up these stories.
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As I read Flannery O’Connor’s short story “A Good Man is Hard to Find”, I find myself being completely consumed by the rich tale that the author weaves; a tragic and ironic tale that concisely and precisely utilizes irony and foreshadowing with expert skill. As the story progresses, it is readily apparent that the story will end in a tragic and predictable state due to the devices which O’Connor expertly employs and thusly, I find that I cannot stop reading it; the plot grows thicker with every sentence and by doing so, the characters within the story are infinitely real in my mind’s eye. As I consider these factors, the story focuses on two main characters; that of the grandmother, who comes across as self-centered and self-serving and The Misfit, a man, who quite ingeniously, also appears to be self-centered and self-serving. It is the story behind the grandmother, however, that evidence appears to demonstrate the extreme differences between her superficial self and the true character of her persona; as the story unfolds, and proof of my thought process becomes apparently clear.
6 [O'Connor, Flannery: A Good Man Is Hard to Find- "Good Country Peole", 1980: 193.].
Flannery O’Connor’s A Good Man Is Hard to Find is one of the most well-known short stories in American history. A Good Man Is Hard to Find is a disturbing short story that exemplifies grace in extremity as well as the threat of an intruder. The story tells of an elderly grandmother and her family who embark on a road trip to Florida. The grandmother is a stubborn old woman with a low sense of morality. While on the trip, the grandmother convinces her son to take a detour which results in a broken down car and an encounter with a convicted fugitive, The Misfit. Although the grandmother pleads for mercy, The Misfit kills off the rest of her family. Through the grace she finds in her extreme circumstance, the grandmother calls The Misfit her own and implores him to spare her life. The Misfit does not oblige her and states after her death, “She would have been a good woman if it had been someone to shoot her every day of her life.” Through Flannery O’Connor’s disturbing and shocking display of the grandmother’s demise, she gives the reader a sense of the threatening power of an intruder and the idea of extreme situations bringing about a state of grace. The reason for such a powerful work may have resulted from Flannery O’Connor’s religious upbringing as well as the state of the nation at the time.
Flannery O’Connor's perception of human nature is imprinted throughout her various works. This view is especially evident in the short stories, “A Good Man Is Hard to Find” and “Revelation.” She conveys a timeless message through the scope of two ignorant, southern, upper class women. In “A Good Man is Hard to Find,” O’Connor presents readers to a family who is going on a road trip with their selfish grandmother. She is a religious woman who does not follow the set standards that she preaches. Similar characteristics are exposed in “Revelation.” As the self centered Mrs. Turpin sits in the waiting room, she contemplates on her own status with God. Nevertheless, she still commits the sin of judging others. In both of O’Connor’s short stories, these controversial protagonists initially put up a facade in order to alienate themselves from their prospective societies. Although the grandmother and Mrs. Turpin both believe in God, O’Connor utilizes theme to expose that they also convince themselves that they can take on His role by placing judgement on people who, at the most fundamental level, are in the same category as them.
Flannery O’Connor is a master of the ironic, the twisted, and the real. Life is filled with tragic irony, and she perfectly orchestrates situations which demonstrate this to the fullest extent. A Good Man is Hard to Find is an excellent example of the mangled viewpoint which makes her work as compelling and striking as it is.
In A Good Man Is Hard to Find, Flannery O’Connor utilizes foreshadowing, characters and symbolism to impart her lesson of mortality and salvation. We are able to observe minor details within the story through these academic instruments, urging the reader continue on to see how the story will come to conclusion. The knowledge that evil exists in the world, and that stories like this are not uncommon, brings to mind thoughts of my own mortality and salvation. Does this accidental meeting with the grandmother and her family lead to a personal and spiritual growth for The Misfit? The ability to recognize and apply literary tools when reading stories can greatly enhance a reader’s overall
“A Good Man Is Hard To Find” and “Good Country People” are two short stories written by Flannery O’Connor during her short lived writing career. Despite the literary achievements of O’Connor’s works, she is often criticized for the grotesqueness of her characters and endings of her short stories and novels. Her writings have been described as “understated, orderly, unexperimental fiction, with a Southern backdrop and a Roman Catholic vision, in defiance, it would seem, of those restless innovators who preceded her and who came into prominence after her death”(Friedman 4). “A Good Man Is Hard To Find” and “Good Country People” are both set in the South, and O’Connor explores the tension between the old and new South. The stories are tow ironically twisted tales of different families whos lives are altered after trusting a stranger, only to be mislead. Each story explores the themes of Christian theology, new verses the old South, and fallen human nature.
Bandy, Stephen C. "One of my babies": The Misfit and the Grandmother in Flannery O'Connor's short story 'A Good Man Is Hard to Find'. Studies in Short Fiction; Winter 1996, v33, n1, p107(11)
O’Connor, Flannery. "A Good Man Is Hard to Find.” The Story and Its Writer. Charters, Ann. Compact 8th ed. Boston: Bedford/ST. Martin's, 2011. 676-687. Print.
Flannery O’ Connor’s story: “A Good Man is Hard to Find” is the tale of a vacation gone wrong. The tone of this story is set to be one irony. The story is filled with grotesque but meaningful irony. I this analysis I will guide you through the clues provided by the author, which in the end climax to the following lesson: “A Good Man” is not shown good by outward appearance, language, thinking, but by a life full of “good” actions.
All in all, there will always be people that will judge every move everyone else does in life just like the grandmother did in the story. As a result, people will just have to learn how to deal with it because if others decide to judge them they are probably doing something right. However, if you decide to judge someone else before you do it turn the critical eye on yourself and judge your personal life and ask yourself how is your life doing?
In Flannery O 'Connor 's short story, A Good Man is Hard to Find, the theme of good vs. evil unravels throughout the series of tragic events. The Grandmother’s epiphany introduces the idea of morality and the validity is left to the interpretation of the reader. By questioning the characteristics of right and wrong, morality and religion become subjective to personal reality and the idea of what makes individuals character good or bad becomes less defined.
O'Connor, Flannery. "A Good Man Is Hard to Find." The Story and Its Writer An Introduction to Short Fiction. 8th ed. Boston: Bedford / St. Martin's, 2011. 1042-053. Print.
In “A Good Man Is Hard to Find” the readers are lead to believe that the Grandmother is a good Southern woman who lives her life by God’s grace, and the Misfit is a horrendous, murderous, mad man that believes in nothing. Although these first impressions seem spot on at a first glance, the actual characteristics and traits of these characters are far more complex. The Grandmother and Misfit have a very intriguing conversation before he murders her, but in the short time before her death, the readers see the grandmothers need for redemption and how the murderous Misfit gave her the redemption she so desperately needed,
Flannery O’Connor’s religious background influenced almost all her stories. She received criticism for her harsh representation of religion. Richard Giannone describes “A Good Man is Hard to Find” as “God’s transforming love by confronting the reader with a condition of true goodness amid the stark brutality of serial murder” (46). In “A Good Man is Hard to Find”, Flannery O’Connor frequently references religious symbols to describe the characters and their actions. Toward the end of the play the grandmother frantically tries to persuade The Misfit to pray and that Jesus would help him. The Misfit replied stating, “Jesus was the only One that ever raised the dead, and he shouldn’t have done it. He thown everything off balance. If He did what He said, then it’s nothing for you to do ...