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Greek mythology in modern literature
Greek mythology and the impact on culture
Myth in greek culture
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Recommended: Greek mythology in modern literature
Scholars know Greek mythology as a collection of tales regarding gods and heroes alike, detailing specifically the interactions between human beings and gods and the interactions of the gods themselves. Supernatural phenomena at the hands of the gods became the human explanation for natural events, such as lightning, the changing of seasons, etc. While some critics and literary historians view the role of human beings in Greek mythology as that of simply pawns in the gods’ design, there are others still that argue on the side of humanity’s importance in the myths, giving them more dignity and their roles more purpose. Humans often were used as a control or contrast for the power and might of the gods. Those familiar with the myth of Orpheus, for example, may question whether he was simply a foil, simply a tool used by the gods, constructed simply to show the power of the gods and death, the foolishness of man, or if his paradigm was meant to glorify his kind.
In order to come to a conclusion regarding this question, examination into Orpheus’ life, story, and role must be made. The tale of Orpheus has been retold throughout history, and the critical views and opinions of generations since have changed with the centuries a propos his presence as a figure in Greek mythology. Intellectuals name Orpheus as the son of the Muse Calliope, the patron of epic poetry and fluency (Lindemans 1997). His paternity oft disputed, usually his father is described as either Apollo, god of music and light (Leadbetter 1997), or Oeagrus, a king of Thrace (James 1997). Like some other humans in Greek mythology, Orpheus gods invested with supernatural powers. Lauded as the greatest musician in ancient Greece, Orpheus is said to have charmed the rocks an...
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Leadbetter, Ron. "Apollo." Encyclopedia Mythica, 03 March 1997. Encyclopedia Mythica Online. Web. 09 April 2011. .
Lindemans, Micha F. "Calliope." Encyclopedia Mythica, 03 March 1997. Encyclopedia Mythica Online.Web. 09 April 2011. .
Ovid. Metamorphoses. 17. England: Penguin Books Ltd., 2004. 382-388. Print.
Podd, Juliana. "Eurydice." Encyclopedia Mythica, 03 March 1997. Encyclopedia Mythica Online. Web. 10 April 2011. .
Pozner, Walter. “Orpheus Descending: Love in Vertigo.” Literature Film Quarterly 17.1 (1989): 59-65. MLA International Bibliography. EBSCO. Web. 13 April 2011
Radice, B. Who’s Who in the Ancient World. England: Penguin Books Ltd., 1973. 179-180. Print.
Lindemans, Micha F. "Diana." Encyclopedia Mythica: Mythology, Folklore, and Religion. 3 Mar. 1997. Web. 8 Oct. 2011. .
Harris, Stephen L., and Gloria Platzner. Classical Mythology: Images and Insights. 2nd ed. Mountain View: Mayfield, 1995
As one of the most well known ancient Roman love poets, Ovid has demonstrated bountiful talents within his writing. When reading myths from his book titled Metamorphoses, you gain an enlightening insight of how he viewed mythology. To Ovid, love was the origin of everything. Therefore, it should not come as a surprise that most of his poems relate to the theme of love. However, not all poets are the same and every re-telling of a myth has its own unique perspective. In this paper I will compare and contrast the myth of Medea in Euripides Medea and Ovid’s Metamorphoses Book 7. I will then explain how Ovid’s approach to love and loss correlate to his general approach to myth as a whole. I will support my belief with evidence from Ovid’s Metamorphoses Book 14.
Grant, Michael, and John Hazel. "Athena." Gods and Mortals in Classical Mythology. Springfield, MA: G. & C. Merriam, 1973. Print.
Euripidies, Medea. ""Into realms of the semi-celestials": from mortal to mythic in The Awakening." Galegroup.net. 2005. Web. 3 Jan. 2010. .
The myths which prove the contradictory behavior of the gods, acting as both benefactors and tormentors of man, can readily be explained when viewed in light of the prime directive for man, to worship the gods and not “overstep,” and the ensuing “Deus ex Mahina” which served to coerce man to fulfill his destiny as evidenced by the myths: “Pandora,” “Arachne, and “Odysseus.” Humankind and it’s range of vision over the gods beauty and power portrayed them to be benefactors but unseemingly it depicted their affliction towards humans.
Guerber, H. A. Myths of Greece and Rome. New York: American Book Company. 1921. Print.
Rosenburg, Donna. World Mythology: An Anthology of the Great Myths and Epics. Third Edition. Chicago: NTC/Contemporary Publishing Group, Inc., 1999. Text.
Grant, M. (1962). Myths of the Greeks and Romans (1st ed.). Cleveland: World Pub. Co.
Howe, Helen, and Robert T. Howe. A World History: Ancient and Medieval Worlds. Volume 1. White Plains, NY: Longman, 1992. 533.
Bowman, John. Exploration in the World of the Ancients. New York: Facts on File, 2005.
The Editors of Encyclopædia Britannica. "Orpheus (Greek Mythology)." Encyclopedia Britannica Online. Encyclopedia Britannica, n.d. Web. 30 Mar. 2014.
Ziolkowski, Eric. "Ancient Newcomer to Modern Culture." World Literature Today 81.5 (2007): 55-57. Web. 19 Feb. 2014. .
“Gods can be evil sometimes.” In the play “Oedipus the King”, Sophocles defamed the gods’ reputation, and lowered their status by making them look harmful and evil. It is known that all gods should be perfect and infallible, and should represent justice and equity, but with Oedipus, the gods decided to destroy him and his family for no reason. It might be hard to believe that gods can have humanistic traits, but in fact they do. The gods, especially Apollo, are considered evil by the reader because they destroyed an innocent man’s life and his family. They destroyed Oedipus by controlling his fate, granting people the power of prophecy, telling Oedipus about his fate through the oracle of Apollo, and finally afflicting the people of Thebes with a dreadful plague. Fundamentally, by utilizing fate, prophecies, the oracle of Apollo, and the plague, the gods played a significant role in the destruction of Oedipus and his family.