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Greek philosophy critical examination
Greek philosophy critical examination
Greek philosophy critical examination
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The tragic self which appears in Aeschylus’s The Oresteia and Sophocles’ The Three Theban Plays, is a self which is caught between the choice of two evils and between following natural and civic laws. However, the philosophical self in Aristotle’s The Nicomachean Ethics focuses on choice as well, but the choice of the highest good such that the fundamental aim of the self is happiness and to become rational human beings. The topic of choice also relates to the discourse between fate and free will and which has more power in the decisions humans make. Greek tragic heroes have three common requirements: they are characters in which the reader sympathizes with, they have a tragic ending, and are rash and spirited in what they believe. Agamemnon, …show more content…
However, he is still influenced by fate, the gods and the unconscious mind. He demonstrates a self which is related to the collective emotion of past tribes and familial ties, but still remains individualized and separated. This is demonstrated at the end of Homer’s Oedipus the King when Oedipus becomes self-conscious upon and discovering that he has executed the prophecy; he takes control of his punishment to compensate for his inability to recognize himself as the subject of the prophecy. For example, Oedipus takes control when he says, “but the hand that struck my eyes was mine, mine alone– no one else–/ I did it all myself!” (Oedipus the King, lines 1469-1471). He is distraught over his actions and is unable to see how fate also played a role in his behavior and acts rashly by taking control of his punishment. This transition is further supported by Oedipus’s continued admission of guilt such as when he declares, “now I’ve exposed my guild, horrendous guilt” (Oedipus the King, 1516). In Oedipus at Colonus, Oedipus proclaims he is innocent for his behavior in the prophecy because he has accepted who he is and responsibility. By extension, Oedipus accepts himself as a fated man who acted as such, and so is innocent. This is demonstrated in the text when Oedipus cries out, “now that I hear the oracles my dear one brings/ and brood on the old prophecies, stored/ in the depths of all my …show more content…
Aristotle’s self is governed by choice which is made voluntarily (therefore freely), and deliberately. However, only the virtuous can fully make a free choice because the unvirtuous will make decisions ignorantly and thus involuntarily and will act in accordance with those decisions. For instance, in The Nicomachean Ethics, Aristotle states that “those things [actions] then, are thought involuntarily, which take place by force or by reason of ignorance; and that is force of which the moving principle is outside” (1110a, Lines 35-37). Thus decisions need to be made voluntarily and not influenced solely by an object. This claim is supported by Aristotle’s point, “choice, then, seems to be voluntary, but not the same thing as the voluntary; the latter extends more widely” (1111b, lines 7-8). To determine if a choice is voluntarily made rather than involuntary, then there must be deliberation about the decision. This deliberation factor in the rationality of choice, whether it is made voluntarily or involuntarily, the opinion of the person, and which object is compelling the person to make it. According to Aristotle, “we deliberate about things that are in our power and can be done; and these are in fact what is left. For nature, necessity, and chance are thought
Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
Had Oedipus sought to blame another for his crimes, or denied his own responsibility for his actions, he would have been no nobler than a common criminal; Oedipus is redeemed by his strength of character.
The Nicomachean Ethics, written by Aristotle, represents his most important contribution within the field of Ethics; it is a collection of ten books, covering a variety of interesting topics, throughout the collection. Aristotle tries to draw a general understanding of the human good, exploring the causes of human actions, trying to identify the most common ultimate purpose of human actions. Indeed, Aristotelian’s ethics, also investigates through the psychological and the spiritual realms of human beings. Without pretending to exhaust with too many references, it would be rather useful to focus on the most criticized part of the philosopher’s attempt, which is also the very starting point of his masterpiece, identified as eudaimonia (happiness, well being) and ergon (function), in Aristotelian terms.
Here Aristotle makes a distinction, a voluntary action is not necessarily a choice. A choice is a thoughtful decision, as he points out “For choice is not shared by irrational creatures…” (p.58). Children and animals are capable of voluntary action, such as eating, running, communicating, but they are not capable of choice, for choice begins to enter into the moral realm. Choice is an action of a creature that can reason because logic is a necessary ingredient for choice.
Self-control can be defined as the ability to control oneself, in particular one’s emotions or desires, especially in difficult situations. Comparatively, self-image is the idea one has of one’s abilities, appearance or personality. Often self-image and self-control are thought of as separate entities, but in the case of the tragic play “Oedipus Rex,” Sophocles demonstrates the connection between the two through the tragic events that occur. Integrated in the plot is the growth of the character of Oedipus, for it is he whom indices the investigation to stop the current plague in his kingdom of Thebes, his personal rashness and ignorance of the past come back to haunt him. Oedipus’ incautiousness when discovering the true state of Thebes is
No one can be held fully responsible for actions committed under some kind of external constraint, and for the case of Oedipus, such constraint might be exerted by god. But it does not mean that Oedipus suffers not because of his guilt, but of his goodness, because Oedipus is responsible for those actions which are not performed under constraint. Oedipus has choices, but every time he chooses the wrong one even he knew that the one he chose will turn out to be bad. He still chooses this road to certain extend, is because of his arrogant pride. I think the events of the play are Oedipus fault. Oedipus makes important mistakes or errors in judgment that lead to this ending. His pride, blindness, and foolishness all play a part in the tragedy that befalls him.
Oedipus is guilty because, despite knowing the prophecy that he will commit parricide and incest, he yet kills an elderly gentleman and sleeps with an elderly women. The choice was his, and this accounts for his guilt.
Free will is abound in Oedipus the King; any character who makes a decision of their own accord is a testament to that. Even Oedipus, whose life was fated from the start, made many decisions, ranging from how to fulfill his destiny to how to punish himself after finding out he had indeed murdered his father and married his mother, and most of which were shaped largely by his personality.
In perhaps one of the most well known stories in the Western world, Oedipus the King, innocence and guilt are two of the most discussed aspects. The implications surrounding the guilt or innocence of Oedipus can not only be applied to this play, but to almost all stories told throughout the Western tradition. Within Oedipus the King, no one character carries the guilt of the events in the play, rather it is a culmination of humans trying to avoid their fate that create a paradox of individuals who are all at once guilty and innocent, with the different acts of individuals ultimately bringing about the fate that Oedipus suffers.
As predicted from the Oracle, Oedipus fate will be to kill his own father and marry his mother, he discovers that he has already fulfilled his fate by his insistent in knowing the truth. Oedipus is given a series of choice in discovering his identity or leaving it to up to fate throughout the play. His egotistical and persistent nature lead him to thoughtlessly make the incorrect decisions, consequently, it is Oedipus’s burden that the tragedy is revealed, not the responsibility of fate. In the mean well Oedipus and those close to him consider “fate” the main reason of Oedipus downfall. To the audience it shows something totally different, Oedipus is ultimately responsible for his tragedy. Possibly the most evident reason Oedipus is accountable is that by the end of the play Oedipus has taken responsibility for his actions. Oedipus states, "Now loathed by the gods, son of the mother I defiled coupling in my fathers bed, spawning lives in the loins that spawned my wretched life. What grief can crown this grief? It's mine alone, my destiny-I am Oedipus!" (Sophocles 1492). Oedipus obviously sta...
He acknowledging is not the only reason that he deserves the punishment he deserved, but also he blaming the crime on people like creon, who has been with him for years, and this revealed when Oedipus states ¨I will, for thou art more to me than these. Lady, the cause is Creon and his plots.¨(Sophocles 18) This describes that initially when this problem began, Oedipus did not want to blame him, but he blamed creon and wanted him put to death. Another major reason he deserves the punishment is because he killed his father and his attendants and this uncovered when Jocasta affirms ¨He clasped my hand and supplicated me to send
In the play Sophocles’ Oedipus Tyrannus the tragic downfall of Oedipus the King brings forth the question was this outcome determined by his predestined fate or his own actions, and if he can be held accountable for his crime. The argument of Oedipus guilt or innocence dates back for centuries, yet there still is not a clear explanation to which side is accurate. King Laius of Thebes Oedipus’ biological father learned from the oracle that if he wed with Jocasta, he would perish at the hands of his son. To avoid the tragic fate Jocasta and Laius abandoned their infant son to the elements as an attempt to kill him. Subsequently, Oedipus is found and raised by King Polybius of Corinth as his own. Only to later return to Thebes in a desperate
In the play, Oedipus Tyrannus, Sophocles, illustrates how fate and free will could determine one 's destiny. Sophocles is a well-known tragedian who wrote more than one-hundred Greek dramas for Greek festivals. While his plays entertained countless people in Greek carnivals in his plays also made his intended audience to become acquainted with Athens’ government, social forms as well as its’ religion. In this play the main character, Oedipus, is represented as a man of sudden action, honest, and great insight. Oedipus unintentionally had fulfilled his own fate, stating that he will kill his father and marry his mother. While both fate and free will had resulted in Oedipus’ fate, the choices Oedipus made in his own
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
What does Romeo, Othello, Hamlet, Gatsby, and Okonkwo all have in common with each other? They all died. These five characters have another thing in common as well, they all fell under Aristotle’s list of characteristics of being a tragic hero. A tragic hero is defined as a man of noble structure or high position that causes his own destruction which evokes pity from the audience. The tragedy depicts the downfall by a fatal error or misjudgment of the good character which produces suffering and majority of the time, death.