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How religion uses art
Relationship between art and society
How religion uses art
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When analyzing artwork, regardless if it is historical, social, cultural, religious and or political. Art is created by the interpretation of the artist. The history behind a painting does not always need to be revealed in order to fully grasp the concept of what the artist was thinking when creating this painting. However, it is helpful in understanding the artwork’s true honest representation of the culture which the artist lived. The traditions and beliefs help us identify a particular group of people. Although in analyzing specific artwork it is likely that there is a factor to take into consideration such as the historical/religious setting of when the artwork was made, cultural geography and societal movements during that time. Art is a form of communication. As with each type of communication, artists may use it to raise certain emotions, political problems and or change during that era. It can even portray aspects of society in a good or bad light. Religious art uses religion to inspire and push an idea in order to illustrate it in a real form. It can also provide a spiritual connection with believers. An example of religious art is from Duccio di Buoninsegna, The Madonna, and Child dated from 1290 to 1300. This painting gives a sense of …show more content…
It would not have appealed to everyone. The “Mystic Nativity” also by Botticelli dated from 1445 to 1510. These two paintings are completely different due to the turmoil during that time. People believed they would suffer hardships in addition to terrible disasters from God. Botticelli depicted this painting through a time of pain and suffering. His painting represented the birth as well as the return of God. There are many religious aspects such as the Sienese gold, God parent’s (Mary and Joseph) as well as the angels. This demonstrates how society can sway an artist’s direction with his art by how society viewed the
The Holy Trinity by Masaccio was a painting done in approximately 1428. It is a
The development of Italian painting in the years around the 1300 or the proto-renaissance is in some sense the rebirth of art and culture. The painters of Renaissance Italy usually attached to particular courts and with loyalties to certain cities, still explored the extensive span of Italy. Many of the Italian painters grew artistically during this time, which is noticeable in Duccio’s painting compared to Giotto’s. In the renaissance period it was highly popularized to mainly draw depictions of religious figures, which is what the concentration of Duccio’s artwork mainly was. Before the painting of the Betrayal of Christ, Duccio’s paintings were highly composed and reliant upon the ancient tradition of icon painting. In the time around 1300 Duccio took steps toward depicting images in a more naturalistic form; Whereas, Giotto, in the 1300’s, was already established as painting more three-dimensional and naturalistic forms.
By most accounts, the year 1500 was in the midst of the height of the Italian Renaissance. In that year, Flemmish artist Jean Hey, known as the “Master of Moulins,” painted “The Annunciation” to adorn a section of an alter piece for his royal French patrons. The painting tells the story of the angel Gabriel’s visit to the Virgin Mary to deliver the news that she will give birth to the son of God. As the story goes, Mary, an unwed woman, was initially terrified about the prospects of pregnancy, but eventually accepts her fate as God’s servant. “The Annunciation” is an oil painting on a modest canvas, three feet tall and half as wide. The setting of the painting is a study, Mary sitting at a desk in the bottom right hand corner reading, and the angel Gabriel behind her holding a golden scepter, perhaps floating and slightly off the canvas’s center to the left. Both figures are making distinct hand gestures, and a single white dove, in a glowing sphere of gold, floats directly above Mary’s head. The rest of the study is artistic but uncluttered: a tiled floor, a bed with red sheets, and Italian-style architecture. “The Annunciation” was painted at a momentous time, at what is now considered the end of the Early Renaissance (the majority of the 15th Century) and the beginning of the High Renaissance (roughly, 1495 – 1520). Because of its appropriate placement in the Renaissance’s timeline and its distinctly High Renaissance characteristics, Jean Hey’s “Annunciation” represents the culmination of the transition from the trial-and-error process of the Early Renaissance, to the technical perfection that embodied the High Renaissance. Specifically, “Annunciation” demonstrates technical advancements in the portrayal of the huma...
People can have many different opinions depending on a topic, but what is truly difficult is getting a complete level of understanding from every opinion, or understanding the point of view of each opinion. Even accepting the points of view can be difficult for some people, who believe that their opinions are right. Luckily, people can learn about the other person’s frame of reference, and at the very least understand the topic or the person a little better. This particular topic is art, which is known for its multiple possible perceptions or its many different messages that it can send a person or group of people. In this way, people can learn more about the thought processes and feelings of others. Unfortunately, with differing opinions,
In 1898, Henry Ossawa Tanner painted “The Annunciation”. It is a 3 dimensional picture displaying a female looking towards the side of the room at this burst of light. This female is meant to stand for the Virgin Mary. She is sitting on her bed with an oversized robe. She is looking into this burst of light. She clearly sees it for what it is. The burst of light is meant to stand for the angel Gabriel. Tanner used Oil on a canvas to paint it. Tanner turned the angel into such an abstraction makes the mystical event almost plausible for an age of science. The painting can be read as an annunciation of the coming age of electricity. Its dimensions are 57 x 71 ¼ inches. It was made in Paris, France. It's on display at the Philadelphia Museum of Art. You could find it in the American Art section on the first floor in Gallery 111.
When analyzing artwork, in any form, there are often times social contexts in which can be interpreted. Not always does the history behind the painting need to be revealed to fully understand the concept of the artwork, yet it is helpful in determining if the artwork is truthful in its representation. Although in analyzing artwork it is likely that there are drawbacks to considering the social context. To illustrate this point, I'm going to use the visual arts as my medium of choice. Understanding the social context can be an important tool. An advantage of knowing the history of the painting or sculpture can really enrich our knowledge, being in the 21st century, about some of the social periods from previous times. It can demonstrate how traditions were carried out, how they had an impact on the different social classes. It's a visual teaching aid of a sort. Even in the time period of which the artwork was created can be used as a tool to show how the life was in different parts of the world. It was also used as a hammer in the realist movement to show the upper classes that life for the poor was horrible. The visual arts is the only medium in which the pictorial image creates a universal language in which anyone, regardless of nationality or social class can interpret. The text which is created by this language often creates a context which is left open to interpretation. Contexts are created by the artist, critics, judges, the public, essentially, any one who views the work and forms an opinion relating to it. The contexts stem from subject or content of an artwork, and are usually facts regarding the content. Yet, the contexts almost always have backgrounds themselves, therefore making the original contexts, texts. This will be more clearly illustrated later. The chain is seeming to be a never ending process. There are always more conditions to the previous ones. All context, therefore, is in itself, textual. This concept of all context in itself textual is a post-structuralist strategy. A man named Derrida is a man who has developed this idea that the post-structuralist concept of every statement made, can be interpreted in infinite ways, with each interpretation triggering a range of subjective associations. Every statement has an association, therefore it's a sort of domino effect.
--.I will compare the themes and tones of the works of art, as well as the experiences and attitudes of the main roles of each individual that represents the paintings in the above paintings. I will connect these to the experiences of the believers, that particular in those who have had their faith disputed by some ideas, theories, and some events in the world today. --
Religious art helps people that are looking for security and hope. Today society is looking for peace and an anchor to hold onto. This religious art lifts the spirit and brings peace within through a beautiful way. It helps reassure people that there is a life after this one. One needs not fear the power of God but to understand his actions and the way one should live his or her life.
In the world have religion, art and culture in different cultures around the world each that defines us on who we are and why we do it. Like in art there are people who are artists and like to inspire themselves so that they can create the most wonderful art they can. Most of the artists use their emotions when they create art so that they can a wonderful meaning to it in the picture. They also portray a message in their painting so it leaves the person thinking what is the painting trying to say. There is also a goddess that became well known through a video and the goddess name is Santoshi Ma. People have been worshiping her more and more and the goddess has taken the temples of previous goddesses. There is also calligraphy which people think
The most influential theme in art for centuries was that of religion. There have been many things that have influenced art over the generations. Nothing has had the impact on the art world that religions has. Many of the ancient art works were dedicated to the gods or other religious figures. The statues of the Ancient Egyptians were not just for beauty. Instead, they were representations of the gods and were meant to have significant meaning to the people who saw them. The people of the time knew the meaning of every reed, flower, bird, or animal that was depicted in the art. The same is true of the Greeks and Romans. Most of the art was inspired by the gods and the mythology of the region. Art as a way of imparting a message dominates the art world. For most of history, art had a meaning that was often connected to the religion of the region. This is fitting since art has a sense of permanence that most other mediums do not possess.
Painted between 1515 and 1518, the work demonstrates pioneering artistic techniques, the power of the Catholic Church, and the religious significance of the Virgin Mary, all of which are characteristics of the Renaissance in Venice, and Italy more generally.
Conversely, upon investigating the artwork’s factual information such as the painting’s context, the artist’s background, the genre and the school or movement associated with the painting, it is possible to obtain knowledge that combines objective information and subjective opinion, confirming that some degree of objectivity, albeit with our ‘cultural imprint’, is possible as an art observer.
The arts have always had a central focus in societies worldwide from all time periods as it acts as a reflection of the time, place, ideology and religion in which they dedicate their lives. From the ancient Minoans to the world today, we see art serving a vital role through its psychological and visual effect upon the viewer that communicate messages relative to the artist and their time. This has never been more apparent than in the Renaissance’s revival of ancient Greece and Rome where a revitalization of intellect, art, rationality and science begin to transform society, especially politically and within the dominant religion: Christianity. The church rose to ultimate power as the ultimate patron and messenger of God, which art began
The Catholics were all about the bling and ceramony and that is reflected in the paintings. During the Baroque period and this time the Protestants had their Reformation and the Catholics had their Counter Reformation. This caused the Catholics numbers to drop and so they had to employ new and improved ways to keep people coming int heir doors so they used art amd other means to keep them faithful. Protestants went the more subdue route and removed religion from their works and focused on the moral lession instead. Both houses of art used the vast open spaces in their works subjects and scenerie were in a state of motion and that created emotion in the viewer. The subject was right in front of view or was revealed to the viewer. This was unheard of before then the motion of the subject matter was created in a circular or diagonal composition. Artist and people used the knew found knowledge that the world was a place of motion the earth moved and so should the artist subject matter which causes the art to spring to life before us. Baroque artist wanted to have pure realist subject matters and they studied nature and humans in all thier
Throughout the ages art has played a crucial role in life. Art is universal and because art is everywhere, we experience it on a daily basis. From the houses we live in (architecture) to the movies we see (theatre) to the books that we read (literature). Even in ancient culture art has played a crucial role. In prehistoric times cave dwellers drew on the wall of caves to record history. In biblical times paintings recorded the life and death of Christ. Throughout time art has recorded history. Most art is created for a specific reason or purpose, it has a way of expressing ideas and beliefs, and it can record the experiences of all people.