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Contributions to art through van gogh
Art history chapter 2
Accomplishments of vincent van gogh
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Recommended: Contributions to art through van gogh
The Mulberry Tree “Every painting tells a story.” That was what my father used to tell me. My father brought me to famous galleries, showing me what art is. What are the story behind the art work? How were the artists’ status then? These story is the reason why I love arts. The Mulberry Tree is the painting I love the most. The painting –The Mulberry Tree– is one of the most significant painting that represent Vincent van Gogh’s later years. After a huge fight with his friend Gauguin, van Gogh cut his ear off and started acute psychotic episode. In order to make himself better, van Gogh admitted to the mental hospital at Saint Paul-de- Mausole, for the last two years before he committed a suicide. During those months, he started thinking someone is going to take his life. However, treated in the mental hospital with other patients with the same condition, he started to feel much better and not feeling alone. As a result, most of …show more content…
I could smell the strong scents of the oily paints and the old wooden frame. The structure of the piece of painting is a diagonal line started from the top of the left corner same as the sun light spread to the bottom right corner with the shadows ended on a canvas. Through the diagonal line divided the painting in two section; the dark blue sky with rough brushes in vertical lines on the right top; the left bottom is a field of barren land, yellow lands with seldom grasses decorating. The main character, the mulberry tree, stands right in the middle the tree grow out from the land surrounded with rocks. The trunk was colored in dark brown and with lots of wood grains in black. On the other hand, the leaves of the tree vividly expressed the autumn, the bright yellow leaves throw in with the dark-orange ones with dark-green leaves ornament. Finally, with the black brushes outlining, the painting brings the tree in
The pictorial space divides the plum tree into several dynamic shapes. The main plum tree shows a vertical line and foreground through the plum tree branch to make it appear to be closer and bigger than the other trees. Both the main plum tree and the other small branches have a wide width and curved lines. In the background, each tree has its own space for growth. The fence has a form of the zigzag line around the garden separating the trees from the people. The people walking in the garden make it seem like they are overlapping in a hue color and having a proportion way from the plum trees. The color schemes of this print is complementary colors the reddish and greenish change from warm to cool
Through her masterful usage of color and lighting, painter Alexis Rockman seeks to display the overwhelming beauty of the natural world and its inhabitants in her painting Kapok Tree. With a color scheme of bright colors that pops out and grab the attention of the viewer and an emphasis on lighting that divides the painting into two separate scenes, Rockman’s Kapok Tree delivers its timeless message with ease.
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
The painting’s canvas has been exploited perfectly. All the space on the canvas had been used. However, space was not used to create depth, and there was no layering or recession present. The painting does not feel that it has motion, apart from what it looks like the creatures eating from the tree of life. The eating motion was depicted by the posture of the creatures, with arms extending towards the plants – in the case of creatures – or beaks being wide open – in the case of birds. All these factors 'accord' the painting with a unique
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
The texture of the canvas works very well with the subject matter portrayed in the painting. The grassy hill side and the leaves of the trees are especially complimented by the canvas. It makes the leaves feel like they are slightly moving, this combined with the lack of detail itself the leaves. This is contrasted nicely with the very detailed renderings of the trunks and branches of the trees, the conscious decision to put so much effort into the tree itself and then to use obvious brushwork in the leaves makes the trees much more firm and immovable in the landscape. The brushstrokes are very clean and precise on the trees in the background.
There is, however, a slight opposition to this intense realism. It can be seen in Wood’s representation of foliage. The trees that appear in the upper left corner look like large green lollipops peeking over the roof of the house. The viewer knows that trees do not naturally look like that. Wood has depicted them as stylized and modern, similar to the trees seen is Seurat’s Sunday Afternoon on the island of La Grand Jatte. After viewing other works by Wood, it is clear that he has adopted this representation for the trees in many of his paintings.
2. Van gogh had many other Mental breakdown or attacks during his stay in the Asylum.
Painted by Vincent Van Gogh during a final burst of activity in Auvers before his suicide in July, Houses at Auvers features many of the characteristic elements typical of Van Gogh; the experimentation with color, texture, and thick brush strokes. This painting depicts the view and landscape in early summer, highlighting the patchwork of houses and the rolling greenery. Van Gogh’s unique, thick brush strokes lead the eyes through the painting, create texture and patterns and also highlight and shadow objects in the early summer sun, while his experimentation with color creates contrast and a bright, vibrant image.
...apes are different in shape where it cause the trees in the background to be smaller than the trees that are closer to the edge of the curved road. The opposites are made to create a vibrant object to balance out the color in the painting, like the straight lines were used to make many of tree trunks, bridges, and houses; therefore curved lines were located in the top brushes of the tree, the thickness of the arc that makes the turning road simply enhanced by the thickness of it edges. Also, the use of complementary colors used in this painting gives a warm and cooling temperature to grasp the village surroundings. The thick lines in the tree trunks in the far right draw the attention to the front of the painting were most of the action seem to be taking place, which also create the shape to be smoother as the left turn on the road curve over the village.
Art in general is a factor that allows humans to express their creativity, as they apply the essentials of history, media, elements and principles of design. It was those recent class trips, that I had taken to La Salle Art Museum, that instantly allowed me to acquire a deeper passion for art. Soon enough, in the 17th century exhibit, I saw a piece of artwork that was remarkably aesthetic for me. The artwork is ironically titled, “Still Life with Fruit”. The approximate size of this artwork is 16 inches wide by 20 inches long. The artwork dated back to the year of 1689. A Dutchman named, Jan Mortel, born during the year of 1650, was the artist of this artwork. Judging from the artwork, Jan Mortel had a great talent for oil painting. Jan Mortel
The painting Olive Trees, which is at the Minneapolis Institute of Arts, is one of one of the paintings of olive orchards, which Van Gogh painted in 1889 while he was living at the asylum of Saint-Remy. The painting is a landscape painted in bright, beautiful colors, with Van Gogh’s lively brushwork. The image is divided into thirds, the trees being in the middle and highly capricious. The brushstrokes kind of depict the way the land is laid, the motion of the wind in the trees, and the gleam of the sun. In the painting the sun is misrepresented in size, and is also highlighted by an orange outline. The sun dominates the painting and more emphasis is put into it to show its importance. The curved trees all lean, even quiver further away from the center of the painting. The bottom of the trees are painted with red lines that ambiguously show where the sun would hit if it was directly above. The sun and mountains seems to be stable while the ground and the trees have some wave appearance.
This painting by Vincent Van Gogh is on display at the Art Institute of Chicago Museum, in the Impressionism exhibit. There are many things going on in this painting that catch the viewer’s eye. The first is the piece’s vibrant colors, light blues and browns, bright greens, and more. The brush strokes that are very visible and can easily be identified as very thick some might even say bold. The furniture, the objects, and the setting are easy to identify and are proportioned to each other. There is so much to see in this piece to attempt to explain in only a few simple sentences.
chose this piece because I’ve always been a fan of Van Gogh’s art and I like his unique style
...f the shadows is sprinkled with the orange of the ground, and the blue-violet of the mountains is both mixed with and adjacent to the yellow of the sky. The brushstrokes that carry this out are inspired by the Impressionists, but are more abundant and blunter than those an Impressionist would use.