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Representations of women as victims in media
Violence against women in media essay
Violence against women in media essay
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Since the beginning of time there has always been gender inequality. Back then women are supposed to stay home and do house work, are not supposed to work, and have power. Slasher films are sub-genre of horror films that involves someone who is psychotic that stalks and murders random victims (typically women or teens) a day. You never see the monster [the psychotic killer] use a gun or a blunt object to kill their victims. Deaths by a gunshot or any other objects such as a rock they don’t like to use because they are too quick and the victim will have no opportunity to scream. Weapons such as a butcher knife, chainsaw, or any other sharp object are usually a choice of the villain in these movies. These tools are used by your average everyday …show more content…
They end these plays with a gruesome act, like blinding a young woman with scissors or strangling them. After World War II ended, the audiences dropped towards these plays but theater proved that audiences knew the value of a good scare when they see it. During that time silent films started to become popular and the directors of these films followed the examples of the Grand-Guignol Theatre (Sullivan, 2014) The first ever slasher films started to have Today, Slasher films involves a psychopath that stalks and murders several people with sharp tools. Women have been really huge since horror films existed. After the 70’s and 80’s There has always been a psychotic killer who murders young people and there is always the one girl who either beats or escapes the killer and lives to tell the story. The character “Final Girl” was born but narrowly defined. She is usually a virgin and “pure” with a name that is unisex (Jao, 2015). “Constantly presented with media and advertising images of their inadequacy and the commercialized means of recreating and idealizing themselves, the population felt increasingly insecure, not only in their own abilities, but also in their very sense of self” (Jancovich 1992, p.83). Women are always put under pressure to look a specific way in society. Through advertisements and media …show more content…
The male roles in slasher films, either both villain and victim are completely antagonistic. Villains are big, scary, masculine, and strong. “It is masculinity, not femininity, that is the problem in these films; and this problem is registered in a number of ways. They display an absence of positive or effective male characters. It is the female heroes who engage the killer and defend themselves, usually using a series of practical domestic objects, such as the knitting needles and coathangers used in Halloween” (Jancovich 1992, p.107). They have an ability to endure pain such as gunshots and stabbings. They are also portrayed as “rapists” who are looking to capture and torture women. If the villain is interested in the women they always tend to capture their target with or along with their boyfriends or a man who is interested in her. In most Slasher films the male lead is the boyfriend of the killer.A lot of slasher films today portray women as helpless. It is usually a young girl being alone defenseless. In the beginning, it seems like everything is gonna be okay for them and that nothing will happen but a crazy killer comes out of the shadows and threatens the women before he kills her. Females in horror films are even more stereotyped than the males. Everything you see on the media, women are stereotyped to be able to maintain a perfect figure, hair, wears makeup, and many more. Seeing these everywhere in the
Trying to find a movie like this is incredibly easy. Funny enough these movies tend to portray the women in these films in their stereotypes as well. A perfect and prime example of this macho man type film is none other than the 80s classic Rambo First Blood. This movie is a prime example of what the male stereotype is. It’s some big buff guy killing everything in sight. He is shown as this ruthless machine that has no emotions or no remorse. This is just one example of 100s. Another great example is western movies those are full of the male stereotype.
Too many horror films provide scares and screams throughout their respective cinemas. Not many viewers follow what kind of model the films follow to appease their viewers. However, after reading film theorist Carol Clover’s novel, watching one of the films she associates in the novel “Halloween”, and also watching the movie “Nightmare on Elm Street” I say almost every “slasher” or horror film follows a model similar to Clover’s. The model is a female is featured as a primary character and that females tend to always overcome a situation at some point throughout the film.
What is gender? The answer to that is not so simple. “Gender is what culture makes out of the ‘raw material’ of biological sex,” (Unger and Crawford, 1995). Also, there is a difference between what is gender identity and what is a gender role; a difference which seems to be even more difficult to differentiate between than the words “gender” and “sex”. Media and other parts of our culture seem to believe they know the difference, yet up until a certain period in time, the same stereotypical characters were portrayed and used as role models for others in most media. Women characters being the helpless victims, while the strong men would come to save them (including television shows such as Miami Vice or Three’s Company). Today there is a whole slew of shows and movies, which are redefining and re-categorizing the stereotypical language in relation to gender. One such television series is Buffy, The Vampire Slayer (starring Sarah Michelle Gellar). And although it may seem like a typical teen-angst show, and the main character is a “whiny, rich” girl who fights demons , many people believed it would be exactly like the film (of the same name) which came out five years before the television show first aired in 1997. The film (starring Kristy Swanson) was trite and “airy”, and yet the television series proved those non-believers wrong. In a stereotypical world within the culture that the show represents, Buffy is doing a man’s “job”. She is fighting creatures double her size, and killing them. She is aggressive, outgoing, and determined. Words which are not “normally” used to describe women (without, of course, the word “bitch” trailing right behind them). In other cultures, women being the more aggressive and “take-charge” kind of person is the “norm”, but because we are living in a society, a culture, where even with the whole women’s suffrage being long passed, many people would still like to see women behave as dainty, quiet, and passive characters. Buffy, The Vampire Slayer has taken the issue of “normal gender roles and behavior” and switched them around, allowing the women to be more aggressive, having most of the power and ability, while the men take on the more passive role, watching from the “sidelines”, or at least simply trying to help. Although, at times, the stereotypical views of how a...
And last but not least is the villain in these movies. Most of the killers in these films are portrayed as mentally deranged and/or has some type of facial or bodily deformation and who have been traumatized at an early age. Even though these characters terrorized and murder people they have taken on the persona of anti-heroes in pop culture. Characters like Halloween’s Michael Myers, A Nightmare on Elm Street’s Freddy Krueger and Friday the 13th’s Jason Voorhees have become the reason to go see these movies. However, over time,”their familiarity and the audience’s ability to identify and sympathize with them over the protagonist made these villains less threatening (Slasher Film (5))”.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
A female in film noir is typically portrayed in one of two ways; she’s either a dependable, trustworthy, devoted, and loving woman, or she’s a manipulative, predatory, double crossing, and unloving temptress. Noir labels the cold hearted and ruthless woman archetype as a Femme Fatale. A femme fatale is walking trouble, and she’s aware of it. This woman is gorgeous, refined, eloquent, and commands the attention of any room she’s in. When the femme fatale desires something, she pursues it. If there’s an obstacle in her way, she overcomes it. If she can’t handle it herself, all she needs to do it bat her eyelashes and the nearest man is all too willing to take care of it for her. In essence, the most dangerous thing about the femme fatale is her
While once considered “low-brow” with a serious lack of documentation, the slasher film is now an established subgenre of the horror film. Like most genres and subgenres, the slasher film uses a predefined socially accepted list of criteria in order to classify a film as such. Carol J. Clover discusses this list in her article Her Body, Himself: Gender in the Slasher Film. The slasher film is marked by its killer,...
In most horror films women seem to be slower, less powerful, and simply less dominant. Men in the same films are going to die too, but are not shown as being so defenseless. Females are commonly shown getting killed slowly and getting carried off into the night screaming. On the other hand males will be killed quickly with fewer struggles. For example in The Texas Chainsaw Massacre when the men go into the house where the butcher lives, they are killed with one smash of a sledge hammer with the camera at a distance. Where as, when the first girl goes in she is seen grabbed and put on the shoulder of the butch and carried off kicking her legs and screaming. She is then hung on a butchers hook and is forced to watch her boyfriend get sawed in half. Same incident happens with the next two men, they are quickly killed, but the girl barely gets away and you get to see her running away screaming the entire time. This helps show how women are portrayed as being defenseless where most of the time men are also, but are not given the seen of...
98 percent of mass murderers are men. According to Time in 2014, almost all rampage killers are men.This statistic startled me as I read "Toxic Masculinity and Murder" by James Hamblin of The Atlantic. In essence, this one figure demonstrates that masculinity is "a more common feature than any of the elements that tend to dominate discourse—religion, race, nationality, political affiliation, or any history of mental illness."
Some of the roles that women play in films are the supporting character, a character who dies a painful death, the evil creature, but seldom the main character. When women play the supporting character, they are usually just acting as a love interest for the male main character. Based on our idea of gender roles, women are considered to be inferior to men, which is why females follow the males in the films and not the other way around. Another role that women typically play is a victim that dies at the hands of an evil creature. When they play these characters, not much background information is given about them, since they will inevitably die, and usually within the first half of the movie. When women play the role of the evil creature, they often have feminine characteristics to emphasize their gender, usually dressing in all black to present them as an evil widow. They are also often portrayed as mothers who want revenge for their children, or simply an evil woman to add a more terrifying effect to a scene that a man could not. Another role that a woman can play is the lead character, and when they play this role, they can either be portrayed as an empowering woman who survives the entire film and saves the day, or as a fragile woman who dies in the end because she can longer outrun the
In the 1930s, aspects of pre-feminism in Hollywood movies were rampant (Hugel 1). This helps to explain why women were given limited roles in the movies. The women were portrayed as symbols of love. The women never participated in other active roles. Because they were weak creatures that could not perform other challenging roles in the society (Horowitz 41). The women were also presented as victims of the environment in which they lived.
Due to a strong cultural bias, society often disinvolves or denies the very existence of a female serial killer. Whereas the male serial killer has been regularly lionized by his outrageous exploits, the female serial killer is typically ignored, viewed as an anomaly (Kelleher p.xi)
What are the main roles that female actresses typically portray in horror films? Maggie Freleng, an editor of VitaminW, a website that contributes toward the female empowerment movement, expresses her belief that women are cast in “poor and stereotypical representation of women in the horror genre.” Some roles that many women portray that are seen as stereotypical is the sexually promiscuous women and the saved virgin, evil demon seductress, the overly liberated woman, and the most common role the damsel in distress. The possible reason that women are cast with these roles is because of the belief that women are seen as too dimwitted, overemotional, uncoordinated, weak, and incompetent to survive in a situation much like those in horror films. Anne T. Donahue, an author of Women in Horror: The Revenge an article in The Guardian verifies the belief of the females portrayed as the damsel in distress stereotype with the statement, “We see them [women] waiting for a man to save them, we see them running, bloodied and terrified, we see them tied and cut up,
In many classic hollywood action films women take a backseat to the graphic violence that is depicted and stay behind while their husbands are off fighting, however their power is shown in other ways. They drive the actions of their men, and in many cases they significantly alter the plot of the film. In Pulp Fiction and Fargo none of the women ever injure anyone themselves, but some of the dangerous situations their significant others are throw into that result in violence are caused by the women, and the way the audience judges the moral character of the men is based off the way they treat their women. Without the women, though, some of the men would not have been led on the path to redemption. Mia causes Marsellus to allegedly push a man
I think that any female you see in mystery stories and tv shows are all femme fatale or the victim. Most would say that you can't assume that women can only be those archetypes, but after witnessing each of these stories, I can confirm that all female characters are either the femme fatale or the victim.