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Religion in art
German romanticism versus the world
Religion in art
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Caspar David Friedrich was a German painter, and helped define and shape the Romantic Movement in Germany. According to The Tate, Friedrich had a primary interest in the contemplation of the natural world (Wyss, “The Whispering Zeitgeist”). This no doubt transferred over to much of his artwork, as The Monk by The Sea immediately evokes emotion and contemplation from the viewer. In addition, Freidrich derived much of his inspiration from religion, which centered on nature as a metaphor for God’s power and anonymity. The portrait itself is named after the monk, but a vast expansive sea drowns out any thought that the monk is the actual subject of the painting; rather it alludes to how man truly occupies little space in this world and a need to heel to the divine. …show more content…
Landscape paintings of the time made use of perspective to draw the audience into the painting. This artwork makes no such attempt. There is no foreground, which forces the viewer, similar to the monk, to look forwards to the sea. Friedrich’s use of a low horizon furthers his effort to make viewers feel pure emotion. It appears that the sea spreads from one edge of the painting to the other, contained only by the frame. The cloudy sky has been drawn in three shades, and the use of oil allows for the shades to blend well with one another, occupying a vast majority of space. Moreover, Friedrich employs the use of Rückenfigur, a technique where the body points away from the viewer, challenging them to look ahead (Palmer, “Norman Rockwell and the Rückenfigur”). In this case, the monk’s rückenfigur challenges the viewer to follow suit and simply
The focal point of being the mother and appear to be true to size. In comparison, the apple, the trees and landscape in the in the distance are all represented to be true to size based on this perspective. The women being bare foot along with the child who is naked provides unity to painting as they are part of the natural landscape. All of this, gives the viewer the impression that this is a realistic picture.
This painting consists of regular lines as well as implied lines. Some of the regular lines that have been included are flowing, curved lines, such as the Earth that the woman is sitting on top of. Additionally, the background is made of small scenes that have been outlined by a dotted line, which places emphasis on the scenes. Besides regular and visible lines, there are a few implied lines in this painting. For instance, the woman's eyes are looking forward, so there is an implied line to the audience. Additionally, another implied line would be the woman's right arm, which is pointed towards her headpiece, while her left arm is pointed towards the earth. Nonetheless, this painting is not intense; although it does have splashes of color, this painting does not have a bright saturation. Instead, this painting is slightly dull, which makes this painting appear vintage. Additionally, since this background is a dark color, it makes the rest of painting, especially the headpiece, stand out. Besides colors and lines, even though this is a painting and there is no physical texture, there is invented texture. Upon viewing this painting, underneath the earth where the woman is sitting on, there are roots as well as grass, which give texture and feeling to the painting. In the end, this painting consists of several elements of composition, which Heffernan has done a wonderful job
At the left-bottom corner of the painting, the viewer is presented with a rugged-orangish cliff and on top of it, two parallel dark green trees extending towards the sky. This section of the painting is mostly shadowed in darkness since the cliff is high, and the light is emanating from the background. A waterfall, seen originating from the far distant mountains, makes its way down into a patch of lime-green pasture, then fuses into a white lake, and finally becomes anew, a chaotic waterfall(rocks interfere its smooth passage), separating the latter cliff with a more distant cliff in the center. At the immediate bottom-center of the foreground appears a flat land which runs from the center and slowly ascends into a cliff as it travels to the right. Green bushes, rough orange rocks, and pine trees are scattered throughout this piece of land. Since this section of the painting is at a lower level as opposed to the left cliff, the light is more evidently being exposed around the edges of the land, rocks, and trees. Although the atmosphere of the landscape is a chilly one, highlights of a warm light make this scene seem to take place around the time of spring.
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
...hese repeated vertical lines contrast firmly with a horizontal line that divides the canvas almost exactly in half. The background, upper portion of the canvas, seems unchanging and flat, whereas the foreground and middle ground of the painting have a lot of depth to them.
Daniel Brown’s The Boys in the Boat is a book that shows2 the strength of the University of Washington’s crew team. The book teaches many valuable lessons from life in the 1930’s. This piece of literature is based on the interviews, which went on for seven years. Joe Rantz, the star of the crew team, was abandoned by his father and step mom, for the second time at age 17. He eventually found comfort in the Olympic bound crew team. Joe Rantz went through many hardships when he was by himself, as well as the intense team workouts, the following quotes exemplify how Joe channeled his energy to be a great crew teammate, that could trust and be trusted by his teammates.
Spending time looking at art is a way of trying to get into an artists’ mind and understand what he is trying to tell you through his work. The feeling is rewarding in two distinctive ways; one notices the differences in the style of painting and the common features that dominate the art world. When comparing the two paintings, The Kneeling Woman by Fernand Leger and Two Women on a Wharf by Willem de Kooning, one can see the similarities and differences in the subjects of the paintings, the use of colors, and the layout
The framing of this painting is so important because it really makes the viewer think about what is truly important in life. Rockman used the vibrant
..., the broader feel of the scene. He wants us to take in the entirety of the painting but have a moment to catch the individual scenes within it, like the couple dancing, the man in the corner rolling his cigar, or the women in the front talking to the man. We do get places where our eyes can rest, but in general your eye takes in the swirl of modern life and pleasure.
This painting was an oil canvas landscape of the sun setting in the horizon of the ocean sea, while the ships were sailing throughout the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman showing the increasing artistic methods that begin to be utilized. Overall Bruegel makes use of the two and three-dimensional techniques to demonstrate the messages he attempts to reveal about changes in life and thought through his work.
images in this painting, all of which have the power to symbolize to us, the viewer, of the painter’s
painting, to look at it from an artist’s perspective, one can see all of the little details that
The composition of the painting takes place with the square of the canvas. The square is approximately 5' x 5'. A black frame surrounding the painting protrudes approximately 4" off the canvas. There is a 1" inlay between the canvas and frame. From this square, Reinhardt breaks the composition into six equal squares in three even rows. Texture is no where to be found in the painting. No visual indication of the artist's brush stroke is present. No varnished glare is given off by the piece. The entire work, including the frame, is completely matte. The squares take up the entire canvas in a checkerboard type arrangement. Each square is a slightly different shade of blue-black. It almost becomes impossible to see the difference between each square. The middle squares in the top and bottom rows shift more towards blue than the rest of the squares. The division of these middle squares become more obvious than the others. When the painting is looked at from a distance, it is almost impossible to see any of the squares at all. When looking from a far, all a viewer can see is a blackish blue canvas. As you stare longer into the painting, a halo begins to form around the corners of the canvas, creating a circle inside the square. Once you look away from the canvas, the circle is gone. With this observation in mind, we could say that the painting most definitely relies on the viewer. A viewer is required to look at the piece for its full affect. We could say that the squares in the painting are self-contained.
Our documentary drama piece is on how migrants are unable to simply seek refuge here in Australia. Bertolt Brecht a German play writer has helped us achieve this goal as we have brought upon a range of techniques which teaches the audience to think and to remind themselves that what they have watched is theatre not real life. Important techniques which he uses include narration, song, use of placards and projection, simple staging, utilising sets, props and costumes and changing character. These help to break up the action the audience have witnesses and not become emotionally attached. Our group have incorporated these techniques into our play to create a powerful performance which raises the issue of migrants coming to Australia.
Thelonious Monk was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire. Monk is the second most-recorded jazz composer after Duke Ellington, which is particularly remarkable as Ellington composed more than a thousand pieces, whereas Monk wrote about seventy. Thelonious Sphere Monk was born on October 10, 1917 in Rocky Mount, North Carolina, and was the son of Thelonious and Barbara Monk. Thelonious Monk and his family moved to New York City when he was four years old. He started playing piano when he was around five. In his early teens, Monk found his first job touring as an accompanist to an evangelist. While he toured with the evangelist he would