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Recommended: Rap Music History
Jay-Z is known for being one for not only being one of the best rappers in hip-hop but also having a successful career in and outside of hip-hop. Recently he has been protesting some of the newer hip-hop. His songs “D.O.A” (Death Of Auto-Tune) & “Run This Town” he takes a rebel approach to all of the recent fads in hip-hop. Even though, the fads were embraced by pop culture, Jay-Z saw them as stale and unprogressive. In “D.O.A.” he talks about hip-hop becoming ringtone rap and has lost its edge. “This is anti autotune/ death of the ringtone/ this ain’t for I-Tunes/ This ain’t for sing-a-longs/…This is practically assault with a deadly weapon/ I made this just for flexin’/ Basically I want people to feel threatened. (Blueprint 3) ” Jay-Z is not promoting violence, he is merely stating that hip-hop is losing its status. The reason behind the slow transformation from hip-hop to commercial hip-hop can date back to the birth of the genre. The first rappers were often teens that were a part of the lower classes, and were subjected to the thoughts and images of success, wealth, and happiness that were projected through the media and advertising. These teenagers hoping to change their current living arrangement started chasing money and, the easiest way to make money in the late 80’s, due to the crack epidemic was to sell drugs. That is until they saw rappers such as Big Daddy Kane and Run DMC with their heavy gold ropes; they quickly turned their attention to rapping. The only problem was, most rappers had to soften up their lyrics to be accepted into pop culture. So the easiest solution was to talk about clothing and jewelry. In the book, Hip Hop: A Short History, the author describes how they used consumerism to appeal to pop culture...
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...can “become our own DJs” and take control of what we hear and see.
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Fusing gospel sounds and hip-hop is not Chances creation though. In an Article created by Josef Sorett, Assistant Professor of Religion and African American Studies, the first person who was known for putting hip-hop and gospel together, was named Stephen Wiley. “Specifically, through an engagement with the life, ministry, and music of Stephen Wiley – who recorded the first commercially-released Christian rap song in 1985 - this essay offers an account of hip hop as a window into intersections of religion, race, and media near the end of the twentieth century” (Sorrett,
To say it lightly, Stanley Crouch does not like the hip-hop genre of music. The dreadlocks, the clothing style, and the "vulgar": gold chains are just a few things he does not approve of at all. (Crouch, 1 ) It astounds him to see how far African-American music has fallen since the days of the Motown. Stanley was quoted as saying this about rap, "It is rudeness, vulgarity, and pornography disguised as ‘keeping it real.'" (Crouch, 1) He also went on to say the hip-hop music genre has the worst impact of all music genres on our culture today. (Crouch, 2) Crouch believes one does not need much talent to become a successful rapper unlike the jazz greats he listens to all the time.
Since the early to mid 90’s, hip-hop has undergone changes that purists would consider degenerating to its culture. At the root of these changes is what has been called “commercial hip-hop". Commercial hip-hop has deteriorated what so many emcees in the 80’s tried to build- a culture of music, dance, creativity, and artistry that would give people not only something to bob their head to, but also an avenue to express themselves and deliver a positive message to their surroundings.
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
Music is one of the most powerful and influential language which to many people in
A race issue that occurs within the rap and hip-hop musical genre is the racial stereotypes associated with the musical form. According to Brandt, and Viki rap music and hip- hop music are known for fomenting crime violence, and the continuing formation of negative perceptions revolving around the African-American race (p.362). Many individuals believe that rap and hip-hop music and the culture that forms it is the particular reason for the degradation of the African-American community and the stereotypes that surround that specific ethnic group. An example is a two thousand and seven song produced by artist Nas entitled the N-word. The particular title of the song sparked major debates within not only the African-American community thus the Caucasian communities as well. Debates included topics such as the significance and worth of freedom of speech compared with the need to take a stand against messages that denigrate African-Americans. This specific label turned into an outrage and came to the point where conservative white individuals stood in front of the record label expressing their feelings. These individuals made a point that it is because artists like Nas that there is an increase in gang and street violence within communities. Rap and hip-hop music only depicts a simple-minded image of black men as sex crazed, criminals, or “gangsters”. As said above, community concerns have arisen over time over the use of the N-word, or the fact that many rappers vocalize about white superiority and privilege. Of course rap music did not develop these specific stereotypes, however these stereotypes are being used; and quite successfully in rap and hip-hop which spreads them and keeps the idea that people of color are lazy, all crimin...
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
Forman, Murray. “Conscious Hip-Hop, Change, and the Obama Era.” American Study Journal. American Study Journal. 2010. Web. 9 Mar. 2014.
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Jackson, Michael, and Lionel Richie. We Are the World. USA for Africa. Rec. 7 Mar. 1985. Michael Jackson, 1985. Www.azlyrics.com. Web. 26 Apr. 2014. MP3.
Music has been around since the beginning of civilization. Music was used to tell myths, religious stories, and warrior tales. Since the beginning of civilization music has greatly progressed. Music still tells a story, we know just have many genres to satisfy the cultural and social tastes of our modern society. Hip Hop is a genre of music that has significantly grown the last couple of decades. It's increased popularity has brought it to the forefront of globalization. Technological advances has made it easy for Hip Hop to spread out globally. This occurrence of globalization is a key example that as our cultural borders are broken down by technology, our own cultural and social practices become fluid. Although there are many positive and negative comments about the globalization of Hip Hop, it is a reflection of the growing phenomenon occurring all over the world.
Feminist.com 15 March 2014.Feminist.com Hicks, Jeffrey National Center.org December 2013.national center.org 15 March 2014 National Center.org Idolator.com/ hip-hop master rankers 15 March 2014. Idolator.com. Meara, Paul.Complex.com. June 2012 Complex.com 15 March 2014 Complex.com Dave, Miranda. Springer:‘’ Rap and Hip-Hop Genres Today’’ April 2004.