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Recommended: Gospel music
Gospel Rap and Civility: Chance the Rapper edition.
People from many generations may think that today’s music shows virtually nothing. This generations rap music mainly circles around how much money you receive from rapping, how much women you receive from rapping, and how much drugs you receive from rapping. There is rare few times where rap artist come out of this circle, to talk about real life experiences, issues within the world, and how this affects certain diversities. Baruti N. Kopano, an assistant professor of Mass Communications at Delaware State University, does a study on the rhetorical legacy of rap music. He starts off in this article how rap music to him is a legacy with rich history, “For rappers, ‘keepin it real’ means being
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This is his third mixtape Chance made during his music career, and is widely praised from music reviewing websites such as Metacritic, for its fusion of hip-hop and gospel sounds. In my opinion, it is one of Chance’s best work, as it features many songs that talks about how he overcame struggles in life using music, family, and God to become where he is now. It is the first mixtape to ever chart on Billboards 200 solely on streams, peaking at number 8. There is a total of 14 songs on the album, with three of them singles, that were used for promotional uses to be played on radio (Coloring Book, 2016). Fusing gospel sounds and hip-hop is not Chances creation though. In an Article created by Josef Sorett, Assistant Professor of Religion and African American Studies, the first person who was known for putting hip-hop and gospel together, was named Stephen Wiley. “Specifically, through an engagement with the life, ministry, and music of Stephen Wiley – who recorded the first commercially-released Christian rap song in 1985 - this essay offers an account of hip hop as a window into intersections of religion, race, and media near the end of the twentieth century” (Sorrett,
In his essay Murray Forman, Represent: Race, Space, And Place in Rap Music. Forman talk about how rap music went from national to regional and locally. He argued that territories were claimed through the ongoing cultural practices that occurred within their bounds and were reinforced by the circulation of those who recognized and accepted their perimeters (Forman 196). He further explained how early DJ sound systems featured a series of practices that linked the music to other mobile practices, such as graffiti art and tagging that only way they were able to construct place based identities.
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
The Black Power Mixtape 1967-1975 (2011) is a 1 hour and 40 minute documentary that observes the black power movement in American history. This film is directed by Swedish director Goran Hugo Olson and has detailed footage that was shot during the 1960s and 1970s by Swedish journalists. The footage largely focuses on the black power movements. The film allows viewers to not only grasp a better understanding of this movement but allows us to understand why this movement appealed to Swedish journalists. The Black Power Mixtape: 1967-1975 includes vintage interviews with Stokely Carmichael, Bobby Seale, Angela Davis, Huey P. Newton, and other prominent leaders during the Black Power Movement. The documentary also contains contemporary audio interviews and commentaries from various entertainers, artists, activists, and scholars, including but not limited to: Harry Belafonte, Talib Kweli, Melvin Van Peebles, Erykah Badu, Abiodun Oyewele, and Questlove from The Roots.
In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.
Hip-Hop became characterized by an aggressive tone marked by graphic descriptions of the harshness and diversity of inner-city life. Primarily a medium of popular entertainment, hip-hop also conveys the more serious voices of youth in the black community. Though the approaches of rappers became more varied in the latter half of the 1980s, message hip-hop remained a viable form for addressing the problems faced by the black community and means to solve those problems. The voices of "message" hip...
Chance the Rappers mixtape “Acid Rap” is Chance’s second mixtape ever released premiering in April of 2013. A different kind of rapper Chance is seen as unique in a genre that today is predominantly dominated by auto tune and the same background beat in every song. Acid rap has incomparable beats to many rap mixtapes because the beats used by Chance are just so uncommon and odd; not to mention Chances sound is different it is said by many that one either likes or dislikes his voice there is no in-between. Alongside with the uniqueness of Chance himself and the mixtape, Acid rap is a social commentary on what is wrong in society more specifically the constant anxiety of the “Man” watching. Acid rap by chance the rapper is an incredibly unique album with new surprises
From its conception in the 1970's and throughout the 1980's, hip hop was a self-contained entity within the community that created it. This means that all the parameters set for the expression came from within the community and that it was meant for consumption by the community. Today, the audience is from outside of the community and doesn’t share the same experiences that drive the music. An artists’ success hinges on pleasing consumers, not the community. In today's world, it isn’t about music that rings true for those who share the artists' experiences, but instead, music that provides a dramatic illusion for those who will never share the experiences conveyed. This has radically changed the creative process of artists and the diversity of available music. Most notably, it has called in to question the future of hip hop.
Throughout the article, Kanye west, Chance the Rapper, and Kendrick Lamar are mentioned because these artists have incorporated prayers or use divine lyrics and Gospel examples into their songs. For example, In the beginning of the article, Sayles talks about the show Saturday Night Live, which that day the show was altered into a Sunday morning at a Baptist church because Kanye West was performing a song from his forthcoming album “The Life of Pablo”, which had special appearances of a gospel choir, R&B singer Kelly Price, Pastor Kirk Franklin, and Chance the Rapper. Kanye West starts singing a short phrase from the Prayer of St. Francis, which says “Deliver us serenity, Deliver us peace, Deliver us loving, We know we need it.”, which is a Christian prayer. Sayles mentioned Kayne West album “The Life of Pablo” is named in
Rap music was first a cross-cultural product. Most of its important early practitioners, Kool Herc, DJ Hollywood, and Afrika Bambaataa, were either first- or second-generation Americans of Caribbean background. Kool Herc and DJ Hollywood are given credit for introducing the Jamaican style of cutting and mixing into the musical culture of the South Bronx. Herc was the first DJ to buy two copies of the same record for just a 15-second break (instrumental segment) in the middle. By mixing back and forth between the two copies he was able to double, triple, or endlessly extend the break.
The influence of Hip-Hop has never been as great as it is in this day and age. Often dismissed by a majority of America as simply a fad, hip hop has become a global phenomenon and has arguably been the most popular form of music for the past three decades. Hip-Hop has influenced art, language, fashion, culture, and sports. This music has been used to teach elementary level children, it has been taught in undergraduate universities and serves as a bridge for hundreds of philanthropies. The influence of Hip-Hop has also been felt in films. These films range from fictional works, documentaries, and autobiographies. A film known as, Something from Nothing by famous rapper Ice T sheds light on elements within Hip-Hop that have enabled the genre to reach millions of people.
He wrote The Gospel of Hip Hop in the same format as the bible for his readers that claim hip hop as their life path and culture. Not only has he worked with The Zulu Nation and Afrika Bambaataa he has created The Temple of Hip Hop in 1996. The main goal is to promote and maintain hip hop culture. It has been accepted as a religion by the United Nations. There is a hip hop appreciation week every third week of May so MCs and DJs can teach listeners about hip hop and encourage artists to write hip hop songs that are socially conscious since there have been a lot events happening in the black
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
Rap is becoming more popular than ever, soon most of the world will have some type of knowledge of rap music. Rachel Sullivan from the University of Connecticut stated “White respondents in this survey had difficulty naming three rap artists, which indicated that they did not have a high level of commitment to the music.” This statement was produced in 2003, also seemed to be very one dimensional. Recently, rap music has been surging through the masses no matter the race. Furthermore, rap is becoming very prevalent especially in the youth of this era. Many trends, commercials, social media, etc. are revolving around rap music.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .
Hip- hop is a standout amongst the most compelling musical sorts on the globe. There are rappers everywhere that know what amount of an impact their music can have. Some entertainers attempt to utilize that force of impact to do great (Ruiz INT).