More handpicked essays just for you.
The use of camera techniques in Hitchcock's films
Alfred hitchcock introductions to film
Alfred hitchcock camera techniques
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The film Psycho (Alfred Hitchcock, 1960) is an interesting film with many small details that help shape the film in to award winning masterpiece it is. The mise-en-scène is something that can go overlooked, but is very vital in understanding the meaning of the film. According to the book Film Art, mise-en-scène is all of the elements in front of the camera to be photographed, and because of that, this film technique is one that viewers notice most (p. 112). So this includes things like characters, props, nature and even behavior. Motifs and symbolism are prominent throughout the entire movie. They both help develop the plot either by continuously appearing throughout the film or by having a specific meaning that is a lot deeper than what it looks like on the surface. The mise-en-scène, especially motifs and symbolism, of Psycho plays a huge role in helping convey the meaning of the film. A motif is an element in a film that is repeated in a significant way. As discussed in Film Art, a viewer cannot follow a story, recognize emotional tenor of the scene, respond with their own emotions, or reflect on possible meanings until they notice certain things in the frame (p. 140). Since motifs …show more content…
There are two birds in the shot with him, a turkey and an owl. The turkey is representing the innocence and kind side of his personality while the owl is representing the darker, more cynical side of his personality. Once he decides to peek into her room, he sees her undressing in front of birds that are preyed upon and when he stops looking, he is only shown with the owl, no longer the turkey. Also, when Norman is talking to Marion about his mother, he says that she is a harmless as a stuffed bird. This is symbolic because he is saying, just like the birds, she is dead. The birds in the mise-en-scene are very important and help understand the true meaning of the
Psycho is a suspense-horror film written by Joseph Stefano and directed by Alfred Hitchcock. This film was loosely adapted from Robert Bloch’s 1959 suspense novel, Psycho. A majority of the movie was filmed in 1960 at Universal Studios in Los Angeles. Psycho is about Marion Crane (Janet Leigh), a secretary from Arizona who steals $40,000 from her employer’s client. She takes that money and drives off to California to meet her lover Sam Loomis (John Gavin) in order to start a new life. After a long drive, she pulls off the main highway and ends up taking refuge at an isolated motel owned and managed by a deranged Norman Bates (Anthony Perkins). In Alfred Hitchcock’s film, Psycho, symbols, character and point of view are three literary aspects used in the film to manipulate the audience’s emotions and to build suspense in the film.
Hitchcock employs the notion of the capability of isolation to create conflict and fear. Isolation is apparent in the crop dusting scene due to the lack of people and buildings which juxtaposes to the busy streets of New York City earlier in the film. An establishing shot of the empty desert and Thornhill standing on the road alone, implies that Thornhill is insignificant and isolated as the scene is predominantly the landscape. A long shot of Thornhill and an unknown character in a “typical standoff” scene creates tension and fear for the audience. As the two men speak, non-diegetic sounds of a plane becomes prevalent. When the man says “I’ve seen worse” in response to Rodgers question, this is a foreshadowing of the crop dusting plane attack
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
bank. Marion went home there was a close up shot on the money then on
The two films Psycho and The Birds, both directed by Alfred Hitchcock, share similar themes and elements. These recurring themes and elements are often prevalent in many of Hitchcock’s works. In Psycho and The Birds, Hitchcock uses thematic elements like the ideal blonde woman, “the motherly figure”, birds, and unusual factors that often leave the viewer thinking. Hitchcock’s works consist of melodramatic films, while also using pure cinema to help convey messages throughout the film.
shots in the film was the extreme close up of Bates eye when he was
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.
Any one can think that motif is just a decorative pattern but it can be more of symbol or words. My motif is seed/plant/flower which can mean growth, new beginning, and who you are. When you start out you have to start at the beginning of your life. When you start growing you learn what to do survive and how to handle situations better. plant fully mature to show the flowers, it show who you are and what you have became. All of these show what my motif means to me.
Norman Bates is arguably the most unforgettable character in the horror genre. His movements, voice and aura at first radiate a shy young man but transform into something more sinister as the movie Psycho (Hitchcock, USA, 1960) progresses. How has the director, Alfred Hitchcock, achieved this? Norman Bates was a careful construct: the casting, body language, lighting and even the subtle use of sound and mise-en-scène created the character.
The movie Psycho, is one of the most influential movie in Cinema history to date. The director Alfred Hitchcock, wanted to test many of the conventions of movie making that was common at that time. Alfred Hitchcock movie broke many cultural taboos and challenged the censors. Alfred Hitchcock showed a whole bunch of at the time absurd scene, for example: Marion Crane (Janet Leigh) dying naked while taking a shower, Norman Bates with split personality disorder, and the first ever flushing toilet shown in a movie. Because from the late 1920's to the late 1950's, movies were made usually go around the story, and usually with a lot dialogue. This movie gives the audience an experience that was much more emotional and intuitive. The viewers were caught up in a roller coaster of shock, surprise and suspense based on image, editing and sound.
A motif is a reoccurring symbol or element that generally helps to develop or contribute to the theme or the mood of the text. In Speak it was usually used to alter both the mood and
Alfred Hitchcock’s Vertigo starts off with a detective who is chasing a criminal across the rooftops of San Francisco. This detective whose name is Scottie Ferguson finds himself dangling from the gutter of a building after he slips and falls. When one of his partners tries to rescue him, he falls to his death. He soon discovers his new fear of heights which results in his quitting the police force. Scottie is later contacted by a college friend Gavin Elster who wishes to hire him to trail his wife who he believes is possessed by the spirit of her great grandmother Carlotta who committed suicide at the age of twenty six which happens to be the same age as Elster’s wife Madeline. He eventually tracks her down at the Mckittrick Hotel in which he discovers she has been spending time there under the name of her deceased great grandmother which we later find is Carlotta’s former home.
Through the use of irony, mis en scene and recurring symbols, Hitchcock has reinforced the fundamental idea of duality throughout his film, Psycho. Alfred Hitchcock’s 1960’s American psychological horror thriller, was one of the most awarded films of its time, proposing contrasting connections between characters, Anthony Perkins and Janet Leigh, and cinematic/film techniques to develop this idea. Irony identifies contrasts between the dual personalities of Marion Crane and Norman Bates, often foreshadowing the future events of the film. Mis en scene is particularly influential to enforcing the idea of duality, evidently shown through the music and diegetic sounds used. The recurring symbols including the mirrors and specifically the birds, underpin a representation of the character’s dual personalities. Hitchcock’s use of devices reinforces the dual personalities of characters Anthony Perkins and Janet Leigh.