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Introduce a film archetype theory
Introduce a film archetype theory
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The Maze Runner is a 2014 mystery/science fiction film that can be viewed from an archetypal perspective. An archetype can be described as a pattern that can and is copied and recurring symbols or characters. The concept of archetypes came from Carl Jung a psychiatrist who believed that all cultures use archetypes to build stories without communicating to each other about them. Two groups of archetypes are the character and symbolic archetypes. The film The Maze Runner should be analyzed through an archetypal perspective because it has character and symbolic archetypes. When dealing with the character archetype there are several characters those being the mentor and the evil figure with an ultimately good heart. To begin with, the mentor is …show more content…
Alby was the first one sent into The Glade so he is like the father to everyone who’s been around the longest and knows the most about The Glade and The Maze. When Thomas was sent from the cage that sends in the “Greenies,” (new members who are sent into the maze,) and thrown into the slammer Alby was the one to get him out and show him around. He also made the rules and assigned everyone jobs. But, he ended up dying because he was already ill and ended up sacrificing his life for the safety of the others. Therefore, everyone looked up to him because he knew what to do when to do it, and how to do it. Alby was the smartest one when it came to The Glade and The Maze. Furthermore, the evil figure with an ultimately good heart is the mean person who has the potential to be good. This person would be represented by Gally. In the begging, when Thomas came into the maze Gally grabbed him up and threw him onto the ground before he took off running. …show more content…
Innate wisdom vs educated stupidity is when characters exhibit wisdom and understanding of situations instinctively as opposed to those in charge. This can be interpreted when Thomas and Minho when it comes to the maze. Thomas knows about the maze, but still makes dumb decisions as could be seen when he ran in after Minho and Alby when they didn't make it out the maze as the doors closed but still ends up being the reason they survive. Then, Minho has the innate wisdom when it comes to the maze because he knows the maze backward and forwards. He also knows the number position the maze is going to be in each day and has the whole maze mapped out with sticks. This shows how even though Minho new everything the maze Thomas is still the reason they got out. Therefore, even though Minho had the most wisdom Thomas had the most wisdom in that situation because he was the actual reason why they survived. In addition, there is also the magic weapon. The magic weapon is the object or thing needed to complete the quest. Once they got to the end of the maze the only way to open it was with a key. With the key, they could open the doors to where the grievers where during the day then they needed a code. The code was the sequence to the maze and once they entered that they would finally complete the maze. Therefore, the magic weapons were
An archetype, according to Literary Terms, is an idea, symbol, pattern, or character-type, in a story that appears again and again in stories from cultures around the world and symbolizes something universal in the human experience. There are symbolic, character, and situational archetypes. The Glass Castle, a memoir by Jeannette Walls, uses each archetype. The memoir captures Jeannette’s difficult life growing up due to her father’s alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel’s theme. A central theme to the novel can be perseverance. Jeannette and her siblings grew up and managed to build a better life for themselves. They worked hard and never gave up, demonstrating perseverance.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
"Pan 's Labyrinth" is directed by Guillermo del Toro, is a magical realism drama. The screen shows the magical world of bizarre situations, a fictional out of Pluto 's daughter "Ophelia" to roam the world. To 1944 as the background, the fascist murder of guerrilla fighters as a real-world story. The whole film myth and reality are intertwined, is a complete metaphor and reflection on the Spanish civil war. One side is the little girl innocent fairy tale, while the Nazis are inhuman torture and slaughter. Two living scenes intertwined in a film, brings out a moral and human conflict. This is the child to see everything in the eyes, and what we see, it seems that the other world.
“We meet ourselves time and time again in a thousand disguises on the path of life” (Jung). Writer’s usually have archetypes in their stories to engage the reader's understanding. Throughout the book Wild by Cheryl Strayed, she encounters several archetypes both positive and negative. She was impacted by the people, which made her accomplish her journey hiking the Pacific Crest Trail alone and getting herself back together. There are various archetypes that play a big role in Cheryl's physical and emotional journey. The archetypes make her who she is today and without them she wouldn't be able to transform.
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
“The archetype is probably Jung’s most difficult concept. Archetypes are inherited predispositions to respond to the world in certain ways. They are primordial images, representations of the instinctual energies of the collective unconscious” (Frager). The archetypes in Jung’s analysis are the shadow, anima, animus and self. Beginning with the shadow, this to be a person of the same sex but possessing different traits. The Wicked Witch represents the shadow, the dark or unconscious part of the personality that the conscious ego tries to ignore. Along with the witch, her heinous flying monkeys could be categorized into this archetype. The Wicked Witch of the West is a dark, controlling presence who seeks to dominate and control. Any person seen throughout the world could be symbolized by the witch as a foreboding character and one who thought all was right with their plan of action, hence a universal
Hey you, Yeah… YOU! Would you want to live in a society where you live in a box for your entire life, and mean absolutely nothing to the just about anyone? For science right? NOPE! Obviously, Societies fall as a result of a corrupt government, Failing Social Structure, and Sickness. It is due to these factors that many great societies such as Greece, Rome, and the society depicted in the book Maze Runner fall.
... typical archetype. These characters are obviously supposed to mirror the archetypes that are common in fairy tales, but their flaws are contradictions to the archetypes that they are supposed to represent; through this Goldman mocks typical and standard fairy tales.
Week Three for The Maze Runner - My Title for these chapters. - The Confusion Starts (So Far)
When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
Archetypes have been around for thousands of years, dating back to at least Plato discussing his “Theory of Forms”. In a literary contexts we think of archetypes such as the hero, the mentor, the journey, or the initiation. When looked at from these perspectives it appears that there is nothing original to write about, but these archetypes are used over and over with much success. The reason is because the writer and the reader empathize with the archetypes. Take for example the Initiation archetype, also called the Coming of Age story, in it is the struggle of the young against the old in an attempt to obtain individuality, and freedom that reflects what Jungian psychologists call, a “father complex”, a type of subset to the oedipus complex, in the authors.
Imagine a world where you are stuck in an arena, several times the size of a football field, and you are with about fifty teenage boys for as long as you live. Well, lucky for you, that is the world which is The Maze Runner. Yes, The Maze Runner, by James Dashner, is a fictional society, but there are real life civilizations that fall too, such as Germany in the Nazi era, Sierra Leone, and Ancient Rome. Societies can crumble down and burn due to corrupt leaders or government, lack of crucial resources, and a diminished security.
Three main components play a part in the realization of the archetype. First of these, the dynamic component, is the effect of the archetype. This effect is "manifested in energetic processes within the psyche." Whether it remains unconscious or "grips" the conscious, every mood, positive or negative, manic or depressive, is an expression of the dynamic effect of the archetype. The dynamic action of the archetype "extends beyond unconscious instinct and continues to operate as an unconscious will that determines the personality." It not only has a "decisive influence" on the mood, but also the inclinations and tendencies of the personality, and "ultimately on it's conceptions, intentions, interests, on consciousness and the specific direction of the mind." Secondly, the symbolism of the archetype occurs when the activity of the unconscious manifests itself in "specific psychic images." Each archetype, when confronted with consciousness, is perceived in a symbolic form or image separate from the image of any other archetype. For example, the Great Mother archetype will have a dif...