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Joseph campbell theory of heros essays
Joseph campbell on the hero
Joseph campbell on the hero
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Films have a successful universal story that represents different kinds of people in American society. You may feel you are only average, and not much of an interesting person to even share a story about your life but, “We live the same stories, whether they involve the search for fulfillment, going after an ideal, achieving a dream, or hunting for a precious treasure” (Seger 334) we all live, and share a similar life experience. These hero stories we can relate to break down into different categories because everyone is different, however we all have a story that defines us. Myths which are stories that involve people living more than a life of a common folk, but live a more intense life with a destiny that determines the fate of their world. …show more content…
Research shows us that most films contain not only a hero myth, but also archetype characters who play a different role in the hero’s journey. Linda Seger provides a great example of hero myths, and archetype characters which can be found in films that have a positive influence on American society due to the connections people can make, and learn life lessons from a hero’s journey in her essay, Creating the Myth. Myth stories have been spread throughout American society for many years which has entertained us, and connected us for centuries. It is one of the oldest forms of storytelling in history. These stories are found in all cultures as well as literature which includes Greek myths, fairy tales, legends, and religion. Seger describes myth stories as “more than true because it is lived by all of us, at some level, a story that connects, and speaks to us all” (335). Myths are still influencing modern society, and are fascinating as Huang-Ming Chang describes as “more than just storytelling some scholars consider a myth as a way of making sense to the physical world” (100). Myths are created by a person in which Dimitris Anastasopoulos describes is “a man’s need to answer his existential anxieties: his origins, understanding of the supernatural, his past and future destiny” (119). When people watch a Hollywood film, and have a basic knowledge of Mythology they can easily connect with the films story because it contains a myth. Most filmmakers out there were inspired by myths they’ve heard as a child to create their understanding of myths into their own stories to tell that have become a worldwide phenomenon movies. Myths contain life lessons in which people in American society can learn from their mistakes in the past that impacts them throughout their lives today. We can learn many historical facts about life in these stories as well as different types of characters in a myth. “Moreover, it is also claimed that the cinema delivers a contemporary experience for the viewers to set apart from their daily life, and engage their unconscious in a manner similar to hypnosis and dreaming” (Chang 103). Films that contain myths can be an inspiring experience for the audience once they watch it, and experience the adventure with the hero which brings this fantasy world that they now have a connection with, to their daily lives as Americans. Archetypes are useful features in films.
It is anything repeated in storytelling from ancient times to the present. “Some researchers have put efforts towards elaborating symbolic meanings on modern movies according to Jung’s theory” (Hauke and Alister 2001). Jung discovered many types of archetypes such as the hero, shadow figure, animal, mentor (old man), and mother. These characters can have a positive or a negative effect in the films myth. Mythologist Joseph Campbell was able to extend Jung’s concept of the hero archetype into the Hero Myth which is “a common structure in all mythical hero stories in different cultures and religion” (Chang 101). “They show who the hero is, what the hero needs, and how the story and character interact in order to create transformation” (Seger 335). The hero starts off as an average person living a normal life, but once something changes in the hero’s life, he begins his journey and becomes a changed man by the end of the story. “Out of the interaction between warrior and institution development the particular American archetype of the anti-hero, the character who rejects social codes in favor of his own” (House 67). Almost every film created has a good guy, and a bad guy which is the anti-hero archetype character who is the opposite of the hero due to them having a different view on the conflict that takes place in the film. Another version of the hero archetype is the heart of gold archetype which are heroes with a little more darkness than normal heroes. George Lucas was one of the first film makers to be inspired by Campbell’s work, and credited him for the making of Star Wars using many of his archetype
characters. George Luca’s Star Wars is a great example that contains archetype characters, and most importantly a myth. By being inspired by television shows like romance, and adventure as a child he was able to incorporate them into his own version of a myth, and is loved by fans around the world. Before studying film, Lucas studied sociology and psychology. When he came across the story A Hero with a Thousand Faces written by Joseph Campbell which contains all myths for example, classical times, the bible, and the middle ages. This book inspired him to become a filmmaker. Luca’s set out to give young people his kind of fantasy world for example he uses a similar scene from a show called Western. This is when Luke, Obi-Wan, and Han Solo are arrive at their destination realizing that the planet Alderaan has been destroyed, and now they’re new mission is set to save Princess Leia. The spaceships in Star Wars were inspired by World War II planes in Hollywood films. The Force which is a very important element in Star Wars was inspired based on a religion of destiny that works for both good, and evil which Lucas describes as always been basic in mankind. “Star Wars itself has become a full pledged phenomenon, it has become more than just a movie” (Conrad). Star Wars tells of a hero myth story that can have an impact on a person more than just becoming a fan, but relating to a fictional character. Harrison Ford related to the character Chewbacca as “if he were a special kind of a dog” (Ford). Luke Skywalker who is the hero of Star Wars was inspired by Flash Gordon. “Luke is the reflection of every young boy’s adventure spirit” (Conrad). He is described as “simple, naïve, straightforward, the classic character in literature that doesn’t want to stay home, and wants to see the world beyond” (Hamill).
In “Creating the Myth,” Linda Seger outlines the essential aspects that make up the hero myth, and why movies that follow this outline are generally successful. In her analysis, she begins with the idea that every hero myth revolves around a hero who is called upon to accomplish a feat that nobody else in the story is able to do. The hero’s journey begins with an unlikely person being called upon to serve a purpose greater than themselves. Along their journey, the hero is influenced by several archetypical characters that either help the hero, or try to deter the hero from accomplishing their task. The hero’s journey ends when they have accomplished their task, and in doing so, become a greater person than what they were in the beginning. A film that found tremendous success by following this outline was “Kung Fu Panda.”
The popular film from 1977 known as Star Wars Episode IV: A New Hope written and directed by George Lucas, there are many uses of archetypes, which include use of the colors blue and green in light sabers, and the color gold in the character, Luke Skywalker’s, clothing at the end of the movie. The use of these colors throughout the movie help to show the heroic cycle of Luke Skywalker by bringing out the changes he goes through from his purity, to his rebirth, and then finally when Luke gains wisdom from his journey.
Everyone can relate to an archetype character in a movie, book, or television show. An archetype in literature is a typical character with an action or a situation that seems to represent such universal patterns of human nature. Common archetypes of characters are: a hero, caregiver, rebel, damsel in distressed, lover, villain, or tragic hero. In the play, The Crucible, there are several kinds of characters with archetypes. Tragic hero normally are in tragic plays which also can be called tragedy. “Tragedy is a drama in which a character that is usually a good and noble person of high rank which is brought to a disastrous end in his or her confrontation with a superior force but also comes to understand the meaning of his or her deeds and to
After discovering a God-given talent, a young boy struggles to achieve his only dream; to become the best there ever was. Baseball is all he has ever known, so he prevails through the temptations and situations laid before him by those out to destroy his career. His hopes and dreams outweigh all the temptations along his journey. These hopes, dreams, and temptations are depicted through archetypes in the movie The Natural.
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
One of the greatest Greek mythological stories portrayed in a movie would be Hercules. Hercules is a well-known hero; he displays a supernatural individual who has to overcome the villain and his bad monsters. In “Creating the Myth” by Linda Seger, she argues that the hero myth as many obstacles (the death experience, the road back, the reborn) that he or she need to overcome to be transformed into a hero. However, these obstacles play a very important role in the hero’s stage of initiation. The movie “Hercules” by Walt Disney and the creator Alan Menken, we encounter the characters of the movie which are Hercules of course, Philoctetes the trainer, Pegasus the horse, loyal companion, Megera the love of Hercules and Hades the villain. All these characters connect strongly with Hercules because they guide him to become a hero. I argue that the movie “Hercules” follows the theory “the Hero Myth “by Seger, because he was a caring person who loved to help others; he evolved to be a strong person because he listened to his mentors that helped him gained strength, and was courageous individual because of all the obstacles he had to overcome.
Theme of Top Gun is that we as humans will stick together to support or fight a common cause, because in the movie Top Gun Maverick has to find the love of his life, get over his friend's death and has to fight with his academy enemy to help save people's lives. The archetypes of this movie are hero, mentor, and innocent. Maverick is a hero, Viper is the mentor because he is the Top Gun instructor and helps everybody with their flying and lessons. Goose is the innocent because he does nothing wrong yet he ends up dieing because of a problem with the plane.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help to advance the story. One of the most useful in advancing this story is the typical powerful character. Whether it be supernatural or cunningness this character always comes out on top in the situation and holds the most control over others and their actions. “Where Are You Going, Where Have You Been?”,
Heroes help us escape life's harsh realities and provide us with the strength to dream and to believe in ourselves. Many people find it easy to relate to heroes in myths because they share a journey similar to the one we take in real life. Linda Seger suggests in her essay “Creating the Myth” that there are many similarities between hero stories among different cultures. Seger explains, “Many of the most successful films are based on these universal stories. They deal with the basic journey we take in life. We identify with the heroes because we were once heroic or because we wish we could do what the hero does” (123). These mythical archetypes are recognized universally even in movies. They continue to capture our imaginations and inspire us because every person secretly desires to be recognized as a hero one day. The movie Rango illustrates an adventure of a sheltered pet lizard that lives as an ordinary family pet. After he gets accidently lost in the desert, he finds himself facing a major identity crisis. The movie is based on the same plots that Seger suggests when creating hero myths.
The Hero’s Journey is a pattern created by the American mythologist Joseph Campbell and is a path that every hero must take in order for them to pursue their personal legend as Paulo Coelho describes in The Alchemist, a hero can be a human, animal or a magical creature. The Merriam-Webster dictionary defines “archetype as the original pattern or model of which all things of the same type are representations or copies” (“archetype”). During this path, the hero will encounter different obstacles that will prevent him/her from achieving their destiny. Coco is a movie that talks about a Mexican tradition that celebrates dead called Dia de Los Muertos. The movie Coco follows the Hero’s Journey pattern Miguel character must face the Departure, Initiation, and Return. In the movie Coco, Miguel Rivera dreamed of becoming a musician and the importance of continuing with a tradition that honor the death follows the step pattern of the Hero Journey.
Virtually all literature contain instinctive trends in the human consciousness to represent certain themes or motifs, these are defined as archetypes. Archetypes can be thought as blueprints or as bundles of psychic energy that influence the manner in which we understand and react to life. There are two different categories of archetypes, the plot archetype and the character archetype. The orphan, martyr, wanderer, warrior, magician, villain, wise child, temptress, rebel, underdog, fool, saint, virgin, wise, old man or woman are all considered to be character archetypes. Call to adventure, isolation, quest and monster that turns against its creator are all considered to be plot archetypes. The novel, Mary Shelley’s Frankenstein, contains archetypes.
According to Linda Seger all myths, in all cultures are much the same. In these myths it is just the time, place and setting that changes. This is why Hollywood is so successful at making good movies, because they base it off these myths. The most popular myth is that of the hero, because for most of us this is what we want to be. With this myth we can live that experience through these characters. In the creation of a hero there are ten stages, using the Matrix as an example we will look at these ten stages.
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype.
For a time, the main characters in a story, poem, or narrative were easily classified as either being a hero or a villain. A hero would be easy to identify by the traits he'd possess, such as bravery, honesty, selflessness, trustworthiness, courage, leadership, and more. The villain would be easy to identify as well, possessing traits such as maliciousness, deceitfulness, immorality, dark, wishing harm upon others, and more. But what if the character lacked the natural heroic qualities but wasn't a villain either? What if the person displayed personality flaws that would traditionally be associated with a villain, but has heroic intentions? These questions were finally answered with the emergence of the anti-hero in literature.