The Matrix
Contents
1 What is the Matrix?
2 Resisting the Matrix
3 Subverting the Matrix
3.1 Gift Culture
3.2 Information Anarchy
3.3 The Anonymous Internet Economy
4 Freedom Seekers are Not Terrorists
5 Spreading the Word
6 Target Audience
6.1 Civil Libertarians
6.2 Whistleblowers
6.3 Bloggers and Independent Journalists
6.4 "Political Dissidents" and Inquisitive Minds
6.5 People with Enemies
6.6 Programmers and Security Researchers
6.7 The Video Game Underground
6.8 Moonlighters, Double-Shifters, and Consultants
6.9 Potential Victims of Identity Theft (Everyone)
6.10 Entrepreneurs
What is the Matrix?
In my opinion,
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The Matrix films provide the best metaphor our society has for understanding why organized evil and oppression are allowed to exist, and so I will use it for this purpose.
While my interpretation isn't the only possible one, I believe it to be valid, comprehensive, and most importantly, illustrative of the message I am trying to convey.
So let's begin by discussing what the Matrix is not. The Matrix is not the physical world. As far as I'm concerned, the physical world is actually real and is in fact governed ceaselessly by the laws of physics. Conversely, the Matrix is also not the Internet, despite what many seem to believe. The Matrix spans and transcends both these worlds. It has existed since the dawn of civilization, and it will continue to exist until its collapse.
So then, what is it? Well, that's complicated. Much like in the movie, it's nearly impossible to convey the size and scope of the Matrix to someone who doesn't already see it for what it is. However, unlike the movie, I believe it is an ethical imperative to try to convey it in a literal sense, even to those who are so dependent upon the Matrix
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that they would fight to protect it. At worst, they won't understand or believe and will continue on about their business. In a sense, I believe Cypher was right to resent Morpheus for what he did, because Morpheus is the social structure that subordinates Humanity to its will. It is the machinery of society that exists solely to perpetuate itself, its influence, and its power independent of any human need. It insulates us from each other and ourselves through deception, and essentially transforms us into servile engines of economic and political output (power). The machines that live off this power are institutions: large corporations, governments, schools, religious institutions, and even non-profit orgs. Every institution will reach a point in its existence where its primary function becomes self-preservation and perpetuation, instead of serving human need. At this point it becomes a machine of the Matrix. For example, when they become machines, governments cease to serve people and instead seek to extend their power over them; corporations prioritize increasing shareholder value over producing quality products or otherwise serving the public good; schools view students as a means and not an end; religious organizations equate membership with salvation (and actively oppose other teachings and even independent practice); and non-profits and charities spend more budget on fund raising activity than on their original focus. Inevitably all large institutions eventually become machines. They become too big for Humanity. In addition to the independent self-perpetuating machines that write most of our paychecks, the Matrix has several major cooperative and more actively sinister groups of machines subsisting off of its power and directly contributing to the structure of the Matrix itself.
These groups are the Military Industrial Complex, the Political Industrial Complex, the Prison Industrial Complex, the Surveillance Industrial Complex, the Media Industrial Complex, the Academic Industrial Complex, the Agricultural Industrial Complex, the Medical Industrial Complex and the major religious organizations (not to be confused with actual religions, many religious organizations have abandoned the underlying principles of the religions they claim to represent). All machines in these groups either actively oppress humanity, or enable the oppression to persist. It is through their combined efforts that the Matrix takes on some of its more distasteful
qualities.
Bridge to Freedom provides the historical documentary behind the events that served as the narrative for Selma. Instead of a drama, the viewers receive an actual documentary that shows the confrontations between the marchers and the government. Like Selma, it highlights the violence, the deaths, and the beatings, but also goes further back in time to show society’s treatment of African Americans.
When the trailer for this film was first introduced to the public, many expected The Matrix to be just another science-fiction film with phenomenal special effects which lacked an intriguing plot. The majority of the reviews definitely put an end to this misconception. Most of the reviews written on this film eloquently complement the Wachowski brothers on their excellent story line. The Biblical references of this film incorporated with the phenomenal cinematography distinguish The Matrix from all other science-fiction films in which the main characters are on a race to save humanity. "The script, written by the Wachowski brothers is intelligent but carefully not geeky."2
The Matrix series is much more than an action-packed sci-fi thriller. After one view of this film for the second and third time, we start to notice a great deal of symbolism. This symbolism starts to paint a completely different picture than the images of humans battling machines. It is a religious story, with symbols deeply set in the Christian faith. The Matrix contains religious symbolism through its four main characters, Morpheus, Neo, Trinity and Cypher. In that each character personifies the “Father,” the “Son,” “Satan,” and the “Holy Spirit” of the Christian beliefs only shown through the amazing performances of the actors. A critic by the name of Shawn Levy said "The Matrix slams you back in your chair, pops open your eyes and leaves your jaw hanging slack in amazement."(metacritic.com)
Wow, I never expected to sit home on a Saturday night watching a documentary about AIDS, and needing a box of tissues. The film a Closer walk was definitely an eye opener!! As mentioned in the film, “AIDS is the grandfather of all diseases”, such a true statement after watching this film and realizing how it affects so many lives in so many ways ( ). AIDS in Africa is a nightmare. As Oliva Nantango, the girl that cared for her mother at age 12, because relatives were afraid of catching AIDS, stated “How do you tell your child you are dying”? I can’t imagine the heartache the children go through seeing their parents die at such a young age and leaving them orphaned. My heart was ached for many on that film, but for some reason, Oliva’s story really got to my heart. She was a very brave, strong young woman and I was so happy she was getting treatment, but it was too late, such a upsetting situation. But, I was happy she got to tell her story at the White House, and hopefully made a difference in someone’s life.
Throughout the US, millions of POC students exposed to the traditional, rather outdated version of US History. Never do the textbooks explicitly mention and/ or explain the terrorizing, constant stripping down of others’ cultures and appropriating it into the dominant group of predominantly white, Anglo-Saxon and protestant. For many Mexican American students, they can’t relate to anything in the text, nor do they share an interest in the coursework provided. The way US history sets up doesn't teach and somehow excludes Indigenous backgrounds or for the most part was never taught in the classroom but, rather briefly mentioned in one or two paragraphs. Immigrants from diverse groups built this country yet their culture is consistently shown
The movie, "The Matrix," parallels Platos's Allegory Of The Cave in a number of ways. Similar to the prisoners of the cave, the humans trapped in the matrix (the cave) only see what the machines (the modern day puppet-handlers) want them to see. They are tricked into believing that what they hear in the cave and see before them is the true reality that exists. Furthermore, they accept what their senses are telling them and they believe that what they are experiencing is all that really exists--nothing more.
This student of Philosophy now sees the movie The Matrix in a whole new way after gaining an understanding of some of the underlying philosophical concepts that the writers of the movie used to develop an intriguing and well thought out plot. Some of the philosophical concepts were clear, while others were only hinted at and most likely overlooked by those unfamiliar with those concepts, as was this student when the movie first came out in theaters all those many years ago. In this part of the essay we will take a look at the obvious and not so obvious concepts of: what exactly is the Matrix and how does it related to both Descartes and Plato, can we trust our own senses once we understand what the Matrix is, and how Neo taking the Red Pill is symbolic of the beginning of the journey out of Pl...
Deep within the cave the prisoners are chained by their necks and have a limited view of reality. Around them, by the distant light of the fire, they only see shadows and outlines of people or objects. From their conclusions of what they may think is real, are false. “The Matrix” parallels Plato’s “Allegory of the Cave” in a number of ways. Similar to the prisoners of the cave the humans trapped in the modern day puppet-handlers (the machines) want them to see. In the movie, Neo is a computer hacker, and on day he suddenly realizes that his world is fake, by finding out the truth after he was released from the pod. Neo discovers that what he has been presented with his entire life is only reflections or merely shadows of the truth. The theme is recognized throughout the movie as we see many objects, as well as Neo, reflected in other objects. The puppet-handlers (the machines) represent what Plato calls the influential and powerful members of society. The objects making the shadows in “The Allegory of the Cave” are also creating a false conclusion for the prisoners. In “The Matrix” the puppet-handle...
Let me briefly explain a simplified plot of The Matrix. The story centers around a computer-generated world that has been created to hide the truth from humans. In this world people are kept in slavery without their knowledge. This world is designed to simulate the peak of human civilization which had been destroyed by nuclear war. The majority of the world's population is oblivious to the fact that their world is digital rather than real, and they continue living out their daily lives without questioning their reality. The main character, Neo, is a matrix-bound human who knows that something is not right with the world he lives in, and is eager to learn the truth. He is offered the truth from a character named Morpheus, who proclaims that Neo is “the One” (chosen one) who will eventually destroy the Matrix, thereby setting the humans “free.” For this to happen, Neo must first overcome the Sentient Program agents who can jump into anyone's digital body. They are the Gate Keepers and hold the keys to The Matrix.
feeds of human energy. The character of Neo discovers that he is living in the Matrix
The Matrix, directed by the Wachowski sisters, is a film that discusses free will, artificial intelligence and poses a question: ‘How do we know that our world is real?’ This question is covered in the philosophical branch of epistemology. Epistemology is a component of philosophy that is concerned with the theory of knowledge. The exploration of reality is referenced in the film when Neo discovers he has been living in an artificial world called ‘The Matrix’. He is shocked to learn that the world in which he grew up is a computer program that simulates reality. The questioning of knowledge and its irreversibility provoked by The Matrix invites the audience to wonder whether their own world is an imitation of true reality, thus making it a
The movie "Matrix" is drawn from an image created almost twenty-four hundred years ago by the greek philosopher, Plato in his work, ''Allegory of the Cave''.The Matrix is a 1999 American-Australian film written and directed by the Wachowski brothers. Plato, the creator of the Allegory of the Cave was a famous philosopher who was taught by the father of philosophy Socrates. Plato was explaining the perciption of reality from others views to his disciple Aristotle. The Matrix and the Allegory of the Cave share a simmilar relationship where both views the perciption of reality, but the Matrix is a revised modern perciption of the cave. In this comparison essay I am going to explain the similarities and deifferences that the Matrix and The Allegory of the Cave shares.In the Matrix, the main character,Neo,is trapped in a false reality created by AI (artificial intelligence), where as in Plato's Allegory of the Cave a prisoner is able to grasp the reality of the cave and the real life. One can see many similarities and differences in the film and the allegory. The most important similarity was between the film and the Allegory is the perception of reality.Another simmilarity that the movie Matrix and the Allegory of the Cave shares is that both Neo and the Freed man are prisoners to a system. The most important difference was that Neo never actually lived and experienced anything, but the freed man actually lived and experinced life.
The Matrix is a sci-fi action film about a computer hacker named Neo that has been brought into another world deemed “the matrix.” The Matrix is a prime example of cinematography. The film uses many different types of cinematography such as mise-en-scene, special effects, and camera shots to make it interesting and entertaining to the audience guiding their attention to the important aspects of the film.
In the film The Matrix (1999) in the scene “The Two Pills” help characters and relationships are developed and continuation of the films narrative through various components of cinematography and mise-en-scène. Most notable in The Matrix is the use of costuming, sound effects, props, setting and camera movement. Through the use of these techniques the audience becomes more involved in the narrative as Neo meets Morpheus for the first time and is given the opportunity to learn the secrets of the matrix.
This is a critique of" Roger And Me", a documentary by Michael Moore. This is a film about a city that at one time had a great economy. The working class people lived the American dream. The majority of people in this town worked at the large GM factory. The factory is what gave these people security in their middle working class home life. Life in the city of Flint was good until Roger Smith the CEO of GM decided to close the factory. This destroyed the city. Violent crime became the highest in the nation, businesses went bankrupt, people were evicted from their rented homes. There were no jobs and no opportunity. Life was so bad that Money magazine named Flint the worst place to live in the entire nation. When news of the factory closing first broke, Michael Moore a native of flint decided to search for Roger Smith and bring him to Flint.