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The Mask
By Ella Hoffmann
I woke up to her strong hands clasped tightly around my throat. My eyes shot open and there she was. Her blue eyes, wide and wild, were full of anger and resentment, burning a hole right through me. I desperately gasped for air, I didn’t bother trying to defend myself, because I knew that wouldn’t go down well. Unfortunately, this situation was all too familiar to me. Isn’t it sad that she was the one who once cuddled me when I had a bad dream, and now she is the reason I can’t sleep at night? Isn’t it sad that the person who is supposed to keep me safe is the person I fear most? “Where’d you put them!” She yelled, her familiar, liquor-scented breath hit my face. “Where’d you put my cigarettes Nina? I know you took
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them you stupid girl.” “Mum.Your-, your pocket.” I managed to choke out between shortened breaths.
She furrowed her eyebrows and tightened her grip on my neck, her acrylic nails sinking deeper into my skin “Do you think that’s funny?” She tormented “Do you really want to play those games with me?” I could hear my heartbeat in my head and my vision was cloudy, the world around me was starting to spin. I extended my arm and reached into the front pocket of her jeans, pulling out the small box and holding it between our faces. She immediately let go of my neck, snatched the cigarettes out of my hand and walked calmly out the door of my bedroom. I lay motionless on my bed until I heard the front door slam and the car drive …show more content…
away. I looked into the mirror examining the mask I created. Pretty good. There was no sign of the scar above my eyebrow from mum’s hair straightener or the vine of purple bruises wrapped around my neck or the permanent bags under my eyes from sleepless nights. As I stepped out of the apartment door I seamlessly and instinctively morphed into the girl I wished I was. No one would have a doubt in their mind that I was anything but a normal, upper-class, suburban girl. And that’s exactly how I liked it. As I walked into Oakland High School the bell rang and I instantly felt at ease. “Hey Nina!” Ashley said as she skipped up to me, her long blonde hair trailing behind her. “Hey Ash” I said linking arms with her as we walked in sync. Other students went quiet when we walked past. Mr Morgan, our principal, said this was because I was too intimidating, they were scared they were going to say something I didn’t approve of. He also said I should try smiling or saying hi when I walk past, but I didn’t want them to get the wrong idea and think they could talk to me or something. “OMG.” Said Ashley “How good was Josh’s party on Saturday night?! I don’t remember anything so it must have been great-” I zoned out as she talked. It seemed like we were always talking about the same things, boys, parties, who’s dating who. As we walked down the hall towards our first class of the day when Ashley tapped me on the shoulder, “Nina look!.” she pointed towards the music block where Ava Wright, a girl my age with freckles and long red hair, was packing her flute into its case “It’s your best friend” She added with a smirk. “Oi, Ginger!” I yelled out to her, she turned around for a split second before seeing my face and quickly turning away. “Is it true that redheads are related to satan?” other students laughed and I smiled as she pretended not to hear and hurriedly moved to her next class. Ava and I were definitely not best friends. I can’t tell you exactly why I hate her, I just do. And that’s the only reason I need. As I walked into my English classroom with Ashley by my side other students made way for us. This was my comfort zone, this was the place where I felt in control. It was second break and I was sitting with Ashley and some of our other friends in our usual spot near the library when Ava walked past on her way to the library. I saw this as an opportunity to have a bit of fun. “Hey, Wright” I said and she continued walking away “Ava! Don’t walk away from me. You didn’t answer my question before.” She walked faster this time, something in me snapped. How dare she walk away from me. I got up from where I was sitting and jogged towards her. A small crowd started to gather around, people were hungry for some entertainment. I grabbed onto her backpack and pulled her around to face me. “Why are you walking away Ava? Are you scared?” I teased, pushing her hard so she landed flat on her back on the hard concrete. “So, are you going to answer my question?” I taunted “Are redheads really related to satan? Because that would explain a lot” everyone around us snickered and giggled but Ava just sat there, staring. She gave me a pitying look as if I was the one people should feel sorry for. That really annoyed me, so I decided to push her harder, Literally. I pulled her up by the collar of her shirt and pushed her against the brick wall of the library and growled in her face like a wild dog “Why aren’t you answering me, you stupid bitch?” Her expression didn’t change. Suddenly I felt tears well up in my eyes and I had a horrible sinking feeling in my stomach. “What’s wrong with you?!” I screamed, and this time I think I was yelling at myself. I pushed my way through the crowd and ran as fast as I could towards the toilet block.
When I got there I locked myself in the disabled toilet which was a small, dark room consisting of a toilet, a shower and a mirror with a sink underneath. I leant with one hand on either side of the sink and the tears fell freely down my cheeks. The anger that i felt a few moments ago was replaced with a feeling of pure hopelessness and misery. I lifted my head and was taken aback by the person in the mirror. I looked exactly like my mother. It wasn't because we shared the same nose or hair colour, but it was because we shared the same look of emptiness in our
eyes. In that moment I realised I didn’t hate Ava Wright. But I was jealous of her. I hated that she had a light in her eyes that was once in mine. I hated that no matter how horrible I was to her she still had that light. I turned on the tap and splashed the cold water on my face, washing off my makeup and exposing my scars and bruises. I walked out of the toilet block and it went quiet. I felt people staring. I walked up to Ava who was sitting on the floor, exactly where I left her. I held out my hand. She looked at me in awe before grabbing my hand and standing up. “I’m sorry” I said before walking straight out of the school without looking back.
It has been too long since I last wrote to you, so I thought I would inform you on momentous events that happened in my life in the last little while. The previous time I heard from you was when Gabriel turned three. I can’t believe he is about to become a teenager now. My goodness, time flies by so fast. I was so ecstatic when I saw your prior letter arrive in my mail.
I also don't own the idea, it was requested to me by the wonderful Amanda. Thank you so much! I hope I did this idea justice.
At the same time: Snap-Whoosh-Growl-Snap-Whoosh-Growl! Return with a fierceness, causing the rest of the men to separate into two groups with some moving to the left in search of the origin of the beastly sounds and the others moving to the right, combining their numbers with those searching for their missing brethren, while Gottlieb stays behind.
In the poem “The Double Play”, the author uses metaphors, words, and phrases to suggest turning a double play in baseball is like a dance. Some words throughout the poem could be used to connect the idea of a double play being like dancing. One word that could suggest this is, the word used “poised”, “Its flight to the running poised second baseman” (12). Poised in this sense could mean that the player knows what he is doing and has mastered the double play, while a dancer can be poised meaning light and graceful. Another word in this poem that relate to a double play and dancing is the term “pirouettes”, “Pirouettes / leaping, above the slide, to throw” (13-14). The player is described to be doing a pirouette in the double play while in the
I'm currently walking along a long and barren road approaching a small forest. Of course, no one would recognize where I am. Of course not I'm obviously somewhere where even I wouldn't recognize, thrown into a place against my own will. I guess I can blame my own hubris for this one. “HEY I THOUGHT IT WOULD BE FUCKING FUN, don't be a condescending asshole.”
Crimson Peak, released in 2015 and directed by Guillermo del Toro, opens with a monologue by the film’s protagonist, Edith Cushing. This monologue continues for four minutes, encompassing a flashback which includes events of Edith’s childhood. Her dialogue introduces ghosts into the story and establishes many of the film’s most prevalent trends. During a flashback to her childhood, Edith’s mother comes to her in the form of a ghost. The syuzhet in this opening scene presents ghosts as terrifying and unwanted antagonists that exist to terrorize the hapless Edith. The film’s primary twist is that the ghosts are actually there not to terrorize Edith, but rather to save her from doom. Horrifying sound effects and music correlate with one another
[RILEY mutters curses under her breath, but stopped once hearing another foot of footsteps. RILEY mutters even more.
A yellow skinned man wearing a gas mask and orange prison clothes stands in a large glass box. Another man walks in wearing a tailored suit, black tie, gasses, and a name tag. He sits down in a chair. “Now lets see what your in for... arson, tampering with lethal chemical compounds, bank robbery, and and 24 acounts of murder, and that's just in the past week, It seems like you're going to be here for a while.” He fixes his glasses.
I want to write you a letter, because I know where you are. You are here. And … you are in heaven with your lovely people and no more worries, and watching me from the sky. I hope, you met with my mother, Hassan, and other people there.
That night the neighborhood was alive with music and lights, "that party would be talked about for a while" thought Jerome. Everything was perfect, he had the best costume, didn't feel sick, and he was pretty popular that night. Then it all went downhill, he was talking to his friend and didn't notice when a stranger walked by and put a pill in his drink. The next thing he knew he woke up locked inside an asylum, still dressed in his 80's themed costume(disco pants, sneakers, Afro and rainbow leg warmers). If you thought he could just go out the window, you thought wrong, 4 stories up inside a locked room. Knowing he could get out through the the door or the window he looked for another way out, finding a piece of paper with the words "lay on the bed and
Ever wondered what it's like to feel the sharp pain of getting stabbed? I'll tell you this, it isn't too great. For starters, it feels like you are being hit by a truck, but the truck is small, and very sharp. Know why I know this? Well, that's because I decided to play hero to protect the love of my life. Now that I look back at it, I'm glad I saved her. If not, I would not be alive today. I wouldn't be standing upon this platform looking into a sold out, speaking into a microphone about how in the world I created this little ball. So yeah, here I am talking to God knows how many people about how I am now considered a "genius". Well let us begin then, shall we? ~ Kuro says with the power ball in his hands, and a big smile pasted on his face as he looks into the crowd on the podium.
Nolan narrowed his eyes at me, ready to retort but suddenly he shut his yap staring past me. I glanced over my shoulder and spotted our principal, Kay Pal, and his daughter, Janine. Next to her was a tall guy with black hair and dark blue eyes. I recognized him as Kayden Adams, Janine's boyfriend, according to Instascam--I mean Instagram.
As I crept out of the window around a quarter to midnight, I ran to the barn to saddle Chestnut. I had to be very quiet so the master would not be disturbed. My pockets were filled with potatoes and bread. Although I was hungry and could smell the aroma of the freshly cooked bread from the night before, I knew I needed to lead the horse out with food to keep him in my favor. The horse neighed softly and followed me out to the pasture. Gaining his trust, I hoisted myself on his back and off we trotted. Miles later, I stopped behind an old abandoned barn to rest for the night. As the morning sun began its journey, I noticed something familiar a patch of woods with a frozen lake. If I remembered correctly, my dad’s old master owned these woods. I spent my childhood running
Intro:“This life is yours. Take the power to choose what you want to do and do it well. Take the power to love what you want in life and love it honestly. Take the power to walk in the forest and be a part of nature. Take the power to control your own life. No one else can do it for you. Take the power to make your life happy.” Susan Polis Schutz. Power over one’s life is something everyone deserves to have, but what happens if you don’t? In the two stories “We wear the mask” Paul Laurence Dunbar and “Still I rise” by Maya Angelou.In “we wear the mask” this poem was written right after the Civil War life was somewhat better than being a slave yet but african americans did not share the same privileges.. In the poem “still I rise” by Maya Angelou
When discussing the poetic form of dramatic monologue it is rare that it is not associated with and its usage attributed to the poet Robert Browning. Robert Browning has been considered the master of the dramatic monologue. Although some critics are skeptical of his invention of the form, for dramatic monologue is evidenced in poetry preceding Browning, it is believed that his extensive and varied use of the dramatic monologue has significantly contributed to the form and has had an enormous impact on modern poetry. "The dramatic monologues of Robert Browning represent the most significant use of the form in postromantic poetry" (Preminger and Brogan 799). The dramatic monologue as we understand it today "is a lyric poem in which the speaker addresses a silent listener, revealing himself in the context of a dramatic situation" (Murfin 97). "The character is speaking to an identifiable but silent listener at a dramatic moment in the speaker's life. The circumstances surrounding the conversation, one side which we "hear" as the dramatic monologue, are made by clear implication, and an insight into the character of the speaker may result" (Holman and Harmon 152).