Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Oedipus as an archetype
How important is tiresias in developing the plot of oedipus the king
Oedipus as an archetype
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Oedipus as an archetype
The Many Functions of Tiresias in Sophocles' Oedipus Rex
The minor role of Tiresias fulfills several chief purposes in
Sophocles' Oedipus Rex, all of which are necessary in guiding the play
through to its tragic ending and the completion of the prophecies.
Tiresias primarily functions as the catalyst ultimately responsible
for the provocation of Oedipus' venomous jealousy, a vital factor in
the play's progression. The calm and confident Tiresias also acts as a
foil for Oedipus through his dramatic difference in character, which
allows the reader to see Oedipus for who he really is and realize that
it was he who brought about his own downfall. Lastly, the wise prophet
who functions as an authoritative father figure to the
authority-threatened king (Lesser 147-148) helps make the motif of
fathers, all of whom Oedipus sees as threats, evident.
This motif of father figures is strongly supported by Tiresias,
unveiling one of the prophet's main functions in the play. The motif
of father figures in the play is significant due to the fact that
Oedipus is known primarily for killing his father and marrying his
mother (after which the "Oedipus complex" is named) as both of the
prophecies foretold; it only makes sense that Oedipus would in some
way rebel against all of the father figures in the play. The wise and
respected prophet represents one of the most threatening of these
father figures to Oedipus (Lesser 147). Tiresias always acts calmly,
confidently and with authority, specific qualities of the archetypal
father, and according to Lesser, both Creon and Tiresias had
attributes which would have led Oedipus to look upon them as fathers"
(Lesser 147). While the king may not see Tiresias as a literal father,
there is evidence that he sees many of the prophet's qualities with
jealous contempt, thus stirring his intrinsic hostility (Lesser 148).
Oedipus consciously feels threatened by both Tiresias and Creon; they
both are highly respected and in addition possess qualities that
Oedipus does not, qualities that frustrate the unprivileged king:
The way Oedipus speaks to Tiresias and Creon suggests another source
of his tendency to regard them as fathers and then feel envious and
hostile toward them. Both men have personal qualities which are not
native to Oedipus and which he cannot assume for long. (Lesser 148)
Many of Oedip...
... middle of paper ...
...ered the man whose murderer you require."
This intensely incites Oedipus' anger, which causes the second half of
the play to begin. Oedipus, bent on disproving Tiresias' words, sets
out even more intently to learn the truth about both the murder of
Laius, and later about his own heritage, all in response to the
conversation he has had with the prophet. The role of Tiresias thusly
functions as the catalyst responsible for thrusting the second half of
the play into motion by driving Oedipus on his quest to discover the
truth about Laius' demise, which, in turn, finally leads to Oedipus'
thirst for the truth about his own past.
The inventive, multifaceted role of Tiresias is essential to the
play's thematic scheme, clarity, and plot. Tiresias is used as a
building block that helps support the motif of father figures
throughout the play. He is used as a foil to assist the reader in
clearly recognizing and distinguishing Oedipus' significant character
traits, and finally, Tiresias is used to advance the plot as the
primary catalyst responsible for the events leading to the tragic
ending. The author's ingenious use of this role was both clever and
extremely effective.
Eddie Mabo was a recognised Indigenous Australian who fought for his land, Murray Island. Mabo spent a decade seeking official recognition of his people’s ownership of Murray Island (Kwirk, 2012). He became more of an activist, he campaigned for better access for indigenous peoples to legal and medical services, to house, to social services and to education. The Mabo case was a milestone court case which paved the way for fair land rights for indigenous people. The Merriam people wanted to ensure its protection. Eddie Mabo significantly contributed to the civil and land rights of Indigenous people in Australia due to his argument to protect his land rights. In a speech in 1976, at a conference on the redrawing of the Torres Strait border, Mabo articulated a vision for islander self-determination and for an independent Torres Strait Island (Stephson, 2009).
Indigenous issues on an international level became more acutely visible to Mabo following his move to Townsville in 1959. During this time, Indigenous Australians were beginning to be motivated by a more aggressive sense of aboriginal patriotism. Indigenous
The roles of the characters are particularly useful when comparing and contrasting Oedipus to Darker Face. Oedipus can be argued to be a sympathetic ruler of his people, "my heart must bear the strain of sorrow for all..." (4). He shows a strong desire to rid the land of its despair. Yet as the reader captures a more in-depth glimpse into Oedipus' soul, we find him to be a jealous, stubborn, "blind", guilty, and sinful man. Oedipus' character outwardly seems to want nothing more than to find the guilty persons involved in the murder of Laius, yet when given obvious clues he turns a blind eye, not wanting to know the truth behind the prophecy.
Oedipus’ anger causes him to kill the father he never knew and all the men in the entourage. Oedipus’ cannot control his temper and this personality flaw leads him to his fate. Another example of Oedipus’ presumptuous temperament is when he immediately assumes that Creon is trying to take his power from him. Creon sends Tiresias to Oedipus to help him solve the crime of the plague, and when Tiresias reveals that Oedipus must die in order to save the people of Thebes, Oedipus assumes Creon is trying to take his throne. Creon even tells Oedipus, “…if you think crude, mindless stubbornness such a gift, you’ve lost your sense of balance” (Meyer 1438).
Many of the great Romantic authors wrote gothic literature at some point in their literary careers and some even created their literary legacies, perhaps unintentionally, with their tales of horror and suspense. One of the most notable authors during the Romantic period that is well known today for creating one of the greatest literary ...
Throughout the years, Gothic literature has developed to be a mirror representation of what the beliefs and thoughts of the time were. The Gothic has a tendency to express beliefs towards the socioeconomic, political and religious situations and grievances of the time. Many texts express this, some including Edgar Allen Poe’s The House of Usher and Mary Shelley’s Frankenstein, to then allow for the general public – at least those who were literate – to, subconsciously, understand the environment around them without being too direct. This gave the writers of the time a new channel, through this ge...
The play "Oedipus Rex" is a very full and lively one to say the least. Everything a reader could ask for is included in this play. There is excitement, suspense, happiness, sorrow, and much more. Truth is the main theme of the play. Oedipus cannot accept the truth as it comes to him or even where it comes from. He is blinded in his own life, trying to ignore the truth of his life. Oedipus will find out that truth is rock solid. The story is mainly about a young man named Oedipus who is trying to find out more knowledge than he can handle. The story starts off by telling us that Oedipus has seen his moira, his fate, and finds out that in the future he will end up killing his father and marrying his mother. Thinking that his mother and father were Polybos and Merope, the only parents he knew, he ran away from home and went far away so he could change his fate and not end up harming his family. Oedipus will later find out that he cannot change fate because he has no control over it, only the God's can control what happens. Oedipus is a very healthy person with a strong willed mind who will never give up until he gets what he wants. Unfortunately, in this story these will not be good trait to have.
Pornography on the Internet is available in different formats. These range from pictures and short animated movies, to sound files and stories. Most of this kind of pornographic content is available through World Wide Web pages. The Internet also makes it possible to discuss sex, see live sex acts, and arrange sexual activities from computer screens. There are also sex related discussions on the Internet Relay Chat channels where users in small groups or in private channels exchange messages and files.(Akdenis, 1997) There are millions of different pornographic sites on the internet, so there is almost no way of regulating every site unless there was some type of a universal censorship required for every site. Nearly every one of these millions and millions of sites is accessed daily. Men, women, and children of every age and race are on the Internet looking at inappropriate sites every day. Over 2/3 of Americans who have access to the Internet have accessed pornographic or other un-ethical sites, and the numbers are only growing.
In The Book Thief, by Markus Zusak, the narrator uses foreshadowing, irony, and symbolism. “Here’s a small fact, you are going to die” (3). As readers, we are engaged in the story because we are part of the story. The narrator, who is a personified death, is referring to the readers when he says “you”. Here, it is foreshadowed that many people, including the reader, will die in the near future. This is verbally ironic because death refers to this as a “small fact”, even though the subject of death is usually considered a significant and sensitive topic. This statement symbolizes the insignificance that narrator feels towards human life. In The Book Thief, death lets us know about crucial events that will happen later in the book to keep the readers interested. Literary devices such as foreshadowing, irony, and symbolism keep the reader engaged in the story and portray certain thematic ideas.
Gothic Literature was a genre of writing created in the 1780's in order to give form to the impulses and fears of all mankind. It relied heavily upon the ideas of good and evil, and every emotion was symbolically externalized, either by nature, physical appearance, or crime, in order to establish a physical structure for the term evil. By the 19th century Romanticism began to appear, and slowly but dramatically changed Gothic literature forever.
Edgar Allan Poe is able to show that Gothic literature can be taken very seriously but also that there are many faults to the genre. He is able to expertly write serious Gothic fiction and satirical Gothic fiction, as well as a peculiar medley of the two, wherein he combines the greater parts of the two genres. The way Poe uses Gothic devices in this story can be conveyed as both serious and parodic; showing both the horror and the comedy in the Gothic writing style.
The Hobbit by J.R.R. Tolkien is set in a fantasy world that has differences, as well as similarities, to our own world. The author has created the novel's world, Middle Earth, not only by using imagination, but by also adding details from the modern world.
Lucid dreaming is a phenomenon that has plagued the world since the beginning of time. The idea of Lucidity in dreams has been shunned until the recently in the 21st century, but what is it? With the help of Gavin Lane and Matthew Gatton, we will delve into the mystery that is Lucid Dreaming: the subconscious effect on our conscious minds.
Possibly the largest, easiest to access and most accessed type of information on the internet is pornography. Perhaps this is the reason, in addition to its controversial content, why it is so widely discussed and judged. Concerns about porn on the web are b...
Oedipus and Tiresias, characters of Sophocles' play "Oedipus Tyrannus," are propelled to their individual destinies by their peculiar relationships with truth. Paranoid and quick to anger Oedipus, is markedly different from the confident and self-assured Tiresias. In the dialogue between the two men, Oedipus rapidly progresses from praise of Tiresias as a champion and protector of Thebes in line 304, to blatantly accusing the blind prophet of betraying the city in line 331, to angrily insulting him in line 334. Rather than be intimidated by the protagonist's title and temperament, Tiresias draws strength from what he knows is true and is able to stand his ground.