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Gay rights social movement
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Gay rights movement research paper
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Paragraph 4 – Laramie Project The Laramie Project is a significant play of the 20th century due to the way that it uses the innovative performance style of verbatim theatre to reveal underlying homophobic attitudes in America and to encourage the audience to be more tolerant and accepting of minorities. The play is used as a vehicle for discussion to engage the audience to explore this social issue and encouraged them reflect on their own bias regarding tolerance and acceptance of homosexuals. This play emerged in a context of opposing cultural attitudes in America. The Gay Liberation Movement of the 1970’s and 1980’s conflicted with very conservative and religious attitudes in America, which was heightened by the AIDs crisis in the 1980’s …show more content…
Kaufman maintains creative discretion building the plot in what he calls ‘Moments’, presenting a cross section of voices that reflect the varying attitudes of the town; from religious leaders, to doctors, homosexuals and students. This narrative layering of story like an onion allows the audience to peel back the layers and arrive at the ’truth’. This is evident when the character of Murdock Cooper says of the murder, “You don’t pick up regular people. I’m not excusing their actions… it was partially Mathew Shepard’s fault and partially the guys who did it… you know, maybe it’s fifty- fifty.” Revealing the homophobic attitudes to the audience. Verbatim Theatre challenges dramatic expectations and aims to provide a more authentic theatrical experience than realism in order to engage the audience in the social issues being explored. The legacy of this significant play was seen in the impact it had on society in it’s ability to open a nationwide dialogue around homophobia, hate crimes and tolerance. The play highlighted Verbatim Theatre as a medium to explore the “truth” of events within a political context and contributed to the passing of the Matthew Shepard and James Byrd, Jr. Hate Crimes Prevention Act (2009), which protects citizens against hate crimes based on
In Tony Kushner’s Angels in America, the interconnection of people and events, that might ordinarily be viewed as disconnected or unrelated, is implicitly presented in the characters section. Dual roles are implemented by a playwright that has one actor portraying the roles of two or more characters, with or without thematic intentions. The use of “dual roles” in several scenes of this play can be viewed as a demonstration of Kushner’s effort in maintaining the interconnectedness between characters, communities (i.e. queer, heterosexual, AIDS and political communities) and events to which they are relative. This essay will argue that Kushner’s use of dual role’s effectively interconnects characters, events and their communities that may be seen as usually unrelated. Analysis of four specific characters, Antarctica, Oceania, Australia and Europa, in Act Five, Scene Five of “Perestroika”, will demonstrate the connection of each Act Five, Scene Five character, to the actors main character based on the implicit evidence presented in the actors “primary” and “secondary” roles, the scenes dialogue and the character interactions. As one will see, by implementing dual roles, Kushner is able to expand or preserve the concept of a major character while the actor portrays another character, keeping the audience from having to completely renegotiate their knowledge between what they physically see of new characters and actually use the new context to view triumphs and struggles for a major character.
“What’s ruining television today are those big productions – It’s the fairies who are going to ruin show business.” For some, this quote from The Jack Paar Show may seem unsettling. In the midst of a Supreme Court that has recently extended even more rights to a community so harshly oppressed, it is shocking to think that just fifty years ago, thoughts like this represented the majority opinion. The evolution of homosexuality in television has seen tremendous leaps and countless obstacles; yet what has emerged in the wake of it all is a form of media that has drastically impacted discourse surrounding gay men. This analysis aims to discuss the show Glee, as well as the key aspects of homosexuality that are portrayed. It will examine the characters
The Laramie Project, written by Moisés Kaufman, is a compilation of interviews by The Tectonic Theater Project, news publications, and journal entries. After the brutal murder of Mathew Sheppard in 1998. Kaufman along with his theater troupe made six visits to Laramie, Wyoming, where the murder took place, to interview people about what happened and how they felt about the crime in their community. They interviewed about two hundred people, of which about sixty were included in the play. The play showcases a small town in America in a historical time of tragedy. The production of The Laramie Project was simple. The stage setting was minimal and the the actors consisted of eight people portraying more than sixty. Through the patchwork of interviews The Laramie Project conveys the themes of identity, representation, and change.
Furthermore, a few of his plays are written about drag queens and others about being gay. Mr. Fierstein grew up in a time when being gay was a very hard lifestyle to be open about. Over the decades the support group lesbian, gay, bisexual, and transgender community or better known as LGBT, has supported the mass movement worldwide. Mr. Fierstein set out to illustrate to the world that it is ok to be yourself and that the LGBT community will not accept any more bigotry. His plays focus on the hardships faced by the oppressed and the tyrants.
For many generations, especially in North America, homosexuality was not accepted in any way, shape, or form. Many believed that it was a medical illness that was curable, when in reality, people were, and still are, ignorant and could not come to terms that everyone in this world is different from one another. For many instances of being treated unjust, many individuals in the gay community did not want to “expose” themselves and remained in the “closet”. As means to make gays and lesbians proud and take a stand for who they are, a movement spread across internationally. This movement is known as “The Gay Liberation” movement which occurred between the late 1960s and the early to mid 1970s (“Gay Liberation”). The Gay Liberation movement urged individuals of the gay community to “come out,” revealing their sexuality to their loved ones as a form of activism, and to counter shame with gay pride (“Gay Liberation”). The Stonewall Riots are believed to have been the spark that ignited the rise of the Gay Liberation movement; it influenced the way the gay community is viewed socially and how their rights are politically present day.
In Tony Kushner’s Angels in America, there are several elements of heteronormativity in the text. The societal bias in favor of heterosexual relationships are a recurring theme in the play. Many of these examples come up through character’s relationships and the 1980s society’s response to them. However, Kushner also displays many characters battles with compulsory heterosexuality; the belief that heterosexuality is the default sexual orientation.
The 1990s saw a surge of gay characters in both television and movies. From Ellen Degeneres and her character Ellen Morgan coming out under much scrutiny on the TV show ‘Ellen,’ to Julia Roberts and Rupert Everett comedically playing off each other in the motion picture ‘My Best Friend’s Wedding.’ Sure, gays and lesbians have been around forever, especially in Hollywood. But never has there been a time to be more out. With the popularity of shows like Will and Grace, which feature leading gay characters, as well as Dawson’s Creek
From the sources that are used within this essay they are all secondary sources. Without first person experice of someone who is LGBTQ and/or a person with disabilities. Nancy J. Hirschmann examines fear felt towards or about disabilities and LGBTQ. Her examination of fear links in well with Jan Zita Groves look back on the AIDS crises of the 1980s and how ableism was a way of expressing the fear of the disease along with LGBTQ identity. The overarching secondary source is David M. Halperin’s examination of ancient societies and how their sexual behaviors can be seen similar to what is known today as homosexuality.
“All About Eve”, a complex film with multiple overlapping themes, illustrates the societal standards and the rising tension between Broadway and Hollywood through a show business’ lens. Thematically, it explores and draws conclusions of many rising issues of the time, such as femininity vs. aging, society’s definition of success vs. traditional gender roles, and norms of tradition vs. liberal thinking (for the time). However, the tensions within the story line are built around two main topics: sexuality and politics. For example, the film portrays Margo and Bill’s relationship as nurturing, thus subtly crediting heterosexual relationships as being fulfilling and “moral”. Contradictorily, the film highlights the predatory and sterile ambition of homosexual characters, like Eve and Addison, in a negative light during different scenes, most memorably when they were having dinner. Meanwhile, these relationships draw subtle yet clearly apparent political references to concepts of communism and the Cold War. The theme of sexuality also extends into the confusions and expectations placed on gender boundaries, notably through the layered character of Margo. She transforms from a theatrical character in the beginning, who mocked Karen for being a housewife with an impassioned monologue, into a rather submissive woman who is defined through her man. Overall, the film is cushioned with thoughtful dialogue and is delivered at a slow enough pace to allow room for contemplation within the audience.
The movie, And the Band Played On, portrays a current issue the U.S. health care system face: the effects of societal perceptions of people who should receive health care support. Those perceived as undeserving are disregarded. Homosexual men were the first to be affected by AIDS in the US, and because of this, the stigma of homosexuality prevented developing health care policy to control the epidemic. Homosexuality was, and to a lesser extent now, not widely accepted. Marginalizing gay individuals was seen in the movie at the beginning, when media coverage on AIDs would not include “homosexual” within the news title (Pillsbury, Sanford, & Spottiswoode, 1993). This represents how media has to be marketed; the broader public will not be interested if a new disease only affects an undesirable population. Another example of this negligence is seen when Phillip Burton is asked to introduce a bill on AIDS. He agrees, but does not hesitate to retort, “They couldn’t get a dime out of this administration with the name gay on it” (Pillsbury, Sanford, & Spottiswoode, 1993). Finally, in order to change the perception, at the CDC conference with blood agencies, they renamed gay related immune deficiency (GRID) to AIDS, and the film cuts to news segments finally covering
Paris, Matthew. ?Birth of a queer nation.? National Review 31 Aug. 1992: 65. Academic Search Elite. EBSCOhost. SCCC Library, St. Peters. 18 Sept. 2001 .
The media represented the murder of Mathew Shepard as the perfect example of a hate-crime. However, JoAnn Wypijewski, in her article titled “The Boys Life” (Wypijewski 1), takes a deeper look at the case of Mathew Shepard and comes up with a more accurate thesis on why violence occurs in most situations. At the end of her essay, she writes, “It's said that hate-crime laws symbolize a society's values. If that is true, it means gay people are recognized only in suffering, and straight people are left off the hook. It means Shepard may stand for every homosexual, but McKinney and Henderson stand just for themselves. It means nothing for life and everything for death” (Wypijewski 13). She argues that this quote is completely false and is the media version of what happened to Mathew Shepard. In reality, she explains her thesis on violence through this false quote, she expects the reader to come up with the correct version of this quote. The version believed to be correct by Wypijewski is that straight people and gay people, everyone is equally connected to this case and anyone could have been in the spot of Shepard or the killers. In reality, Shepard not only stands for every homosexual, but for everyone, and McKinney and Henderson do not stand just for themselves, but they also stand for everyone. The Media’s view shows people get nothing for life, but everything for death, no one would know who Mathew Shepard was if he was alive today. The correct interpretation of Wypijewski’s quote leads into her thesis on violence. Her thesis on violence is that both the perpetrator and victim are common individuals; violence is used to assert one’s manliness, and violence escalates from the original intention by men with self-esteem issues.
“Plague! We are in the middle of a fucking plague! 40 million infected people is a fucking plague!’ Larry Kramer’s words rang across the room in a meeting for AIDS in 1990, 9 years into the US AIDS crisis. Before the epidemic Kramer was a gay playwright in New York born on June 25th, 1935 in Bridgeport, Connecticut. Larry’s father was always disapproving of his interests in musicals and more “feminine” activities. In 1953, he attended Yale University, where he began to fall apart. His grades were failing and he found no others like him. The only thing that saved him from his attempted suicide was his brother. Later in life, he began working as a script writer for movies. One movie of his, Lost Horizon, was a commercial success but received extremely poor reviews. This was a signal for him to quit movie writing, and he began writing books and plays. Kramer’s breakout book was the novel “Faggots”. It was a critique on the lifestyle of gay men in the 70s and was quite controversial. “Read anything by Kramer closely, and I think you’ll find the subtext is always: The wages of gay sin are death,” said Robert Chesley, a gay playwright critiquing Larry Kramer.
In the face of a homophobic society we need creative and critical processes that draw out the complexity of lesbian lives and same sex choices, not a retreat into the comforting myths of heroines and unfractured, impeachable identities
When one hears the words “LGBT” and “Homosexuality” it often conjures up a mental picture of people fighting for their rights, which were unjustly taken away or even the social emergence of gay culture in the world in the1980s and the discovery of AIDS. However, many people do not know that the history of LGBT people stretches as far back in humanity’s history, and continues in this day and age. Nevertheless, the LGBT community today faces much discrimination and adversity. Many think the problem lies within society itself, and often enough that may be the case. Society holds preconceptions and prejudice of the LGBT community, though not always due to actual hatred of the LGBT community, but rather through lack of knowledge and poor media portrayal.