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Theatre performance analysis essay
Theatre performance analysis essay
Theatre performance analysis essay
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The Laramie Project, written by Moisés Kaufman, is a compilation of interviews by The Tectonic Theater Project, news publications, and journal entries. After the brutal murder of Mathew Sheppard in 1998. Kaufman along with his theater troupe made six visits to Laramie, Wyoming, where the murder took place, to interview people about what happened and how they felt about the crime in their community. They interviewed about two hundred people, of which about sixty were included in the play. The play showcases a small town in America in a historical time of tragedy. The production of The Laramie Project was simple. The stage setting was minimal and the the actors consisted of eight people portraying more than sixty. Through the patchwork of interviews The Laramie Project conveys the themes of identity, representation, and change.
The main character of The Laramie Project is the town of Laramie, Wyoming. The subject matter is how the murder of Mathew Shepard impacted this small American town. “We could be on any main drag in America...As we passed the University Inn, on the sign where amenities such as heated pool or cable TV are usually touted, it said: HATE IS NOT A LARAMIE VALUE” (Jacobus 1632). The identity of many ordinary people was affected by a single unimaginable event. There is an emphasis placed on how the compilation of individual attitudes shape the identity of a community and how identities are altered in the wake of tragedy. “As in any work assembled from found materials, the creative choices of what to include, what to omit and how to juxtapose the pieces were guided by the creators' attitudes and the project's goal of understanding why the crime occurred and how it influenced community attitudes”(Evans). The Laramie...
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...e Seattle Times. 16 July 2010. Web. 20 Nov. 2011.
Brantley, Ben. "Theater Review: A Brutal Act Alters a Town."Nytimes.com. The New York Times, 19 May 2000. Web. 20 Nov. 2011.
Evans, Everett. "Review: Laramie Project Simple and Thought- provoking." Chron.com. The Houston Chronicle, 07 July 2010. Web. 20 Nov. 2011.
Hoffman, Jan. "A Tale of Life, Love and Making It All Fit." Nytimes.com. The New York Times, 18 May 2000. Web. 20 Nov. 2011.
Jacobus, Lee A. The Bedford Introduction to Drama. Boston: Bedford/St. Martin's, 2009. Print.
Janofsky, Michael. "A Death in Laramie, Reimagined as Drama." Nytimes.com. The New York Times, 27 Feb. 2000. Web. 20 Nov. 2011.
Thompson, Debby. "Performance Review of The Laramie Project by Moisés Kaufman" Jstor.org/. Theatre Journal.Vol. 53, No. 4 (Dec., 2001), pp. 644-645 Web. 20 Nov. 2011.
In the true crime/sociology story, “Best Intentions: The Education and Killing of Edmund Perry” the author, Robert Sam Anson had provided an immense amount of information from reportings about Edmund Perry’s death and life before he died. Anson has developed Edmund’s character and experiences through reporting that I have related and connected to. Information reported by Anson has helped me find a deep connection towards Edmund Perry’s home environment, junior high experiences, and personality at Philips Exeter. Themes such as hopes and dreams, loyalty and betrayal, journey, and family ties are intertwined in the story and becomes blatant. The congruences between our lives have better my understanding of the story and Edmund’s life.
Laramie project is very sensitive and crucial issue which was wisely broad up in the form of a docudrama in front of the community. The story of Matthew Shepard's highlighted many issues like hate crime, gay/lesbian relationship and personal identity which are still considered as tactful for many peoples. This play also described the role of media, police and an individual in the entire process and shows the influence of this incidence on a person's life.
In Bret Harte’s whole life, he worked a lot do different jobs. He was a tutor, a shot-gun rider on a stage-coach, a printer, a reporter, a columnist, an editor for Northern California, and many more. It was in Northern California where Harte got his first exposure in journalism, writing, and editing. When the Gunthers Island Massacre happened, he became so furious and used his power as writer to lash out what he felt in and editorial rage. However, the reaction he got from the locals was opposed to what he felt, and he was asked to leave the town. Harte felt that the locals were unfair to ...
When Jon Krakauer published a story about the death of a young man trekking into the Alaskan frontier in the January 1993 issue of Outside magazine, the audience’s response to Christopher McCandless’s story was overwhelming. Thousand of letters came flooding in as a response to the article. Despite the claims, especially from the native Alaskans, questioning McCandless’s mental stability and judgement, it soon becomes clear that McCandless was not just "another delusional visitor to the Alaskan frontier" (4). As Krakauer retells the life of Christopher McCandless and gives his own take on the controversy around McCandless’s death in Into The Wild, the reader also creates his own opinion on both McCandless and Krakauer’s argument. Krakauer
Four black sharecroppers (Roger Malcom, Dorothy Malcom, George Dorsey and Mae Murray Dorsey) are brutally murdered by a group of white people. The murders attracted national attention, but the community was not willing to get involved. The community was not fazed by these brutal murders but, by the fact that this incident got national attention. They were even more astounded that the rest of the nation even cared. In this book Laura Wexler shows just how deep racism goes. After reading the book I discovered that Fire in a Canebrake has three major themes involving racism. The first is that racism obstructs progression. The second is history repeats itself. The last theme is that racism can obscure the truth. This lynching, in particular, marks a turning point in the history of race relations and the governments’ involvement in civil rights. In the end this case still remains unsolved. No concept of the
In the world of Appalachia, stereotypes are abundant. There are stories told of mountaineers as lazy, bewildered, backward, and yet happy and complacent people. Mountain women are seen as diligent, strong, hard willed, and overall sturdy and weathered, bearing the burden of their male counterparts. These ideas of mountain life did not come out of thin air; they are the direct product of sensational nineteenth century media including print journalism and illustrative art that has continuously mislead and wrongfully represented the people of Appalachia. These stories, written and told by outsiders, served very little purpose to Appalachian natives other than means of humiliation and degradation. They served mostly to convince readers of the need for so-called civilized people and companies to take over the land and industry of the region, in particular the need for mineral rights, railroads, and logging as the mountain folk were wasting those valuable resources necessary for the common good.
The Chicago World Fair brought about through the 400th anniversary of Christopher Columbus landing in America has posed significant value and worth to the city of Chicago. Over a six-month period, more than 26 million visitors from all over the world would flock to the fairgrounds to experience the rebuilt and vibrant city of Chicago. The 600-acre fairground would have housed 200 buildings that showcased new food, art, technology, and entertainment. Chicago became known as the White City, a place of freedom, grandeur, and security. But unbeknownst to fairgoers, there was a serial killer among them. While Dr. H.H. Holmes lured his innocent victims to his “Castle”, just blocks away architect Daniel Burnham built up the dream city of Chicago. Both these men operated at the same time in history, simply blocks apart, both creating legacies that carry to this day. Burnham and Holmes are two side of the coin of human nature. In “The Devil in White City” Erik Larson’s juxtaposition of Burnham and Holmes, and the Black City and the White City, contributes to the understanding of human nature, that one cannot be good without having done evil, and that good and evil are viewed as complementary in their mutual dependence.
In her Fire in a Canebrake, Laura Wexler describes an important event in mid-twentieth century American race relations, long ago relegated to the closet of American consciousness. In so doing, Wexler not only skillfully describes the event—the Moore’s Ford lynching of 1946—but incorporates it into our understanding of the present world and past by retaining the complexities of doubt and deception that surrounded the event when it occurred, and which still confound it in historical records. By skillfully navigating these currents of deceit, too, Wexler is not only able to portray them to the reader in full form, but also historicize this muddled record in the context of certain larger historical truths. In this fashion, and by refusing to cede to a desire for closure by drawing easy but inherently flawed conclusions regarding the individuals directly responsible for the 1946 lynching, Wexler demonstrates that she is more interested in a larger historical picture than the single event to which she dedicates her text. And, in so doing, she rebukes the doubts of those who question the importance of “bringing up” the lynching, lending powerful motivation and purpose to her writing that sustains her narrative, and the audience’s attention to it.
These two men, both coming from different backgrounds, joined together and carried out a terrible choice that rendered consequences far worse than they imagined. Living under abuse, Perry Smith never obtained the necessary integrity to be able to pause and consider how his actions might affect other people. He matured into a man who acts before he thinks, all due to the suffering he endured as a child. Exposed to a violent father who did not instill basic teachings of life, Smith knew nothing but anger and misconduct as a means of responding to the world. He knew no other life. Without exposure to proper behavior or responsible conduct, he turned into a monster capable of killing an entire family without a blink of remorse. In the heat of the moment, Perry Smith slaughtered the Clutter family and barely stopped to take a breath. What could drive a man to do this in such cold blood? The answer lies within his upbringing, and how his childhood experiences shaped him to become the murderer of a small family in Holcomb, Kansas. ¨The hypothesis of unconscious motivation explains why the murderers perceived innocuous and relatively unknown victims as provocative and thereby suitable targets for aggression.¨ (Capote 191). ¨But it is Dr. Statten´s contention that only the first murder matters psychologically, and that when
Kathryn Allamong Jacob’s “She Couldn’t Have Done It, Even if She Did,” reflects America’s history of inequality and gender stereotypes that greatly affected society’s mindsets, even when it involved murder. Lizzie Borden was an upper-class, gentile, unmarried woman who still lived with her father and stepmother at the age of thirty-two. Being an active member of her community and part of the Women’s Christian Temperance movement, she fell perfectly into her stereotypical role as a beloved daughter who, unable to devote her love to a husband, devoted her time and energy to the betterment of her community. Lizzie, being a wealthy and moral woman, could never brutally murder her father and stepmother, she was incapable of even thinking of it, or was she? Jacob’s story of the murders of Mr. and Mrs. Borden in 1893 describes how gender stereotypes can influence the minds of a nation and how the public and media influence, male dominated court hearing, and refute of evidence all lead to Lizzie’s full pardon.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Words can have a profound, meaningful impact that may alter, shift, and even end lives. In “Create Dangerously”, Edwidge Danticat reveals how words crafted her reality and identity as a woman who lived through a dictatorship. “Create Dangerously” is a nonfiction essay and memoir that focuses on the impact of literature not only in dire times, but in everyday life. Through the use of detail, allusions, and vivid recounting of the past in her writing, Danticat reveals importance and valor of creating art in times where art is a death sentence, and how this belief shaped her identity.
Louise Erdrich’s short story “American horse” is a literary piece written by an author whose works emphasize the American experience for a multitude of different people from a plethora of various ethnic backgrounds. While Erdrich utilizes a full arsenal of literary elements to better convey this particular story to the reader, perhaps the two most prominent are theme and point of view. At first glance this story seems to portray the struggle of a mother who has her son ripped from her arms by government authorities; however, if the reader simply steps back to analyze the larger picture, the theme becomes clear. It is important to understand the backgrounds of both the protagonist and antagonists when analyzing theme of this short story. Albetrine, who is the short story’s protagonist, is a Native American woman who characterizes her son Buddy as “the best thing that has ever happened to me”. The antagonist, are westerners who work on behalf of the United States Government. Given this dynamic, the stage is set for a clash between the two forces. The struggle between these two can be viewed as a microcosm for what has occurred throughout history between Native Americans and Caucasians. With all this in mind, the reader can see that the theme of this piece is the battle of Native Americans to maintain their culture and way of life as their homeland is invaded by Caucasians. In addition to the theme, Erdrich’s usage of the third person limited point of view helps the reader understand the short story from several different perspectives while allowing the story to maintain the ambiguity and mysteriousness that was felt by many Natives Americans as they endured similar struggles. These two literary elements help set an underlying atmos...
America has had quite a history. Moreover, America has had a distinct history concerning racial differences. From the Civil War to the Civil Rights Act, America has showed past that is unforgettable. However, America has showed a history concerning African Americans that still show up in our present today. The Little Rock Nine, staged in 1957, proves that we are not that far away from our previous actions against a different race. In the American heritage and main structure of government, it says that all men are created equal. This paper will tell of the Little Rock Nine and their struggle, and how it has changed America for the better.
While the bodies pile up in what we call our Nation's Backyard, the rest of the country chooses to deny the facts and to remain blind to the truth. The gruesome statistics, and tales of violence in "The Murder of Thirty of My Neighbors" by Jim Myers has the ability to force just about anyone into understanding the severity of the situation the residents of service area 109, also known as eastern Capitol Hill, are facing. It isn't often that people see or hear about this violent world, partly because they would rather not deal with it and also because the politicians who have the power to do something about it are the ones helping to keep the rest of society ignorant. That is why it is important for someone like Myers to step in and invade the serenity of these ignorant lives and prove that violence and murder are the reality for many people living in America. Myers speaks of the cold-blooded murders, drive-by shootings, robberies, and hate infested streets he sees every day in the place he calls home. He uses these violent facts, blunt statements, and sometimes even sarcasm to convey the seriousness of this matter as well as the reality he and his neighbors have come to accept as normal.