In the true crime/sociology story, “Best Intentions: The Education and Killing of Edmund Perry” the author, Robert Sam Anson had provided an immense amount of information from reportings about Edmund Perry’s death and life before he died. Anson has developed Edmund’s character and experiences through reporting that I have related and connected to. Information reported by Anson has helped me find a deep connection towards Edmund Perry’s home environment, junior high experiences, and personality at Philips Exeter. Themes such as hopes and dreams, loyalty and betrayal, journey, and family ties are intertwined in the story and becomes blatant. The congruences between our lives have better my understanding of the story and Edmund’s life. Anson’s …show more content…
Edmund Perry’s maintaining the same personality toward both his peers from home and Exeter is a mental journey by itself. Dealing with racism at Exeter has put Edmund through a journey mentally trying to keep his temper and follow his personality and qualities, although the racism finally bothered him to a maximum point that Edmund change. Edmund has experienced a journey by altering environments drastically from predominantly black neighborhood to a predominantly white school that might have strength his personality. At Exeter, Eddie was the strong student that he showed to be in Junior High. Edmund tells us a testimony of Herney, “He was, said those who had taught and coached him, matured for his age, serious, studious, determined and not at all in awe of the strange new world that was Phillips Exeter.”(114) I maintain the same qualities that his teachers and coaches saw him as. I also see a similarity in the way we use these qualities, to excel in education as Edmund did. After a situation at Exeter, explained in the book, Edmund says that “Eddie didn 't let any group or clique tie him down, which is kind of amazing… He could be with black people, and he could be with white people and he could be with himself.” (165) I connect strongly to this feeling or way of life. I feel as though, I do not need to have a certain group or clique to be with, all I need is myself. I am not racist nor judgemental so can be with and enjoy myself with any group nor clique. Recently, I have entered an art piece into the Teen Arts annual festival. I was placed in a group that had individuals that I have never conversated. This journey has pushed me to make conversation and still enjoy myself, and I took the opportunity to get to know them and create a sort of friendship. Being tied down to a specific group will aid you to lose a chance of getting to know other individuals and
Richard Mulcaster, a British instructor of English, once wrote, “Nature makes the boy toward, nurture sees him forward.” Mulcaster recognizes that both genetic and environmental factors determine the type of a person one becomes. Truman Capote’s nonfiction novel, In Cold Blood gives the reader an opportunity to see prime examples of how nature and nurture influence one’s character. Capote’s novel, In Cold Blood introduces the reader to two men; Richard Eugene Hickock known as Dick throughout the novel, and Perry Edward Smith whose lives of crime are almost identical; although both Perry and Richard come from very humble backgrounds, their childhood particularly their family life, has very little in common. It is not until later in their lives that we begin to see similarities between the two men. Despite their differences, Perry’s upbringing and Dick’s genetic disposition allow both men to share a disregard for life, which becomes apparent on the night they gruesomely burglarized and murdered four innocent members of the Clutter family.
During his childhood, Perry experienced and was marked by brutality and lack of concern on the part of both parents (Capote 296). Dr. Jones gives a very detailed description of Perry's behavior. He says that Perry, who grew up without love, direction, or m...
In Cold Blood, a novel written by Truman Capote and published in 1966, is, though written like fiction, a true account of the murder of the Clutter family of Holcomb, Kansas in 1959. This evocative story illuminates new insights into the minds of criminals, and how society tends to act as a whole, and achieves its purpose by utilizing many of the techniques presented in Thomas C. Foster’s How to Read Literature Like a Professor. In In Cold Blood, Capote uses symbols of escape and American values, and recurring themes of egotism and family to provide a new perspective on crime and illustrate an in-depth look at why people do the things they do.
The search for one’s identity can be a constant process and battle, especially for teenagers and young adults. Many people have a natural tendency to want to fit in and be accepted by others, whether it be with family, friends or even strangers. They may try to change who they are, how they act, or how they dress in order to fit in. As one gets older, society can influence one’s view on what they should look like, how they should act, or how they should think. If society tells us that a certain body type or hair color is beautiful, that is what some people strive for and want to become in order to be more liked. This was especially true with Avery as she longed for the proper clothes to fit into a social group and began to change the way she spoke to match those around her. As a young and impressionable sixth grader, she allowed herself to become somewhat whitewashed in an attempt to fit in with the other girls. However, Avery did not really become friends with any of those girls; her only real friend was
These two men, both coming from different backgrounds, joined together and carried out a terrible choice that rendered consequences far worse than they imagined. Living under abuse, Perry Smith never obtained the necessary integrity to be able to pause and consider how his actions might affect other people. He matured into a man who acts before he thinks, all due to the suffering he endured as a child. Exposed to a violent father who did not instill basic teachings of life, Smith knew nothing but anger and misconduct as a means of responding to the world. He knew no other life. Without exposure to proper behavior or responsible conduct, he turned into a monster capable of killing an entire family without a blink of remorse. In the heat of the moment, Perry Smith slaughtered the Clutter family and barely stopped to take a breath. What could drive a man to do this in such cold blood? The answer lies within his upbringing, and how his childhood experiences shaped him to become the murderer of a small family in Holcomb, Kansas. ¨The hypothesis of unconscious motivation explains why the murderers perceived innocuous and relatively unknown victims as provocative and thereby suitable targets for aggression.¨ (Capote 191). ¨But it is Dr. Statten´s contention that only the first murder matters psychologically, and that when
The main purpose of In Cold Blood by Truman Capote is to offer insight into the minds of the murderers of the Clutter family, Dick and Perry. However, asking an audience to be open-minded about men who have committed such heinous crimes is no easy task. Capote instead methodically and rather artfully combines imagery, parallel structure, and perspective in two separate passages found between pages 107-113 to contribute to his characterization of Perry and Dick where the former is deserving of sympathy and the latter, disgust.
The film Capote, based on the how the writer of “In Cold Blood” did his research to write his book, a masterpiece of literature, has portrayed Capote’s behavior during his research vividly. Capote’s behavior during the years Perry waits on death row in order to get personal testimony of the night of killings is a controversial topic. Some argue that what Capote did was absolutely necessary for an ambitious writer to create such a master piece while other argue that human ethics is more important than the creation of an ideal “non-fiction noble” and the paths he took to get there are morally ambiguous. Even though he gave the world a milestone in literature, his behaviors seem unethical because he lied, pretended to be a friend of an accused murderer who was in a death row, and did not have any empathy to him.
Edward Bloor takes on a challenge when he attempts to make the reader empathize with people that he had intentionally tried to make the reader dislike earlier in the story. This is a challenge because i...
In Truman Capote’s non-fiction novel In Cold Blood, the Clutter family’s murderers, Perry Smith and Dick Hickock, are exposed like never before. The novel allows the reader to experience an intimate understanding of the murderer’s pasts, thoughts, and feelings. It goes into great detail of Smith and Hickock’s pasts which helps to explain the path of life they were walking leading up to the murder’s, as well as the thought’s that were running through their minds after the killings.
In the nonfiction novel, “In Cold Blood” by Truman Capote, the author tells a story of the murderers and victims of a slaughter case in Holcomb, Kansas. Instead of writing a book on the murder case as a crime report, the author decides to write about the people. The people we learn about are the killers, Dick and Perry, and the murdered family, the Clutters. The author describes how each family was and makes the portrayals of Dick and Perry’s family different from the Clutters.The portrayal of the Clutters and of Dick and Perry’s families, was used to describe what the American Dream was for each character. In the beginning we learn about what type of family the Clutters were and how they represented the American Dream for the people of Holcomb.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Society often pressures individuals within it to conform to different ideals and norms. This stems from the fact that individuals in a society are expected to act in a certain way. If a person or group of people do not satisfy society’s expectations, they are looked down upon by others. This can lead to individuals isolating themselves from others, or being isolated from others, because they are considered as outcasts. The emotional turmoil that can result from this, as well as the internal conflict of whether or not to conform, can transform an individual into a completely different person. This transformation can either be beneficial or harmful to the individual as well as those around them. The individual can become an improved version of himself or herself but conversely, they can become violent, rebellious and destructive. The novels Fight Club by Chuck Palahniuk and A Clockwork Orange by Anthony Burgess both explore the negative effects experienced by individuals living within the confines of society’s narrow-mindedness. In A Clockwork Orange, protagonist Alex was the leader of a small group of teenage criminals. He did not have a healthy relationship with either one of his parents or with others around him. Instead he spent most of his time alone during the day and at night roamed the streets in search of victims he could mug or rape. In Fight Club the unnamed protagonist was an outcast in his community. He chose to distance and isolate himself from others and as a result had no friends, with the exception of Tyler Durden and Marla Singer. Due to his isolation, he often participated in nightly fights that took place in Fight Club so that he could relieve his anxiety and stress. In this way, Alex and the unnamed protagoni...
...d by the two families show that behind the civilized persona, the true actions of the feud reveal their dark human nature. This darker nature is mob mentality in which the basis of their family feud is a basis of none that can be remembered, causing the feud to be a meaningless struggle between the two families. Through these ironic actions of the Shepherdsons and the Grangerford families, Twain reveals the darker sides of the human nature.
As a literal deathbed revelation, William Wilson begins the short story by informing the readers about the end of his own personal struggle by introducing and immediately acknowledging his guilt and inevitable death, directly foreshadowing the protagonist’s eventual downward spiral into vice. The exhortative and confession-like nature of the opening piece stems from the liberal use of the first person pronoun “I”, combined with legal and crime related jargon such as, “ crime”, “guilt”, and “victim” found on page 1. Poe infuses this meticulous word choice into the concretization of abstract ideas where the protagonist’s “virtue dropped bodily as a mantle” (Poe 1), leading him to cloak his “nakedness in triple guilt” (Poe 1). In these two examples, not only are virtue and guilt transformed into physical clothing that can be worn by the narrator, but the reader is also introduced to the protagonist’s propensity to externalize the internal, hinting at the inevitable conclusion and revelation that the second William Wilson is not truly a physical being, but the manifestation of something
In E. M. Forester’s novel Howards Ed, we are introduced to two families that are seemingly different from the outside, and despite the fact the families are classified into differing stereotypes, there are a few characters that tend to stray from their families said stereotypes.