The Language of The Neuromancer
According to A Handbook of Critical Approaches to Literature, formalistic approach represents "an approach with methodology, with a history, with practitioners and with some detractors" (73). "When all the words, phrases, metaphors, images, and symbols and examined in terms of each other and of the whole, any literary text worth our efforts will display its own internal logic" (75). However, peculiarity of language use remains one of the most prevalent aspects of the formalistic approach in literature.
"The sky above the port was the color of television tuned into a dead channel" (3).
Opening the novel with the use of such extravagant language, the author sets an ambiance for an intriguing and intricate proceeding plot. Using surrealistic language that starts with heavy-duty terminology and bizarre coding, to names of places that have dubious and ambiguous meaning, to characters' names that Gibson uses in his cyberpunk novel, the author exposes the reader to a number of different nationalities and words derived from foreign languages that pertain to events of the modern world. Gibson talks about the Russian military prosthesis, the East European steel teeth of Ratz's, the Chinese "nerve splicing," the Japanese "Sarariman" or the English slang for "suit," the Australian bellowing, the French "flechettes," the Jamaican Rustafarian culture, the Turkish settings, which proceeds in an on-going concoction of terminology. This concept leads to the perception that incorporation and interrelation of mixed and diverse cultures through the use of different languages represents a stronghold for the creation of the entire world as one big cosmopolitan society.
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...ce, and 'mancer' stands for a magician and romance. Yet, "Neuromancer" might be Gibson's mere speculation about Case's "quality" as a computer "hacker" who disrupts the social order by throwing virus programs into society, thus causing chaos in the world. Nonetheless, using the "neuromancer" as a pun, the author could be alluding to the "Necromancer" in Goethe's "Faust," which means a magician dealing in evil spirits and death.
Apparently, peculiarity and the use of surrealistic language determine the conceit and revelation of the novel's plot. However, contemplating about the future of science fiction and cyberpunk literature, it is probable that humans will not be capable of deciphering the language without the use of additional help sources. Rather, science fiction's predisposition of becoming an unintelligible puzzle of words increases on a daily basis.
Author: Walter Benn Michaels is the chair of the Department of English at the University of Illinois at Chicago teaching literary theory, and American literature. Michaels has also has multiple essays and books published such as Against Theory, The shape of the Signifier, and Diversity's False Solace
Among its detractors, literary theory has a reputation for sinful ignorance of both literature and the outside world; literary critics either overemphasize the word at the expense of context (as in formalistic criticisms) or overemphasize context at the expense of the word (as in political and historical criticisms). However, deconstruction holds a particularly tenuous position among literary theories as a school that apparently commits both sins; while formalistically focusing on the words on the page, deconstruction subjects those words to unnatural abuse. Thus, deconstruction seems locked in the ivory tower, in the company of resentful New-Critical neighbors.
... companies that had groups of businesses working together as if it was a merged company. Power hungry company owners caused workers to rebel and form unions. Some radicals who joined unions were believers in a new political idea known as Marxism. It was based on very socialistic principles and provided the base for modern day Socialism.
Deep-seated in these practices is added universal investigative and enquiring of acquainted conflicts between philosophy and the art of speaking and/or effective writing. Most often we see the figurative and rhetorical elements of a text as purely complementary and marginal to the basic reasoning of its debate, closer exploration often exposes that metaphor and rhetoric play an important role in the readers understanding of a piece of literary art. Usually the figural and metaphorical foundations strongly back or it can destabilize the reasoning of the texts. Deconstruction however does not indicate that all works are meaningless, but rather that they are spilling over with numerous and sometimes contradictory meanings. Derrida, having his roots in philosophy brings up the question, “what is the meaning of the meaning?”
The first theory to be discussed is Structurealism, this theory is composed of many different branches. The branches that this paper will be looking into are archetypes. The definition of archetype is typical images, characters, narrative designs and themes and other literary phenomena. Archetypes have their own form of criticism, called archetypal criticism. Archetypal criticism means the generic, recurring and conventional elements in literature that cannot be explained through historical influence or tradition.
Parker, Robert Dale. How to Interpret Literature: Critical Theory for Literary and Cultural Studies. New York: Oxford, 2011. Print.
Guerin, Wilfred L., Earle Labor, Lee Morgan, Jeanne C. Reesman, and John R. Willingham. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1999. 125-156.
Artificial Intelligence is a term not too widely used in today’s society. With today’s technology we haven’t found a way to enable someone to leave their physical body and let their mind survive within a computer. Could it be possible? Maybe someday, but for now it’s just in theory. The novel by William Gibson, Neuromancer, has touched greatly on the idea of artificial intelligence. He describes it as a world where many things are possible. By simply logging on the computer, it opens up a world we could never comprehend. The possibilities are endless in the world of William Gibson.
By combining the formal and dialogical approaches, patterns and voices within the text seemingly interplay and overlap to reveal a deeper sense of the author's intentions. While the formalistic analysis focuses on the text and the unfolding themes within, the dialogical analysis recognizes "...the essential indeterminacy of meaning outside of the dialogic - and hence open - relationship between voices" (HCAL 349). When applied to "Elegy Written in a Country Churchyard," these two approaches collaborate to emphasize recurring concepts and establish a twisted sense of authority.
Americans were not the first nation to discover the group of islands now called Hawaii. Seafaring Polynesians, people of Polynesia, landed in Hawaii. Some Polynesians sailed to New Zealand and some went as far as the well known island called Easter Island. However, the first American to set foot on Hawaii is Captain James Cook. He arrived in Hawaii on January 18, 1778. He brought many goods to trade with the Hawaiian people and the people treated him well. James named Hawaii “Sandwich Islands” in the name of Earl of Sandwich; who was the first lord of the British Admiralty. Hawaii is the only state in the United States of America that is not connected to any other American state. Hawaii is last state that joined the United States, making it the fiftieth state on Aug. 21, 1959. Hawaii consists of a chain of 132 islands, with the main islands being Hawaii (the Big Island), Maui, Oahu, Kauai, Molokai, Lanai, Nihau, and Kahoolawe. Hawaii’s population is over 1.392 million people. However, Hawaii’s economy and agriculture are very unique, thus making Hawaii a very diverse state.
Guerin, Wilfred L., et.al. A Handbook of Critical Approaches to Literature. New York: Oxford University Press, 1992.
Depression is a mood disorder involving disturbances in emotion (excessive sadness), behavior (loss of interest in one’s usual activities), cognition (thoughts of hopelessness), and body function (fatigue and loss of appetite) (Wade, Tavris 567). Most people don’t even know when depression is happening to them. It usually takes friends, family, or even doctors to notice the symptoms of depression within somebody they know. People that are depressed have the tendency to describe their mood as gloomy, miserable, dreary or uneasy. A lot of victims of depression have additional feelings of worthlessness, doubt, emptiness, pointlessness, unreasonable guilt, boredom, despair, and weakness.
. . overlain with qualifications, open to dispute, charged with value, already enveloped . . . by the ‘light’ of alien words that have already been spoken about it. It is entangled, shot through with shared thoughts, points of view, alien value judgments and accents. The word, directed towards its object, enters a dialogically agitated and tension-filled environment of alien words, value judgments and accents, weaves in and out of complex inter relationships, merges with some, recoils from others, intersects with yet a third group: and all this may crucially shape discourse, may leave a trace in all its semantic layers, may complicate its expression and influence its entire stylistic profile.” (Bakhtin
Every musical system around the world is a complex cultural phenomenon. The culture underlie a series of concepts which impart the musical system into the other basic cultural activities of the society. It is then defined and conceptualized by the society at large and then ingrained in the cultural phenomena. Thus, in order to fully understand a specific music of a particular culture, we must examine it in its cultural context along its musicological context.
Brooks, Cleanth “The Formalist Critics.” Critical Theory: A Reader for Literary and Cultural Studies. Parker, Robert Dale. New York: Oxford University Press, 2012 .19-24. Print.