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Cultural anthropology Study
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Cultural anthropology Study
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The Language of Antony and Cleopatra
In act 1 scene 1, Philo begins by complaining to Demetrius that
Cleopatra has transformed Antony from a great general to a whore's
fool. The scene is based on the true love affair and the romance
between the two characters. However there is an ambiguous nature to
the passage, as we are not given a clear indication of Cleopatra's
feelings, whether she is angry or whether it is all light hearted. The
scene begins with Antony and Cleopatra entering, with great drama as
Cleopatra has Eunuchs fanning her and attending her every need.
Cleopatra is pushing Antony to describe how much he loves her and this
shows her power and demand for the declaration of Antony's love.
'If it be love indeed, tell me how much.'
Antony however is calmer and softer in his language. He uses natural
imagery by comparing his love for her to the 'new heaven, new earth.'
This shows that Cleopatra is more dramatic and that Anthony is more
poetic in his choice of language. A messenger then comes from
Octavius, but Antony, clearly annoyed, commands the messenger to be
brief.
'Grates me! The sum'
This short sharp sentence expresses Antony's anger but it also
portrays the language of Rome, which is confident and direct. By
saying 'The sum' we can see that he is not interested in Roman
problems as he is too engrossed in Cleopatra and this love affair.
Cleopatra, partly mocking, partly serious, chides Antony and tells him
to hear the message. But in the end Antony refuses to hear the
message. Cleopatra speaks with sarcasm and has a mocking tone but it
can be seen that there is a clear serious undertone to that man...
... middle of paper ...
...ne
1 by Antony. He is showing that his love for her is eternal and that
it will last forever.
'There's not a minute of our lives should stretch
Without some pleasure now'
The bird like imagery used by Antony to describe Cleopatra is very
powerful and depicts her beauty and elegance as he describes her as a
'my nightingale'. Antony also makes many connections between life and
on earth and life in heaven. He suggests that Cleopatra is beyond the
gods and praises her to the fullest with descriptive and grand
language and choice of vocabulary.
In conclusion it can be seen that both characters have dramatised
language, which is imaginative and striking. The vocabulary of
Cleopatra is passionate, comprising of the Egyptian culture. Antony's
language is poetic and romantic, showing his true love for Cleopatra.
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
Mark Antony’s speech, whose aim is to counter Brutus’ speech, enlightens the crowd on the unjust murder of Caesar. Though he never directly communicates to the crowd of his feeling towards the conspirators, Antony was able to effectively convey to the crowd, through the use of verbal irony and other stylistic devices/techniques in his speech, his true views of the assassination. Moreover, Antony was able to shrewdly emphasize his belief of the undeserved assassination of Caesar through the wide use of epiphoral and anaphoral structure in his speech. Antony emphasizes the wrongdoings of Brutus and Cassius through the ingenious use of the epistrophe along with verbal irony as he notes that “I should do Brutus wrong, and Cassius wrong” (III, ii, 125). Moreover, he stresses the importance of punishi...
This also helped get the crowd to listen to him, because they had just heard Brutus and were all fired up about the wonderful things he had said. So both the characters start off their speeches the same, gaining credibility, but because Antony had to work harder to gain it, he performed much better.... ... middle of paper ... ... Two times Antony called the people back from running away in anger and said another thing to deepen the seed he had planted in them.
fly" [act 1, scene 3] She is saying she will meet up with Parisas her
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
In conclusion, The Aeneid’s lovers and Antony and Cleopatra are both tragic tales with many connections to each other. They share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. Then on the otherside, they both depict a powerful and noble queen who is able to overcome the rampant patriarchy in their cities and rule with a firm loyal hand.
In Shakespeare?s play 'Antony and Cleopatra' Caesar, while he displays remarkable tactical skills, is calculating and cold hearted. Antony on the other hand embodies many admirable qualities and emotions which make him the greater of the two. Firstly I will look at Caesar?s military victories before examining Antony?s great human qualities.
Antony and Cleopatra by William Shakespeare In Shakespeare’s Antony and Cleopatra, the presentation and development of the relationships among the triumvirs, Caesar, Antony and Lepidus becomes a pivotal concern. As the play progresses, the dynamics of the triumvirate changes and becomes more complicated, providing the audience with the main political conflict that sometimes overshadows the romance of the title characters in the play. Shakespeare provides the audience with several different images of the triumvirate through different characters. The play’s first mentioning of the triumvirate is, in essence, a masculine Roman perspective of a soldier.
In William Shakespeare play Julius Caesar, Caesar is assassinated, and the city of Rome becomes enraged, demanding the death of the conspirators that murdered him. Brutus, one of the main assassins, talks to the mob and persuades them to understand that they are at an advantage without Caesar, the tyrant, as the dictator of Rome. He then leaves Mark Antony, who has meticulous orders to not try to pin the murder on the conspirators’ selfishness, but can speak numerous praises about his superior. Mark Antony then speaks to the persuaded crowd about Caesar’s endeavors and the benefits that Caesar gave to the kingdom, giving everything that was necessary and more. Mark Antony’s speech riles the citizens of Rome to mutiny without actually revealing his personal intentions of wishing to do so. In William Shakespeare’s play Julius Caesar, Mark Antony’s speech is more persuasive that Brutus’ speech
William Shakespeare's Presentation of Octavius Caesar in Antony and Cleopatra Shakespeare portrays Octavius Caesar as a very complex character in 'Antony and Cleopatra.' Shakespeare shows the audience how he has very strong feelings about War, leadership, the relationship between Antony and Cleopatra, and his sister Octavia. These attitudes can be seen as being too rational, too ambitious, and too efficient. However it is these characteristics which in some ways, form the particular contrast with Antony, which shows us his complex character, which also contributes to the conflicts which arise in the play. Shakespeare is very clever in the portrayal of Caesar; he uses Caesar as a foil for Antony, however he is a character in his own right.
Shakespeare’s version of this story almost makes Antony look like Gollum who loves the ring yet hates it. In Plutarch’s lives, Cleopatra appears to be a greedy snake. She uses her attractiveness to control Antony not seeming in love but in a thirst for power. When she thought that Antony’s real
Companion to the Speeches of Mark Antony and Brutus in William Shakespeare's Julius Caesar. The play Julius Caesar reaches a peak of tension at the point of the two speeches, and so it would seem whichever speech was enjoyed more. by the crowd would make the speaker the more popular. This was in fact the case in the play.
Turgut introduces the character of Cleopatra in Shakespeare's version of the play as suffering from two burdens; the burden of being a woman in a patriarchal society and being an orient character in a western play and Shakespeare's treatment of her as an Other (9). Shakespeare in his dramatizing of Antony and Cleopatra, the only character that he dehumanized is Cleopatra and in more than one circumstance and by using the tongue of more than one character he calls her a strumpet and a whore, while in the same play he has never accused Fulvia, Antony's first wife, of being lust or whore even when she flamed the war against Octavius and fought against him with Antony's brother. On the other hand, Sedley has not accused Cleopatra of being a cunning person or questioned her love to Antony, and I believe that in order to avoid the matter of dehumanizing the other, Sedley has started his play after the war of Actium and, as known to the reader, Cleopatra left the battle and retreated then Antony followed her which causes his defeat in the battle, Antony has not questioned her faithful love to him. Sedley in his adaptation to Shakespeare's play gives the reader a voice to the silenced by giving the space to the Egyptians to represent their refusal to be ruled by
In his outright declaration of love to his queen after spending time away from her, Antony once more makes it evident that he cannot keep his identity as a general separate from his identity as a lover. Antony tells Cleopatra to leap “through proof of harness to [his] heart” (Act IV, scene 8, l.15). Antony is once more mixing his role in the army with his love for Cleopatra, reason and emotion. His declaration of love to her describing her reaching past his armor, which represents his status as general, and grabbing his heart shows that, though armor is meant to protect the chest and keep others out/away, his emotions surpass his reason and he is more than willing to allow her to do exactly what his armor is supposed to prevent. Towards the end of the play, after every subtle (or not so subtle) hint, Antony’s declaration of love including his armor demonstrates that he has come to understand that he does not need to choose between his two identities and constantly fight reason against emotion, but can instead live with both at the same
"When she first met Mark Antony she purs'd up his heart upon the river. of Cycnus", in other words she dominated him from that point on. Antony went to Egypt with his only political purpose, Rome. Over the course of time however, Cleopatra's engineering, Antony lost his. purpose.