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Romeo and Juliet comparative analysis
Romeo and Juliet comparative analysis
Contrast essay of shakespeare julius caesar and plutarch
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In Plutarch’s lives, Antony seems like a man who was easily taken up by vices. He also, though, seems like a man who could live a life of hardship just as fast as he could live a life of pleasantries. He also appears to be somewhat gullible or at least unobservant of the things around him. In Shakespeare, Antony seems like a man who is simply controlled by his own passions. He loves Cleopatra yet he sometimes hates her because of her control over him. Shakespeare’s version of this story almost makes Antony look like Gollum who loves the ring yet hates it. In Plutarch’s lives, Cleopatra appears to be a greedy snake. She uses her attractiveness to control Antony not seeming in love but in a thirst for power. When she thought that Antony’s real …show more content…
He also appears to need respect for his true wives, especially Octavia who is said to be one of the most virtuous pagans of her time. It may also be said that they both make him out to be a man who, when in the midst of his pleasures, did not care much for anything else until he finally came to his senses after he had gotten into trouble. In Plutarch’s Lives, Antony seems to have a great greed for pleasure. At the same time, though, he comes across as a man who is courageous and can abstain from these pleasures just as fast as he could take part in them. In Shakespeare, Antony also seems courageous. Shakespeare also makes him appear as a man of great love who only marries Octavia for patriotic reasons. Cleopatra is made to be a very clever woman by both Plutarch and Shakespeare. In Shakespeare, however, she uses her cleverness for the love of Antony, while Plutarch seems to say that she used her cleverness for her own greed of power. In Plutarch’s Lives, she appeared to be prideful. She would rather die than be seen in Octavius’ triumph. In Shakespeare, though, it almost seems like another Romeo and Juliet. It seems that she killed herself due to Antony’s death but then there is mention of wanting to not be placed in the triumph just as in Plutarch’s Lives. Octavius seems kind of sneaky in both of them. He treats Cleopatra kindly only to be able to place her in his triumph. He also, though, seems like
After the assassination of Caesar, Cleopatra set her sights on Marc Anthony, who controlled the eastern Mediterranean. Her enemies labeled her a seductress, but seduction is part of diplomacy. Cleopatra knew how to entice, flatter and intimidate. When she goes to meet Mark Antony, she arrives in Tarsus on a barge dressed like Venus and surrounded by cupids. Newsweek describing the last queen of Egypt as an" independent, charismatic, ambitious woman. "She married her brothers when she needed them, she killed them when she was not," says Marie Arana in the Washington
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
The Romans were immensely furious with Cleopatra and had primary influence over what sources were left behind about her. So certainly this is going to lead to biases and inaccuracies in the depictions we have. Furthermore, we are all well aware of how Hollywood likes to dramatize and embellish stories in order to generate ticket sales and is not worried about the accuracy of the historical anecdote. Because of this and her popularity, our knowledge of Cleopatra has been flooded with twisted truths. When examining Cleopatra’s full reign beyond her love affairs, reveals Cleopatra put all of her effort forth in order to solve the conflict between Egypt and Rome and should be recognized for her masterminded and commanding leadership
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
In conclusion, The Aeneid’s lovers and Antony and Cleopatra are both tragic tales with many connections to each other. They share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. Then on the otherside, they both depict a powerful and noble queen who is able to overcome the rampant patriarchy in their cities and rule with a firm loyal hand.
It was not long before Caesar was assassinated and his close friend and a powerful general Mark Antony denounced the conspirators. Not long after Caesar’s death, Antony and Cleopatra fell in love and ruled Rome and Egypt together. Together, they had formed an alliance strong enough to take down the most powerful force in the world at the time, Rome. The fall of Antony and Cleopatra began when they were defeated at Actium in Greece against Octavian’s Roman army. Towards the end of the book, the author went into details on the true love that existed between Antony and Cleopatra.
At the beginning of the play, he says, “Let Rome in Tiber melt away and the wide arch of the ranged empire fall.” (1.1 35-36). He does not care about his status in Rome anymore, he feels like he belongs in Alexandria with Cleopatra. In a way, Antony feels like an outsider in Rome because Cleopatra isn’t there. He’d rather be with her than with the dominant Roman group. Later in the play, his mind shifts back to battle. Antony feels like he has been betrayed by Cleopatra, and in some ways becomes an “outsider” to her. This causes Antony to threaten to kill Cleopatra. He says, “But better ‘twere thou fell’st into my fury for one death might have prevented many.” (4.13
In Shakespeare?s play 'Antony and Cleopatra' Caesar, while he displays remarkable tactical skills, is calculating and cold hearted. Antony on the other hand embodies many admirable qualities and emotions which make him the greater of the two. Firstly I will look at Caesar?s military victories before examining Antony?s great human qualities.
...forever be up to interpretation. Even Plutarch himself stated in his writings that “in the truth of the matter, no one knows” ("The Unsolved Death of Cleopatra") . Hopefully though, with the known information on her past one could see that this great ruler can not simply be seen as someone so weak willed as to cave to Octavian’s threats. Even with her last breath one could imagine her fighting back against her attackers, still ever so unyielding to the control of others.
William Shakespeare's Presentation of Octavius Caesar in Antony and Cleopatra Shakespeare portrays Octavius Caesar as a very complex character in 'Antony and Cleopatra.' Shakespeare shows the audience how he has very strong feelings about War, leadership, the relationship between Antony and Cleopatra, and his sister Octavia. These attitudes can be seen as being too rational, too ambitious, and too efficient. However it is these characteristics which in some ways, form the particular contrast with Antony, which shows us his complex character, which also contributes to the conflicts which arise in the play. Shakespeare is very clever in the portrayal of Caesar; he uses Caesar as a foil for Antony, however he is a character in his own right.
While Brutus sees life as something to be solved with logic and guided by morality, Mark Antony views life as something that he can twist and mold into whatever he needs it to be at any given moment. Mark Antony uses the audience of the funeral speech as tools to wrench the Roman Republic from the hands of Brutus and place the crown on his own head. He inspires rage and distrust in the plebeians, and directly spurs on the Battle of Philippi. Brutus is roped into this situation despite his unselfish motives, and has to defend himself and his fellows against the armies of Mark Antony and the young Octavius. From beginning to end, the characters of The Tragedy of Julius Caesar are true to their defining qualities and do not depart from the molds they have cast of
One of the biggest internal struggles in Shakespeare’s Antony and Cleopatra is Antony’s struggle between reason and emotion. One of the times this is shown is when Antony turns his ships around after noting that Cleopatra has done so in Act III scene 10. Shakespeare decided to show Antony’s internal struggle by having him follow Cleopatra to emphasize how strongly his emotions and reasoning lead him to mix business with pleasure, intertwining his role of general with his role of lover. From turning his ship around mid-battle to dressing himself after spending the night to outright stating his feelings, Antony shows over and over the unavoidable mutual existence of his roles as general and lover.
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.
(Cicarma,2017) With all the planning to negotiation the tactics of both were lacking and defeat. When all things are all well in the eyes that seem to doom Cleopatra puts herself in seat of death of a cobra granted that this was a myth or not. Plutarch says that those who believed in the asp theory that the snake was smuggled in to her bowl of figs. (Baldwin, 1964, p 182: 2) And still no one knows if it was Cleopatra killed Antony for her own free will. It was the power that struck her and her own risk to not anyone have her Antony right beside her. This goes to that this fascinated to us about Cleopatra show us in ways as a woman she did her best to reign and what she expected for the last Pharaoh to do what's right mind of her
...in the play. On one occasion, Cleopatra herself becomes over sentimental, saying that Nature had intended her as "a wife, a silly, harmless house hold dove, fond without art and kind without deceit." In Act V, she bewails (laments) the curse of doting (loving) on her lover. The play indeed brings out the catharsis of the feeling of pity. Characters are responsible for their calamity and misfortunes. Their suffering and deaths here are entirely due to the faults in the characters - hero and heroine. They had not control over their illicit passion because fate had made Antony and Cleopatra, in capable of any control.