Turgut introduces the character of Cleopatra in Shakespeare's version of the play as suffering from two burdens; the burden of being a woman in a patriarchal society and being an orient character in a western play and Shakespeare's treatment of her as an Other (9). Shakespeare in his dramatizing of Antony and Cleopatra, the only character that he dehumanized is Cleopatra and in more than one circumstance and by using the tongue of more than one character he calls her a strumpet and a whore, while in the same play he has never accused Fulvia, Antony's first wife, of being lust or whore even when she flamed the war against Octavius and fought against him with Antony's brother. On the other hand, Sedley has not accused Cleopatra of being a cunning person or questioned her love to Antony, and I believe that in order to avoid the matter of dehumanizing the other, Sedley has started his play after the war of Actium and, as known to the reader, Cleopatra left the battle and retreated then Antony followed her which causes his defeat in the battle, Antony has not questioned her faithful love to him. Sedley in his adaptation to Shakespeare's play gives the reader a voice to the silenced by giving the space to the Egyptians to represent their refusal to be ruled by …show more content…
367), which implies the superstitious analysis and perspective of those critics to Sedley's version of the play, those who only criticize Sedley's style or way of dramatizing his play ignored the essence and the real reason behind rewriting Shakespeare's play, which is the change in ideology in Restoration era, and that makes Sedley adapts Shakespeare's Antony and Cleopatra to show and intentionally he uses a well-known play to rewrite, to force his audiences to recognize the changes in England by recognizing the changes which he creates in his
ThLoss is the result of the climactic transformations Cleopatra and Kertesz endure. This loss is the result of an institutional ideal exerting itself upon another.
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
Throughout the play many characters are not who they turn out to be. Julius Caesar is a very good judge of character, he does not ruts Cassius, he says “ He thinks too much man, such men are dangerous”( shakespeare,1.2.195). Caesar foreshadows now dangerous Cassius is, Cassius is one person who stabs Caesar. Unlike Caesar, Brutus trusts people too much to see who they are. After Caesar 's death, Brutus trusts Marc Antony to give his speech, but Cassius says “ You know not what you do. Do not consent./ that Antony speak in his funeral. I know you how much the people may be moved/ by that which he will utter.” (shakespeare,3.2.333-335). Caesar was an amazing military leader, Brutus was not. Before Caesar becomes king, he gained land back to Rome “ Julius Caesar has just returned to Rome after a long civil war in which he defeated the forces of pompey” (applebee) Caesar led his military to victory and has the chance to take full control of Rome. brutus is a humble military leader company to Caesar. After Brutus won his battle over Octavius’ army, he left his men begin looting. Instead of helping Cassius’ army “ O Cassius, Brutus gave the word too early,/ who, having some advantages on Octavius/ took it too eagerly. His soldiers fell to spoil/ whilst we by Antony are all enclosed .(Shakespeare,5.3.5-8) Brutus had a bad call when he did not send his army to help Cassius. With Caesars flaw being
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
"For Rome, who had never condescended to fear any nation or people, did in her time fear two human beings; one was Hannibal, and the other was a woman" (Lefkowitz and Fant 126). During a time dominated by male rulers, Cleopatra VII Philopator (69 BCE – 31 BCE), the Last Pharaoh of Egypt, stood out among them all. With Egypt’s wealth at her disposal, she was “incomparably richer than anyone else” (Schiff 2). The amount of power a ruler had at the time of Cleopatra’s existence depended highly on the level of financial stability. However, wealth was not all Cleopatra was known for. She exhibited high militant leadership skills equal to that of her male counterparts to keep Egypt a prosperous country.
After the completion of the book, it had let me to believe the book was written for the general audience. Although the author provided many resources, the information was taken from literature that was written during the time. Therefore, some of the quotes were biased either against or favored Cleopatra. For an example of bias against her, the Jewish historian Flavius Josephus called her a “wicked creature, who was a slave to her lusts, but she still imagined that she wanted everything she could think of, and did her utmost to gain it…. As for Antony, he was so entirely overcome by this woman that… he was some way or other bewitched to do whatever she would have him do.” On the contrary, here is an example of bias in favor of Cleopatra: “a princess well versed in the sciences, disposed to the study of philosophy and counting scholars among her intimate friends. She was the author of works on medicine, charms, and other divisions of the natural sciences.” This was taken from a tenth-century Arab historian Al Masudi. The author allowed his readers to conclude their own interpretation of Cleopatra by stating both sides of the story.
Cleopatra. Dir. Joseph L. Mankiewicz. Perf. Elizabeth Taylor, Richard Burton, and Rex Harrison. Twentieth Century Fox Productions, 1963.
The woman, by definition is the nurturer of life. She labors through birth, tends to the needs of her family, and assumes unending responsibilities. And while women have given birth to the ancient and modern day male heroes we've come to glorify to this day, we must remember that some of those same women have also been tremendously influential and invaluable all throughout the depths of history. One such woman is Cleopatra, the temptress whose ambition and seduction both augmented her empire's prestige and brought about her theatrical downfall.
It has been over 2000 years since Cleopatra drew her last breath, ending the rule of the pharaohs in Egypt for good. In the years following her death, there have been many theories as to how she might have died. The most widely accepted theory is that she committed suicide by allowing herself to be bitten by a venomous snake and it is the theory that has been written in most history books as historical fact. Yet, there is increasing evidentiary support that would suggest that her alleged suicide was in fact a homicide. Though, it is hard to find incriminating evidence for something that happened so long ago, the minds behind this theory believe that by using investigative practices of the modern age they are able to piece together the truth of her death. By looking into Cleopatra’s past one can discover that she was not a woman who would just give up, that she would never be capable of her historical suicide.
William Shakespeare's Presentation of Octavius Caesar in Antony and Cleopatra Shakespeare portrays Octavius Caesar as a very complex character in 'Antony and Cleopatra.' Shakespeare shows the audience how he has very strong feelings about War, leadership, the relationship between Antony and Cleopatra, and his sister Octavia. These attitudes can be seen as being too rational, too ambitious, and too efficient. However it is these characteristics which in some ways, form the particular contrast with Antony, which shows us his complex character, which also contributes to the conflicts which arise in the play. Shakespeare is very clever in the portrayal of Caesar; he uses Caesar as a foil for Antony, however he is a character in his own right.
Around 69 B.C, one of the most famous female rulers ever known was born, she was Cleopatra. She was the descendent of the Egyptian ruler, Ptolemy XII, and she would eventually became the queen of ancient Egypt herself. She was known for being extremely intelligent and very charming, and because of this many romans feared her and viewed her as a threat. When her father died the throne of Egypt was left to her and her brother, Ptolemy XIII, and rivalry formed between the two, making her even more determined to become the sole ruler of Egypt. Cleopatra had trained all her life to be the successor of Egypt and she hungered for power. Like her father, she tried to have peace with Rome and maybe even have power over them. She would gain her power by having Caesar one and only son, Caesarion, the loyalty of Marc Antony, a well-known general who was popular among the troops in Rome, and of course by using her intelligence and Egypt’s resources. Cleopatra was a successful ruler because she had a thirst for power.
In The Tragedy of Julius Caesar , he reveals his historical influences by incorporating aspects of Roman Society, such as the plebeians struggle against Roman hierarchy. Additionally, Shakespeare formulated the play’s main conflict around Caesar and his ambition, which can be attributed to the cause of man’s demise, and he based Caesar’s character after the actual Caesar motivations and conquests. He also reflects English society by including parallels between Queen Elizabeth I and Julius Caesar. Lastly, through the play’s conflict, he conveys his political views on civil war and expresses his concern for the fate of England’s government. Most importantly, Shakespeare demonstrates how age-old stories, such as the betrayal of Julius Caesar, can be applied to current society. By understanding Shakespeare's motivations and influences, readers are not only able to glimpse into the age of Roman Empire, but also, they are able to understand the political turmoil in England during Shakespeare's
Between the characters of Octavia and Cleopatra there exists a "moral contrast" (Bree 110) -a conflict of Roman ideals and Cleopatra's foreignness. Throughout the tradition of Cleopatra, authors, including Plutarch, Shakespeare, Dryden, and Fielding, as well as filmmakers such as Mankiewicz, have separated Cleopatra from Rome and Octavia because of her combination of political power and sexuality: "The notion of Cleopatra that we have inherited identifies her primarily as being the adversary, the Other. Her otherness is twofold. She is an Oriental, and she is a woman…" (Hughes-Hallett 4). If Cleopatra represents the 'Other', then Octavia exemplifies Rome itself. She embodies all of the characteristics of a proper Roman wife: beauty, grace, wisdom, and above all obedience to her husband. Octavia is Antony's celebrated wife throughout the literature although their relationship is dispassionate, while Cleopatra's "otherness" prevents her from attaining the respectable title of Antony's wife despite their love. Octavia acts as a character foil for Cleopatra, highlighting Cleopatra's foreign nature and her sexuality, which the Romans find unattractive and unacceptable in the character of a woman.
One of the biggest internal struggles in Shakespeare’s Antony and Cleopatra is Antony’s struggle between reason and emotion. One of the times this is shown is when Antony turns his ships around after noting that Cleopatra has done so in Act III scene 10. Shakespeare decided to show Antony’s internal struggle by having him follow Cleopatra to emphasize how strongly his emotions and reasoning lead him to mix business with pleasure, intertwining his role of general with his role of lover. From turning his ship around mid-battle to dressing himself after spending the night to outright stating his feelings, Antony shows over and over the unavoidable mutual existence of his roles as general and lover.
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.