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Essay about george frideric handel
Essay about george frideric handel
Essay about george frideric handel
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Introduction
Over time, the world has seen many outstanding musicians, and so much fantastic music. Each highly remembered composer or musician changed the way we think and see the world. They give us new ideas, and music is a wonderful way to convey moods and emotions. Each also slightly changed music itself. Handel was one of the greatest of these people. He was a superior composer who largely influenced and expanded music.
Background
George Frideric Handel was born in Germany, but found his future in England as a composer. Stanley states that: “Handel was by training and temperament a composer… Like Mozart he possessed in the highest degree the supreme attributes of the musical dramatist” (105-106). The surprising thing is Handel was not raised to be a musician. His father had wanted Handel to become a lawyer. He graduated Halle in law, 1702, to satisfy his father’s wish. He did this even though he was intent on music (Lang 20). One day years before, when his father brought him to visit the courts, a duke heard him playing the organ and asked his father to train him in music. Handel’s father still wanted him to study law, but now young Handel started getting different ideas. After graduating, he traveled to Italy and studied music for a while. After learning what he could from Italian music, Handel left in search of a place where he could expand his music (Lang 106). He soon found England to be what he needed. There he could grow into a musician. He had the people and resources to become a virtuoso.
Handel was able to write amazing things, and reach, as well as make a bridge between, multiple kinds of people with his music.
The lifelong habit of improvisation was linked with Handel’s method of composition. He was a rapid worke...
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...uch as English-written Operas. Handel was also able to transform the music of others. He tremendously helped England in its musical reputation. “Although the world has changed, as have theatres, performers, and audiences, the appreciation of Handel’s operas has come full circle” (Parker). He truly was an outstanding musician.
Works Cited
Lang, Paul Henry. George Frideric Handel. New York: W. W. Norton & Company Inc, 1966. Print.
Langlois, Jeffrey B Langlois, Geej. “Bach and Handel: Their Influence on future generations.” Music Anthology. N. p. 21, January, 2008. Web. 14 Feb. 2014.
Parker, Mary Ann. “Reception of Handel Operas, Then and Now.” University of Toronto Quarterly 72.4 (2003): 850-857. Academic Search Premire. Web. 5 Feb. 2014.
Stanley, Sadie Ed. The New Grove Dictionary of Music and Musicians. London: Macmillan Publishers Limited, 1980. Volume 8. Print.
Grove, George. The Musical Times Volume 47. United Kingdom: Musical Times Publications Ltd. 1906, Print.
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
How Handel Schieves a Sense of Majesty in his Setting of The King Shall Rejoice
Boynick, Matt. "Georg Friedric Handel." Classical Music Pages. 1 Feb. 1996. 13 July 2005 .
Taruskin, R., & Taruskin, R. (2010). Music in the seventeenth and eighteenth centuries. Oxford: Oxford University Press.
Buelow, George J., “Music and Society in the Late Baroque Era.” Music and Society in the Late Baroque Era. Englewood Cliffs: Prentice-Hall, 1994. p. 1-38
The music of George Frideric Handel has been celebrated throughout time, especially his oratorio work. Handel’s oratorios are considered to be some of the best in existence. However, much discussion and reverence is given to his Messiah, while the others are not as commonly subject to this praise. Therefore, I will investigate the origin and creation of the oratorio, Esther by Handel, with focus on his music for the scene. I will argue that Handel expresses the drama and emotion of this biblical story through the musical elements he employs, particularily
Sherrane, Robert. “The Baroque Age: George Frideric Handel.” Music History 102. Accessed: 5/18/2010. Date: 2008.
George Frideric Handel was born on February 23, 1685 to George Handel and Dorothea Taust in Halle, Germany. Handel’s father prohibited him to use any musical instruments because he wanted him to study law. However, Handel secretly learned to play the harpsichord and pipe organ and became a talented performer. During a trip to Weissenfels that Handel and his father took to see Handel’s nephew, who was Duke Johann Adolf I’s valet, Handel was given the opportunity to play the organ. Everyone was impressed by his performance, and Handel and the duke were able to persuade his father to let Handel receive music lessons from Friedrich Wilhelm Zachow, who played the organ for Halle’s Marienkirche. Handel received lessons on the harpsichord, oboe, organ, and violin. Handle complied with his father’s desire by attending the University of Halle and studying Civil Law in1702. He played the organ at the evangelical reformed church for one year before leaving to play the harpsichord and violin in the orchestra of the Hamburg Oper am Gansemarkt. In 1705, he produced Almira and Nero, which were his first two operas. Three years later, he produced two additional operas entitled Daphne and Florindo. He met Gian Gastone de’ Medici while in Hamburg, and he invited him to Italy. In 1706, Handel accepted his offer and journeyed to Italy and worked together with Antonio Salvi. His first opera that he composed for Italian performance was entitled Rodrigo, and it was performed in 1707 in the Florence’s Cocomero theatre. He wrote his first oratorio entitled Il trionfo del tempo e del disinganno in 1707. He produced music for the clergy of Rome, including his popular work Dixit Dominus. Handel composed La resurrezione for Francesco Ruspoli in 1709, as well...
McGee, Timothy J. Medieval and Renaissance Music: A Performer’s Guide. Toronto: University of Toronto Press, 1985.
German-English composer, George Frederick Handel, is one of the greatest composers of the Baroque period if not of all time. His work, Messiah, is one of the most famous and beloved works of music in the world. During his career in music, Handel composed Italian cantatas, oratorios (like Messiah), Latin Church Music, and several operas. Handel moved around from country to country writing, composing, and producing music for royalty such as Queen Anne and George of Hanover. In his life, Handel mastered several instruments including the violin and the harpsichord.
Kamien, Roger. "Part VI: The Romantic Period." Music: An Appreciation. 10th ed. Boston: McGraw-Hill Higher Education, 2008. 257-350. Print.
Sartorius, Michael. Baroque Music Perormance: "Authentic" or "Traditional": A discussion of the essential issues involved. Ed. Micahel Sartorius. n.dat. Baroque Music Pages. [17 October 2003] .
Arnold, Denis, ed. The New Oxford Companion to Music. Vol. 2. Oxford: Oxford UP, 1983.
(Hunter, 2015) The instruments used by these top-notch musicians were stylistic replicas of the ones originally used during Handel’s time. The concert provided order and a clear frame for novices of classical music. However, it was not easy to conclude whether the performers were exclusively musicians, vocalists or both. .