Le Concert Spirituel Essay

Le Concert Spirituel, one of the top performers of Baroque music from the late 20th century, performed the first Late-Night BBC prom at the Royal Albert Hall … and this year’s Diamond Jubilee performance of Handel’s “Water Music” and the Music for the Royal Fireworks was particularly dazzling and elaborate. A number of Handel’s work is classified as classical music; therefore, an orchestra formed the basis of this performance by the Le Concert artists. They used a number of instruments to make the whole process quite enjoyable, including woodwind, string and brass instruments (Hunter, 2015). Renowned French conductor, Niquet, captured the attention of the audience as he dramatically made his dynamic moves and communicative gestures with many forward, backward and sideways movements. During the performance, the woodwind performers were on their feet with their instruments held high. (Hunter, 2015) The instruments used by these top-notch musicians were stylistic replicas of the ones originally used during Handel’s time. The concert provided order and a clear frame for novices of classical music. However, it was not easy to conclude whether the performers were exclusively musicians, vocalists or both. .

Selection on the Recital

The concert was officially launched with the first piece of the “Water Music” suite which was a mix of horns and strings (Handel, 1886). Musically, the crescendo and the tuning were odd as both the horns and the trumpets were played in unison. The strings produced French tunes and linked with the soft solos from the conductor. Although the uniformity of the two sounds was marred by the bursting brass, it was still an intimate and festive atmosphere. From a musical perspective, the major elements such as tempo, dynamics, color and rhythm were all clearly audible during the performance by the Le Concert