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Importance of photojournalism
Portrayal of Muslims in media
How the media portrays islam
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Photojournalism, known as the practice of capturing moments or events to narrate a story. Sometimes it’s a story within a story. It is variously defined as visual telling through pictorial representation. “Photojournalism has as its underpinning a desire to portray accurately a visual scene which people around the world can relate to, respond to, and believe. Believability is the backbone of news imagery” (Harris, 2001). Walter Lippman mentioned in his renowned work, Public Opinion that the things about which people get to know, most of them are not derived from personal experience or direct interaction but through second hand sources most prominently, photojournalism. In the context of the book, Media Framing of the Muslim World: Conflicts, Crises and Contexts, it has been questioned that why western media associates Muslims as violent oppressors? Through their media and visual framing they emphasized the notion that there are certainly Muslims who commits various human rights violations. This book is illustration of media framing that how media covers and represent the images and how people will perceive it in different parts of the world. As media is considered one of the most powerful tool. In the …show more content…
She describes the terror of war “blood stained into foreign dust” and “all flesh is grass”. In a detached tone, she relates each developing photographs of disastrous incident as a tale of agony and pain in which the half developed picture of victim is described as “half formed ghost”. It clears the notion that the image is vague and faint. Duffy’s “War photographer” shows both agonies of war terror as well as the apathy of mankind towards it. The poem ends up with a satire upon photojournalism that shows the materialistic attitude towards
Throughout the history of war poetry, no aspect of war can be said to feature more prominently than the representation of death and dying. While such representations are constant in their inclusion in war texts, the nature of the representation varies greatly, be it as a noble act for ones country, or as the defining negative of war. Poems such as Brooke’s ‘The Soldier’ and Seaman’s ‘Pro Patria’ are strong examples of the former; while others such as ‘Dolce et decorum est’ by Owen and ‘The Rear Guard’ by Sassoon best exemplify the latter. The question remains however as to why these representations of death and dying differ so, and whether there is a relevant relationship between the type of depiction and the time period or conflict, as well as the author’s proximity to death’s harsh reality.
I am going to compare and contrast the two poems ‘Dulce Et Decorum Est’ by Wilfred Owen and ‘War Photographer’ by Carol Ann Duffy. They both give a view of war. Owen gives first hand experiences he witnessed whilst fighting in World War One and where he unfortunately died one week before the war came to an end. Carol Ann Duffy may be writing about the feelings of her personal friends who were war photographers, showing some of the horrors they witnessed.
Islam is portrayed and is commonly accepted as the most violent and largest direct threat to the West. This is a generalization made by most of the West, but it is not particularly the West or the Islamic people’s fault. There is constant turmoil in Islamic countries in the Middle East and these conflicts are what make the news in the West. The only representation in the media that the Islamic nation gets is that of war. Though most Islamic people are not violent, the select few that do participate in terrorist groups give the rest of the Islam nation a bad image.
‘Poetry can challenge the reader to think about the world in new ways.’ It provokes the readers to consider events, issues and people with revised understanding and perspectives. The poems Dulce Et Decorum Est (Wilfred Owen, 1917) and Suicide in the Trenches (Siegfried Sassoon, 1917), were composed during World War One and represented the poets’ point of views in regards to the glorification of war and encouraged readers to challenge their perspectives and reflect upon the real consequences behind the fabrications of the glory and pride of fighting for one’s nation.
First, let us define Photojournalism and Fine Art Photography. According to the Oxford dictionary, photojournalism is the art or practice of communicating news by photographs, especially in magazines. But according to Merriam-Webster, photojournalism’s full definition is journalism in which written copy is subordinate to pictorial usually photographic presentation of news stories or in which a high proportion of pictorial presentation is used. In other words, photojournalism is news photography. Photojournalism found itself invading photography from the late 1920’s and can be defined as a spontaneous and newsworthy photographic narrative of human events. Fine Art Photography is the new kid on the block. It is usually thought to refer to the visual creation for a specific expressive or aesthetic value. This is often distingui...
In “War Photographer”, Duffy illustrates the wrongful killings and heart wrenching deaths that the war photographer had to witness. The photographer took pictures of constant death from his surroundings and Duffy shows how he managed to deal with that and she highlights his sadness and grief from his experience. A line from the poem that says, “how the blood stained into foreign dust” is clear evidence that there was death taking place on the battleground. Duffy uses the words “foreign dust” to describe that there was a conflict in another country, which meant th...
‘’War Photographer’’ is a thought-provoking and mind gripping poem by Carol Ann Duffy. The poem revolves around the life of the photographer as he juggles between his two personas as he try to develop his photos and reminisce about the war torn countries, all the innocent people and the horrific and gory things he has witnessed. As the poem progresses and the pictures begin to develop the memories of pain and suffering from his past starts to unravel and becomes clearer and clearer. The main message the writer is trying to convey is the fact that through modern times news about the war is being published by the media in a truthful way that people feel less sympathy towards the innocent lives of the people dying all around the world. The writer effectively raises questions about our feelings and emotions that we feel towards war and death.
The word 'narrative' means a spoken or written account of connected events with a beginning, middle and an end, that can communicate an idea. In photography, narrative techniques can be made use of to build and develop a story, hold the attention of an audience, and enable them to relate to the narrative, similar to that of a painting. A story told through photographs can exist as a single or a series of images, and can be described as a 'fragment(s)' of time. Types of photographic narrative come in many forms, such as snapshots, mise-en-scene, tableau and time exposures. Focusing particularly on singular photographs, this discussion will talk about how photographers such as Gregory Crewdson and Cindy Sherman construct and stage narratives in their images in the cinematic theme, and how they originated. Photographic narrative does not necessarily follow the traditions of beginning, middle and end, but may simply imply what has happened, what is happening and what could happen next. They give an audience a thread to follow; giving them a fictional interpretation of a person, event, place or moment in time.
In the essay, the writer acknowledges the misunderstandings that come from media images by explaining the contrasts between these images and the teachings of the faith to support her claim that fear is the reason for this misconception. The conception that many people have of Muslims is that they are terrorists, anti-Semites, and fanatics. This conception exsists because television news and newspapers support that stereotype. The broadcast of such stereotypes encourages fear and accusations of the Islamic relegion's teachings. The writer explains that Islam teaches peace, tolerance, and equality. She further states that Muslims shown in the media have violated these teachings ...
‘The Falling Soldier’ is one of many poems by Duffy which deals with the subject of human mortality. Duffy expresses what could have been over a harsh reality; this is characteristic of her as also seen in ‘Last Post’ and ‘Passing Bells’ which both seem to be largely influenced by poet peer Wilfred Owen’s personal experiences of war. In the ‘The Falling Soldier’ Duffy paradoxically captures the essence of Robert Capa’s famous photograph of a man falling after being shot during the Spanish Civil War (1936). She employs the form of an impersonal narrative voice, using second person to question the possibilities, to explore the tragic and cyclical nature of war. The futile reality of war contrasts to her central theme in ‘The Bees’ anthology of bees symbolising the grace left in humanity.
After 9/11 has induced negative attitudes towards Muslim peoples who tend to be strongly associated with any act of terrorism. The media has played a colossal role in developing such negative association wherein it constantly portrays Muslim people in combination with violent terrorist acts. It does so in a way that they both go hand-and-hand. In other words, it has made it as though the Islamic religion is synonymous with terrorism. The media has perpetuated Muslim stereotypes over the years that followed the 9/11 incident. Because of this, society has developed, and still has developed, this prejudiced mindset about the Islamic religion and the Muslim communities around the world. People immediately assume that any violent act being depicted through the media is the direct result of Muslims. They automatically generate this idea that the act was performed by a Muslim terrorist even when they were not involved whatsoever. Regardless of whether it was true or not, Islamic religion and its Muslim adherents are at the top of societies’ agenda just waiting for the evidence to be generated so that they can then safely blame them for such world affairs. Again, this has led to the attack on the Islamic religion itself wherein people have come to postulate Islam as an act of oppression, violence and hatred towards non-Muslims. Anti-Muslim sentiments and campaigns have resulted from such misinformation the media has been generating and feeding its viewers.
“I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated” (Nachtwey). Photojournalism is the art or practice of communicating news by photographs, especially in magazines. Photojournalism has evolved immensely from the beginning to the present. Photojournalism developed during the Crimean War, submitted to its evolution throughout the course of the Golden Age, and eventually settled on its present-day existence today.
In the poem the Cole describes what should be a pastoral landscape in the midst of fall weather however the leaves that brown and fall from the tree act as an extended metaphor of fallen soldiers dying in “gallant multitude…/ Slain by no wind of age or pestilence” (8, 10) but that of war. The imagery is overpowering clouding the minds of those at home far away from the front lines and yet thoughts of death fog the world before them “like snowflakes wiping out the noon” (6). The poem challenges the propagandas imagery of a country in complete support of the war, proud and unaffected by the horrors of
Photojournalism is a specific form of journalism that employs the use of images to form a news story that meaningfully contributes to the media. This allows a photographer to capture stills that tell the story of a moment in time. Photojournalism creates a transparency between the media and the people as it depicts an accurate representation where meaning can be misinterpreted through text. Photojournalism largely contributes to the way we understand the reality of a moment. Becker (1982) supports this concept as he compares photography to paintings. He says that paintings get their meaning from the painters, collectors, critics, and curators; therefore photographs get their meaning from the way people understand them and use them. Photojournalist’s
Newton, Julianne H. The Burden of Visual Truth: The Role of Photojournalism in Mediating Reality. Mahwah, NJ: Lawrence Erlbaum Associates, 2001. Print.