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In his poem “Nurse’s Song,” which can be found both in Songs of Experience and Songs of Innocence, William Blake uses a central female character to make a significant political and social point. These poems are different versions of the story of a nurse. In Songs of Innocence, that nurse is seen in one way, and the poem continues in Songs of Experience to show a significant change in the nurse. She begins as one who is wide-eyed and trusting of the world, but by the end, she has come to be quite jaded. In some respects, she has become tired and beaten down by the world. By using this character, Blake makes a statement about the difficulty of the movement for female rights. He argues through her changes that in the process of fighting for an independent life, women are often afflicted by the forces of the world, which is mostly against them.
Readers are first introduced to the nurse in Songs of Innocence. The author writes a story in which the nurse looks out at children, and she is completely at peace. The name of the poetry collection implies that perhaps the children are innocent, but a closer reading might also reveal that the nurse is quite innocent in her own right. She looks out on the children with a sort of childlike exuberance, recognizing the world as a place full of possibility. Of this, Blake wrote, “When the voices of children are heard on the green And laughing is heard on the hill, My heart is at rest within my breast And everything else is still” (Blake). She sees the world as a place full of laughing, smiles, and innocent voices. More than that, the author uses her feelings to communicate something about the beginning of a revolution. Revolutions, it seems, are things that start out with a tremendous amount of e...
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...om the reading. It is meant to show that when a person puts his or her all into a revolution, it is like passing a point of no return. There is often no opportunity to go back to the old way of thinking.
William Blake’s poem “Nurse’s Song” is broken into two parts, and by looking at those two parts, one can learn something significant about Blake’s social and political points. Blake views revolution as something that can change the world, but more than that, change the person who is going through the revolution. The nurse in this poem is different from one part to the next, as she looks at the world with a child-like innocence in the first poem and a grizzled hardness in the second poem. Being involved in a revolution can make a person tired and cause a person to look at the world through a new pair of eyes. The author’s poems make that very clear.
In Frances Porcher’s response to “The Awakening” by Kate Chopin published in May 1899, she felt as though the book is slightly pathetic. While she believes that one can get absorbed by the principles of the book, she writes that the story makes one feel like “it leaves one sick of human nature and so one feels cui bono!” Furthermore, in Porcher’s analysis, the book “is not a pleasant picture of soul-dissection.” The distress of Edna does not allow one to joyfully engage in the plight that is exhibited. In addition to ugly cross-section, the book makes readers feel, “for the moment, with a little sick feeling, if all women are like the one” that is studied in the book. While it is disheartening to read that women might feel this way about the
Blake's View on Oppression of Children by Adults Blake was a poet who wrote in the Romantic period. He had idealistic views about life, and believed that the traditional country way of life was the best way to live. He despised the industry that was establishing itself in England because it was the opposite of the ideal country lifestyle that Blake idealised. The idea that Blake believed that children were oppressed is an interesting one, because, there are a number of poems which suggest different ideas about this topic.
The theme of the suffering innocent person, dying and being diseased, throws a dark light onto the London seen through the eyes of William Blake. He shows us his experiences, fears and hopes with passionate images and metaphors creating a sensibility against oppression hypocrisy. His words come alive and ask for changes in society, government and church. But they remind us also that the continued renewal of society begins with new ideas, imagination and new works in every area of human experience.
Throughout history society has been controlled by men, and because of this women were exposed to some very demanding expectations. A woman was expected to be a wife, a mother, a cook, a maid, and sexually obedient to men. As a form of patriarchal silencing any woman who deviated from these expectations was often a victim of physical, emotional, and social beatings. Creativity and individuality were dirty, sinful and very inappropriate for a respectful woman. By taking away women’s voices, men were able to remove any power that they might have had. In both Alice Walker’s “The Color Purple” and Kate Chopin’s “The Awakening”, we see that there are two types of women who arise from the demands of these expectations. The first is the obedient women, the one who has buckled and succumbed to become an empty emotionless shell. In men’s eyes this type of woman was a sort of “angel” perfect in that she did and acted exactly as what was expected of her. The second type of woman is the “rebel”, the woman who is willing to fight in order to keep her creativity and passion. Patriarchal silencing inspires a bond between those women who are forced into submission and/or those who are too submissive to maintain their individuality, and those women who are able and willing to fight for the ability to be unique.
In Songs of Innocence and Experience (1789 and 1794), William Blake arouses readers' minds and leads them into a path of finding their own answers and conclusions to his poems. He sets up his poems in the first book, Songs of Innocence, with a few questions as if they were asked from a child's perspective since children are considered the closest representation of innocence in life. However, in the second book, Songs of Experience, Blake's continues to write his poems about thought-provoking concepts except the concepts happen to be a little bit more complex and relevant to experience and time than Songs of Innocence.
When Kate Chopin's "The Awakening" was published at the end of the 19th Century, many reviewers took issue with what they perceived to be the author's defiance of Victorian proprieties, but it is this very defiance with which has been responsible for the revival in the interest of the novel today. This factor is borne out by Chopin's own words throughout her Preface -- where she indicates that women were not recipients of equal treatment. (Chopin, Preface ) Edna takes her own life at the book's end, not because of remorse over having committed adultery but because she can no longer struggle against the social conventions which deny her fulfillment as a person and as a woman. Like Kate Chopin herself, Edna is an artist and a woman of sensitivity who believes that her identity as a woman involves more than being a wife and mother. It is this very type of independent thinking which was viewed as heretical in a society which sought to deny women any meaningful participation.
Abstract: William Blake's Songs of Innocence contains a group of poetic works that the artist conceptualized as entering into a dialogue with each other and with the works in his companion work, Songs of Experience. He also saw each of the poems in Innocence as operating as part of an artistic whole creation that was encompassed by the poems and images on the plates he used to print these works. While Blake exercised a fanatical degree of control over his publications during his lifetime, after his death his poems became popular and were encountered without the contextual material that he intended to accompany them.
Blake's poems of innocence and experience are a reflection of Heaven and Hell. The innocence in Blake's earlier poems represents the people who will get into Heaven. They do not feel the emotions of anger and jealousy Satan wants humans to feel to lure them to Hell. The poems of experience reflect those feelings. This is illustrated by comparing and contrasting A Divine Image to a portion of The Divine Image.
There are two kinds of people in the world, lambs and tigers. The lambs are the young and inexperienced, they have no greater knowledge of the harmful world around them, nor do they obtain any knowledge of true evil. Just like the animal itself, cute, calm, peaceful and non-violent. The tigers on the other hand have witness and experienced the horrors of the world around them; they have lived through horrors and hardships that have caused them to evolve from lambs to tigers. The times are tough in the time period of William Blake. In these two groups, the people are classified by either a lamb or a tiger. William Blake wrote two poems in his life; one called “The Lamb” the other call, “The Tyger.” These two poems were classified into two groups, one call the Songs of Innocence, the other call the Songs of Experience. The poem, “The Lamb” fits into Songs of Innocence due it is simplistic views and easy language, while the poem, “The Tyger” fits into Songs of Experience due to is tone and fear.
William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and the well to do aristocracy.
William Blake wrote many poems during his lifetime. He had a set of poems called The Songs of Innocence and also a set called The songs of Experience. This paper is focusing on five poems from the Songs of Innocence, which are: “The Shepherd,” “The Echoing Green,” The Little Black Boy,” “The Blossom,” and “Laughing Song.”
Blake's portrayal of childhood is far from happy. A small child's mother dies while that child is still very young; this is sad but not all together strange. However the child's father then, very soon after, sells him off to be a chimney sweeper. Blake does not stop here; after a description these children's living conditions few emotions are left except for pity. As Americans living in the twenty first century, this all seams very strange. We see childhood as a time of joy, and innocence; a time to embrace, and to not let slip by too fast. We see childhood as Robert Frost does.
Upon reading William Blake’s Songs of Innocence and Songs of Experience, a certain parallel is easily discerned between them and Lewis Carroll’s Alice’s Adventures in Wonderland. Blake, considered a radical thinker in his time, is today thought to be an important and seminal figure in the literature of the Romantic period. Being such a figure he has no doubt helped to influence many great thinkers throughout history, one of whom I believe is Carroll. There are many instances throughout Carroll’s story where comparable concepts of innocence and adulthood are evident. Through its themes of romanticism, Carroll crafts a story that is anti-didactic by its very nature.
The Song of Innocence and Experience is a collection of poems written by William Blake. “Innocence” and “Experience” are two definitions of consciousness that rethink John Milton’s existential-mythic states of “Paradise” and the “Fall”, this coincides with the romantic notion that adolescence is a state of protected innocence instead of original sin and yet is still not immune to the fallen world and its institutions.
Although both Blake and Wordsworth show childhood as a state of greater innocence and spiritual vision, their view of its relationship with adulthood differs - Blake believes that childhood is crushed by adulthood, whereas Wordsworth sees childhood living on within the adult. In the William Blake’s Songs of Innocence and of Experience, the vision of children and adults is placed in opposition to one another. Blake portrays childhood as a time of optimism and positivity, of heightened connection with the natural world, and where joy is the overpowering emotion. This joyful nature is shown in Infant Joy, where the speaker, a newborn baby, states “’I am happy, Joy is my name.’” (Line 4-5).