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Critical analysis of songs of innocence and experience
History of william blake essay
History of william blake essay
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In Songs of Innocence and Experience (1789 and 1794), William Blake arouses readers' minds and leads them into a path of finding their own answers and conclusions to his poems. He sets up his poems in the first book, Songs of Innocence, with a few questions as if they were asked from a child's perspective since children are considered the closest representation of innocence in life. However, in the second book, Songs of Experience, Blake's continues to write his poems about thought-provoking concepts except the concepts happen to be a little bit more complex and relevant to experience and time than Songs of Innocence.
In the poem, "The Lamb," from Songs of Innocence, William Blake asks the little lamb, "Little Lamb, who made thee? Dost thou know who made thee?" (1351). It is here where the author purposely questions the reader and leaves the reader, wandering for an answer to that precise question. The author then continues by leading the reader to an indirect possible answer to his question by saying "Little Lamb I'll tell thee! / He is called by thy name, / For he calls himself a Lamb" and proceeds a line later with "He became a little child; / I a child & thou a lamb." It is apparent that he doesn't exactly give a direct answer. He mentions in an roundabout way that the lamb's creator calls himself a Lamb and that he became a little child. This vague background provides an idea who the creator actually is, but not enough to somehow match the creator with God from the biblical texts. And, since the information is vague, the reader really can't come to a narrowed conclusion because the answer itself depends on the reader's beliefs and experiences and so therefore leaves the true answer to the question still unanswered.
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...at his favorite place has changed with time. This change with time and the experience one gets from such changes allows the reader to think about how and why things change when you least expect it and how time progresses with or without you.
"The Lamb," "The Little Black Boy," "The Chimney Sweeper," and "The Garden of Love," by William Blake, are unique in their simple structure and simple choice of words but complex concepts on life and life's experiences. His poems continue to twist and turn minds for centuries due to his style of setting up his poems with both questions and unanswered predicaments, and this is what sets William Blake apart from the rest of the other poets in British literature.
Works Cited
Abrams, M.H. and Greenblatt, Stephen eds. The Norton Anthology of English Literature: Seventh Edition. New York: W.W. Norton & Company, Inc., 2001.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
This poem was in his collection entitled, Songs of Innocence. ""today his most popular volume, he revealed glimpses of life as it appears to innocent childhood, full of charm and joy, and trust"(William Blake Dark 77 or 79 blu)." This is what Blake adapted as his style; his poems were simple, direct, and clear enough for a child to understand. One of Blake's other more popular poems is, "The Lamb." This poem like many others is written in his idiosyncratic view of Christianity, th...
In Blake’s work “The Lamb,” he shows innocence through sheep and their nature. Blake describes sheep’s nature by saying that they “Feed/By the stream & o'er the mead/ have thee clothing of delight/ Softest clothing, wooly, bright” (Blake 4-6). This passage shows that sheep are providers to man and do no harm. Blake says that sheep have a “tender voice/ making all the vales rejoice?” (Blake 7-8).
As a starting point, it is worth noting that Blake was critical of the church, however this did not mean he was not Christian. He believed in the Bible, Heaven, and Hell. As a result of his Christian beliefs there is a strong religious theme that influences and informs his works both poems and etchings. Blake was also a radical and was critical of the state and it’s social structures, which is also reflected in his works. Blake presents in Songs of Innocence and Experience that the human soul has a dual nature, essentially made up of both the good and evil phases and stages. Songs of Innocence, do not only represent the innocence of the human soul at its early stage of life (childhood), but also describe the spiritual connection of the soul to its creator whereas; songs of Experience represent the inherent evil side of the soul (Fonge, 2009). I will now go into a detailed discussion of each poem and illustrate how Blake succeeds in establishing the contrary states of the human soul.
In his 1959 reading of "A Cradle Song," Robert F. Gleckner asserts that it is an expression of Blake's concept of moving into the realm of higher innocence citing as evidence that after 1815, Blake always followed "A Cradle Song" with "The Divine Image" in the sequence of Songs of Innocence. Gleckner discusses the movement from "pleasant dreams" and "sweet smiles" to "moans" and "weeping" as the movement from innocence into experience and ultimate innocence, "the hope of mankind" which is "the ultimate negation of self." Gleckner claims that this "song" is actually a "prayer," the same prayer mentioned in "The Divine Image." Hazard Adams' 1963 reading asserts that the poem is both a song and a "prayer for the continued innocence of the child." Adams classifies the poem as one of Blake's lullabies which Adams claims ...
William Blake’s Songs of Innocence and Songs of Experience are collections of poems that utilize the imagery, instruction, and lives of children to make a larger social commentary. The use of child-centered themes in the two books allowed Blake to make a crucial commentary on his political and moral surroundings with deceptively simplistic and readable poetry. Utilizing these themes Blake criticized the church, attacking the hypocritical clergy and pointing out the ironies and cruelties found within the doctrines of organized religion. He wrote about the horrific working conditions of children as a means to magnify the inequality between the poor working class and the well to do aristocracy.
Gillham, D.G. Blake's contrary States: The 'Songs of Innocence and of Experience' as Dramatic Poems. Cambridge: Cambridge University Press, 1966.
Blake, William. The Lamb. Songs of Innocence and of Experience. DjVu Editions E-Books, 2001. Web 7 may 2015.
In “Songs of Innocence”, and “Songs of Experience” Blake sets a dismal and gloomy tone. This is accomplished by using words such as “Dark”, “Black”, and “Coffins”; these words provoke a dark and ominous feeling when reading. Also, both poems have a depressed to exuberant tone shift, for example, from line one; the words “crying” and “weep” set a dark tone. Then in line nine the words “happy” and “heaven” shift the tone to a much lighter one.
“The Tyger” written by William Blake is a complex, highly controversial poem that requires much analysis. In 1789, Blake published a collection of poems called Songs of Innocence, and five years later he published “The Tyger” in another assortment of poems titled Songs of Experience. These two collections are now analyzed and published hand in hand. The poems in the Songs of Innocence are generally optimistic and possess childlike virtue. On the other hand, the Songs of Experience battles with the issue when “innocence is lost” (Gardner, web). Therefore uncovering the diction, syntax and tone of the poem will help analyze with this apparent loss of innocence.
William Blake used nature in his poetry to show and compare innocence to experience. His works in Songs of Innocence and of Experience , explores the differences between good and evil. In The Lamb, he describes the timidness of a lamb saying, “Softest clothing, wooly bright; gave thee such a tender voice”. This
I’ve always use the title of a poem as an indicator of what to anticipate before reading it. But, in this case of William Blake’s poems, they are titled by two different animals. In Blake’s first poem, “The Lamb”, which is from his collection, Songs of innocence and the second poem “The Tyger” is from Songs of Experience they both reflect symbolisms. In “The Lamb”, and “The Tyger” Blake speaks with a powerful juxtaposition of nature. The innocent ‘lamb’ reminds me of a child and the powerful vicious ‘Tyger’ is the experiences of how a child can lose their innocence as they become adults. The poem's purpose is to be regarded in collation with each other. However, after completing both poems, they both seem to have more of a religious aspect.
Certain aspects of innocence are difficult for adults to understand. Mainly, because once innocence is lost, so are the reasoning’s that one had to make sense of everything. The loss of innocence causes doubt and fear. Blake uses time to demonstrate the notion of innocence in “The Shepherd” and “The Ecchoing Green”. “The Shephard” demonstrates innocence through the job that the title character holds. However, the innocence of his life is broken up by day and night. During the day, the poet illustrates the “shepherd’s sweet lot” (Placeholder3), saying that all he does is follow sheep all day. He does not have any worries or cares. As he shifts to the night time he points to how the shepherd just listens to the lamb’s innocent call and
The acclaimed poet and artist William Blake is from London where he begins his career as an artist and a painter. He lives most of his life in extreme poverty, although his works are recognized as valuable within his lifetime. His Christian theology begins to form at the date of his little brother’s sudden death from consumption. Blake claims he sees his brother’s spirit rise from his corpse, clapping and dancing with joy. Shortly after this event, Blake begins to work on his acclaimed publication Songs of Innocence which contains the poem The Lamb. This manuscript was shortly followed by what many consider to be the appropriate addition to Blake’s Songs of Innocence; titled Songs of Experience. Closely comparable with The Lamb is the poem The Tyger. William Blake goes from using soft, feminine language in The Lamb to a hard, masculine