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Use of Symbolism
Use of Symbolism
Essay on symbolism in literature
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In Mary Shelly’s time, letters were primary sources of communication. Travelling to visit friends and family was time consuming. For instance, if an aunt or uncle lived 45 miles away, it could take up to two days to reach their house by carriage. Compared to today’s automobiles, two days for a 45 mile trip seems outrageous. Writing a letter was quicker and easier, much like texting today. Incidentally, letters can be used to discover information about long dead artists like Shelly. Shelly utilizes letters as narration in her novel Frankenstein. The overall novel is narrated through letters between Robert Walton and his sister, Margaret Saville. What is Shelly conveying through her use of letters? Shelly uses letters to prove the truth of a story. The characters in Shelly’s novel use letters to prove the truth of their stories. The characters of Frankenstein use letters in the same way that Shelly does, as evidence. Letters frequently manifest in the novel. The letters between Felix and Safie are particularly important artifacts to the characters of Frankenstein. The ways these letters are used promote the idea that letters are evidence of truth.
Felix and Safie’s letters are exchanged between the creature, Victor, and Walton. These letters initially surface when the creature makes his proposition to Victor. The creature convinces Victor to follow him to his current place of residence because he has a proposal for Victor. In order to make a sufficient argument, the creature must recount his circumstances to Victor. More importantly, Victor must believe the creature’s story. The creature begins by telling Victor of his first days of existence and everything he experienced. Eventually, he relates that he found a hovel attached to a ...
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...erent characters to prove the truth of their tales. Each character has their own story to tell but they all use these letters to prove to their listener that what they are hearing is true. This recurring use of Felix’s and Safie’s letters implies that any letter can prove the truth. This idea can be applied to the entirety of the novel which is told through a series of letters. Shelly presents Walton’s letters to Margaret to prove that what she is saying is true, much like the characters in her story do with Felix’s and Safie’s letters. Overall, as demonstrated by the frequent exchanges of Felix’s and Safie’s letters, the letters between Walton and Margaret are used as evidence to imply that Victor Frankenstein’s horrific story is true.
Works Cited
Shelley, Mary Wollstonecraft, and Susan J. Wolfson. Frankenstein. 2nd ed. New York: Pearson Longman, 2007. Print.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Works Cited Shelley, Mary. Frankenstein. 1818. Ed. J. Paul Hunter. Norton Critical Edition. New York: Norton, 1996.
Shelley, Mary Wollstonecraft, and Maurice Hindle. Frankenstein, Or, The Modern Prometheus. London: Penguin, 2003. Print.
As I have shown through this analysis, the use of Walton's letters to begin and end Frankenstein is not a matter of chance. Shelley used the letters to provide more depth to the novel. With the parallels between characters, we can consider the different voices of the same story shedding different perspectives. Each perspective influences the telling of the story based on that of the respective characters. Walton's letters complete Victor's tale because the reader encounters every theme in the varying voices presented in the novel. In other words, Walton's letters are not a lost part of the story, but are integral to the structure of Frankenstein.
Using gothic conventions Frankenstein explores Mary Shelley’s personal views on the scientific developments, moral and economical issues that occurred during the 19th century and Shelley’s personal emotions and questions regarding her life. As an educated person, Mary Shelley had an interest in the development of the world such as political and moral issues and she challenged these issues in the novel.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited by: D.L. Macdonald & Kathleen Scherf. Broadview Editions. 3rd Edition. June 20, 2012
Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford University Press, 1990. Print.
This technique is introduced at the beginning of the book when Robert Walton begins to tell us the tale of a mysterious man who they found wandering on the ice searching for what he describes as a daemon; this is done through letters to his sister. This intrigues the reader from the beginning and almost tempting us to read on and discover how this strange man, who we soon found to be Victor Frankenstein, found himself on the ice hunting a creature he created. Once the letters end we begin the tale being told by Frankenstein. He describes his childhood with an extense of detail before explaining why and how he created the monster. Once the monster has become animated and is living Frankenstein becomes horrified at what he had once called beautiful and flees his apartment. In the morning he comes across his friend henry Clerval and invites him back to his apartment. When they enter there is no sigh of the creature but he soon falls ill with nervous fever. Henry nurses him to health and after a few months when Frankenstein has recovered, gives him a letter that arrived from Frankenstein’s sister Elizabeth during his illness. This adds another viewpoint as the letter explains what has been happening at home while Frankenstein has been away, including gossip of his previous neighbours and acquaintances. She also explains the story of a girl named Justine who is now living with them. As the story continues...
Shelley, Mary. Frankenstein: A Norton Critical Edition. Ed. J. Paul Hunter. New York: W. W.
Works Cited Shelley, Mary. Frankenstein: A Norton Critical Edition. ed. J. Paul Hunter. New York: W. W. Norton, 1996.
Shelley, Mary. Frankenstein or the Modern Prometheus. Edited with an Introduction and notes by Maurice Hindle. Penguin books, 1992
Shelley, Mary. Frankenstein or the Modern Prometheus. The 1818 Text. New York: Oxford UP, 1998.
In the novel, Frankenstein, the author, Mary Shelley, implements a prevalent nineteenth century structure called epistolary within a frame narrative to introduce a sublime story. Through Robert Walton’s letters to his sister, Victor Frankenstein’s life story, and the monster’s interjection, the author provides multiple perspectives to the plot. By allowing each character to share their story that all contain differing point of views, it enables the readers to remain interested and informed. Through the three contrasting narrators, Shelley strengthens the roles of the characters as they respectively convey their emotions and input their personal thoughts.
In the introduction of Frankenstein, the first four letters are documentations of Captain Robert Walton’s voyage to the North Pole written to his sister Margaret, where he comes across a frozen and weak Victor Frankenstein in search of his beast of a creation. After recovering from the harsh conditions, Victor “then told [Captain Robert] that he would commence his narrative the next day when [he] should be at leisure” (Shelley, 1818, p.18), telling his whole miserable life to Walton. Victor starts off by stating his jovial childhood growing up in Geneva, where his “mother’s caresses and [his] father’s smile of benevolent pleasure while regarding [him] are [his] first recollections” (Shelley, 1818, p.22). The turning point of Victor’s life is when he witnesses “a most violent and terrible thunderstorm” (Shelley, 1818, p.29) at the age of 15 that involved lightning striking and shattering an oak tree; he “never beheld anything so utterly destroyed” (Shelley, 1818, p.29). Before going off to the ...
Letter One is written in St. Petersburg, Russia. The rest of the story will take place in Switzerland. The height of the Romantic Period was during 1800 to 1850. Something new was buzzing in the world’s affairs. There were newer ideas coming about, such as Freedom, and bigger stresses on the author's imagination. With this freedom, Mary Shelley decided to write a book that took the world by storm, and continues to remain in our society today, even if the original content isn't used the right way. One of the main Protagonists, Victor Frankenstein, describes the arctic as a place of warmth. He then goes on to say that there is an “eternal light” there and that the beauty of it all is unparalleled to anything else. Romantic era authors often referred