In order to be able to answer the question, ‘Does taking photos make tourists happy?’, three issues are going to be discussed to broaden our knowledge about the main subjects of research, which are tourist photography behaviour, positive emotions and openness.
Definition of tourists:
As Chalfen Richard says in his paper ‘Le Role de la photographie dans le tourisme: Quelques Rapports inexptor’, the camera is ‘a tourist’s primary identity badge’, nowadays it became a habit to walk around as a tourist having with you a camera and taking picture of what surrounds you. Photography is a visual way of communication. In his paper ‘Negative image? Developing the visual in tourism research’ (2003) William Feighey says how everyday more, also in tourism the visual part becomes more and more significant, he mostly focuses on the importance of visuals in tourism. In our research we would like to concentrate on the importance of photography, which is a visual technology, as Feighey says, but related to positive emotions.
Taking photographs as a tourist has already interested many researchers, one of them is John Urry, who in his book ‘The tourist gaze’(1990), analyzes the close relationship between photography and the tourist, defines these two elements to be inseparable. The tourist has its own view of the destination called indeed ‘tourist gaze’ by Urry, and this view is captured by the camera.
In his paper ‘Understanding the relationship between tourism destination imagery and tourist photography’, Brian Garrod recalls the same theory, but wants to study this relation deeper.
He finds out that the photographs taken by the tourist are almost the same, maybe less professional, but with the same subject and sets. The second finding was ...
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...uestion is than whether sharing and “stimulus-independent thought” are influenced by photographs and recalling holiday moments. Though some research have doubting samples. One of these is Killingsworth and Gilbert, they analysed only 2250 samples, when earlier in the text they mention their database currently contains nearly a quarter of a million samples from about 5000 people from 83 different countries with their age ranging from 18 to 88 and who collectively represent every one of 86 major occupational categories. These 2250 samples could be selected and therefore the research might not be not generalizable. Another research which has the same issue concerning generalizability is the article of Nawijn, Mitas, Lin and Kerstetter, which also used a fairly small sample. Another general problem with research on happiness is the reliability of participants and the
One of the first representations encountered in the film Jedda is the portrayal of Australia as a tourist destination in the exposition of the film. This glorified view of the landscape is conveyed to the audience through the use of bold visual images and birds eye camera angels. The visual images, as well as portraying Australia as a tourist destination, also adopt the romanticised Hollywood view of the landscape that many American westerns use to emphasise their appeal to an audience of European background. An example of this romanticised view can be seen in the incorporation of camera shots of landscapes such as rolling planes of dry grassy land, and areas of steep rocky hillsides. This style of filming has been incorporated into the exposition to highlight the drama, beauty and primeval nature of the landscape, and to entice the audience into continuing to watch the film. The films documentary-like voice-over also contribute...
A lot of tourists would not think that they are offending the native residents when they travel. In the article, “The Ugly Tourist” excerpt from Jamaica Kincaid’s book, Small Place, she argues that when one is in a state of being a tourist, one does not know the depth of the place and only sees what one wants to see. Kincaid gives a strong idea of what she is arguing when she described a tourist as “an ugly human being.” She presents the emotional conflicts between tourist and the natives by evaluating their different lifestyles.
Photographs serve as a record of what we have accomplished, where we have traveled and who was there along the way. A significant mechanism in photography is tourists , to which I
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
Though the photographers would often stage their photographs, they are still witness to real events (Trachtenberg 73). What the photograph depicted originated, as everyone understood, in the world itself, not in the imagination-even if objects must be moved to realize the photographer’s intention (Trachtenberg 83). It defined and perhaps even helped unify the nation through an unrehearsed and uns...
Film induced tourism has grown in every aspect around the globe whether its because of the curiosity of the people to indulge in this kind of tourism or just being a part of the artificial world. Then it comes to define film tourism many authors have different views, according to Hudson and Ritch (2006a), it is describe as people visiting places which are directly influenced by films to see the landscapes, building, places as it was shown on TV, advertisement or in cinema screen. In addition to the meaning above for film induced tourism, Riley & Van Doren, (1992) further added that people visiting these places may be overwhelm with the romantic gaze of the place, and feel emotionally attached to it and also with the focal points of the film such as actors and their attributes, where they used to live, themes, social patterns and so on. However this essay will also discuss the originality of film tourism and its implications towards the destination and how it effects the local culture and community.
Prideaux, Bruce, Jerome Agrusa, Jon Donlon, and Chris Curran. "Exotic or Erotic - Contrasting Images for Defining Destinations." Asia Pacific Journal of Tourism Research 9.1 (2004): 5-17. EBSCO Hospitality and Tourism Complete. Web. 26 Oct. 2013.
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.
Tourism is a typical activity of fashion that the public participate widely and it has grown in importance over recorded human history. Innumerable articles refer tourism as “the world’s largest industry”; policy-makers, analysts, and scholars often speak of the size of the tourism compared to that of other industries (Smith 2004: 26). These series of misleading statement, together with the mass media’s reports (out of context), make the idea that tourism is a single large industry branded into many people’s minds. However, in this essay I will demonstrate that it is a simplistic and misleading idea, which should be replaced by the plural term, “tourism industries”. Moreover, tourism is not the world’s largest industry, but largest service sector.
Tourism is an important and intricate element to society. It affects economical, social, cultural and environmental elements. Tourism can be argued to have a negative impact on the environment and decrease our already depleting resources, but tourism can also be argued to be a major contributor to strengthening economies, spread cultural traditions and improve people’s lives. Tourism
Photography has created an outlet for the masses to story tell. It has a way of speaking without words like most art forms and is a manner of expression in itself. To eradicate photography from humans would be equivalent to taking away a limb from humankind. Our society has grown an immense amount of dependency on it. Photography has become almost a daily menial task such as brushing your teeth; where we must take pictures of the things we deem important or equally unimportant, even more so with the invention of social media outlets such as Instagram and Snapchat, where photography is the main source of communication between people who use them. Susan Sontag offers the basis of what taking pictures can undertake in both our daily lives and moments that are not part of our daily lives, such as travel. Traveling to places where one is not accustomed can flare pent up anxiety. A way to subdue that anxiety could be through taking pictures, since it’s the only factor that we have total control over in a space where we don’t have much, or, any control of our surrounding environment. On the other hand, taking photos can also be a tool of power in the same sense as it allows for it to be a defense against anxiety. With the camera in our hands, we have the power to decide who, what, where, when, and why we take a picture. This in turn also gives the person who took the picture power over those who later analyze the photos, letting them decide the meaning of the photo individually, despite the intended or true meaning.
The consumption of goods by tourists while being on holiday is an essential subject in the tourism industry. Souvenirs are seen as universal elements of traveling (Swanson, 2012) and are looked upon as objects tourists can bring back home to remind them of their activities during their holiday, trying to make an intangible experience tangible through the purchasing of these artifacts (Litrell, 1993). Furthermore, souvenirs represent the notion of trying to prolong the travel experience (Swanson, 2004). The phenomena of collecting souvenirs while being away from home is rather nothing new. In fact, according to Swanson (2012), there are records going back to the time of ancient Egyptians, Romans, and later explorer-travelers who would bring mementos back from their journeys. Nowadays, the most typical souvenirs that tourists will collect can be categorized into groups. According to Gordon (1986), five groups of souvenir types exist: pictorial souvenirs (e.g. postcards), piece-of-the-rock souvenirs (natural elements collected), iconic souvenirs (items that evoke a message about the place they come from), markers (e.g. t-shirts with the name of the destination) and local product souvenirs (items indigenous to the area).
In this essay I will investigate the idea that photography has become a part of one’s everyday life, when we are taking a photograph we are actual taking a memory and making it ‘Immortal’. Freezing a portion of one’s life also becomes a social activity and the reason that one would pick up a camera and snap that ‘important’ event, would seem to be a very ‘normal’ or ‘natural’ part of one’s life, we also seem to think that it gives one an opportunity to be ‘accepted’ into today’s society, social networking sites have become the hart of the social climax of our forever snapping community. It was estimated there is over 16 billion photos on instergram [__]. We also seem to be documenting one’s life and using that frozen moment to express are feelings, such as joy, excitement, anger, proud(?) or even love. We also use photography in are society as a why to pass information, its become a massive part of are social network. To do this I will be looking at how humanity throughout history have photographed parts of their lives to create a memory, a ‘immortal’ memory.
When people travel to a destination, they sure have some motivation to motivate them to make the decision. ‘Motivation’ is the key term that will make the tourist to consider the reason to travel around. During the decision making process, people will consider some of the reasons before they confirm travel to a destination. The research that has conducted in The Netherland found out a remarkably high propensity to travel, 70% of the populations are taking one holiday per year and 24% was taking two holidays per year for holiday. Some of the people will affect their decision making by looking at destination image or some of the impact advertising. On the internet, business people will use image and advertising to attract tourist to travel to the destination by using image that they edit before. This is part of the marketing to promote their country to tourist. For family traveler, they will consider the distance and transportation travel to the destination. When go for travel, tourist will bring the whole family to travel. Then, they will consider old people who travel long journey are very hard for them. If one of the family members are senior citizen, they need to consider their healthy. Some of the senior citizen cannot take long journey, such as they have sickness. Bring children go for holiday also need to be consider. Some of the children will afraid of the highest in the plane, so they will feel uncomfortable. There is plenty of reason need to consider before making any decision to travel. For understanding tourist motivation and decision making is for two main reason, planning consideration and economic consideration. (Page & Connell, 2009) Before the tourist travel to a destination, they need to think about culture, climat...