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Importance of music in society
Importance of music in society
The importance of musical instruments
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Write an informed essay on a distinguished musicologist of your choice. Illustrate your answer with reference to two important works they have written.
‘Most people have music in the centre of their lives. I believe my work sheds light on how music affects us and why it is so influential’. Musicology is one of the subjects at the centre in helping in the understanding of music and changes music as a product to a process. Musicology can be defined as ‘the scholarly study of music’ and delves into different sub disciplines such as gender studies, politics and cultural theory to name a few in order to understand where and how music has moved over time. Musicology helps music listeners to recognise the need of certain music forms within disciplines.
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These books are centre to what her opinions and ideas are in relation to musicology. Feminine Endings: Music, Gender and Sexuality written in 1991 is the book that made her internationally recognised within the music world. The ground breaking book drew on feminist strategies to reveal the ways in which gender identity is encoded musically in repertories ranging from the canonical to the contemporary . This book added much controversy to the gender argument within music. While published in 2000, Conventional Wisdom: The Content of Musical Form another print by Susan McClary re-examines the concept of musical convention in this fast-moving and refreshingly accessible book while exploring the ways that shared musical practices transmit social knowledge . Throughout the next few paragraphs, the key points within the two books mentioned above will be …show more content…
The book is broken down into essays that discuss areas in which she felt was relevant to this change. In the end of the first chapter, McClary discusses the five key components to the feminist critique of music (1) musical constructions of gender and sexuality (2) gendered aspects of traditional music theory (3) gendered sexuality in musical narrative (4) music as a gendered discourse (5) discursive strategies of women musicians . For example, she talks in relation to gendered aspects of traditional music theory where cadences or themes for insistence were ranked by either being masculine (strong and normal) and feminine (weak and abnormal). While the discursive strategies of women portrayed the absence and lack of musicians from the music scene as they were seen to not be able to produce enough creative works and when they did it was downplayed that the by female composers created pretty
1. Music is a strictly local expression, rich in variety since each culture expresses affective differences through art, 2. Music is a poetic process--complex, vague, and irrational--based upon borrowed traditional musical materials (melodies, rhythms, forms, etc.), 3. Music is for a religious, elitist-class performer who can understand and appreciate its mysterious nature and power, 4. Music is played softly in intimate gatherings, 5. Music making is the activity of Everyman, exacting the talents of variously trained amateurs who, with industry and practice, decorate their recreation and leisure in moments of social intercourse.
If one were to look back into the world’s history, one would find that an important and consistent element is the world of music. Music has presented itself in various forms throughout its spread and through our identification of its magical realm, people have been fortunate enough to come across a means of relation. Whether it is blues and reggae or rap and pop rock, there is music out there for everyone. Music can serve as a stabilizer for some, a relaxant to others, and to many a form of inspiration.
This exhibit takes a feminist approach to digital technologies in its engagement with women singers’ covers of blues, jazz, and popular songs, beginning in the 1920s and spanning through recent covers in the 2000s. Building from Angela Davis’ Blues Legacies and Black Feminism, the exhibit presents a genealogy that traces the legacies of the blues women’s black working-class feminist consciousness over time and space, and across genres. It looks to explore how this feminist consciousness set forth by the blues women might have been engaged by subsequent women blues and jazz singers of different races and ethnicities through their interpretations of recorded cover songs. This article considers how digital technologies can be utilized to create useful platforms that can highlight feminist methodologies and epistemologies, particularly through engagement with sound studies and studies of the voice. In tracing the conceptualization of the Women Sing the Blues project, I aim to show that by listening closely to women’s voices on a digital platform, listeners have the ability to understand and interact with different interpretations of cover songs, which then has the potential for audiences to track singers’ engagement with feminist consciousness and social critique through a gendered lens. This article also discusses the benefits and limitations of particular platforms and approaches in the digital humanities, and advocates for the continued development of alternative platforms and technologies grounded in feminist methodologies and epistemologies. I focus on covers of the song “Black Coffee” as present on the exhibit in order to demonstrate these
...field women had that power is in domestic arts. Women admire sharing their talents with an audience in different ways, whether it is theater, performing a song, ballet dancing, conducting an orchestra or being on television. Eileen Marie Moore shows discipline, excellence and success in her all-age field today. Amy Beach was the first woman to compose a symphony and Clara Schumann was the first woman be publicly accepted as a woman musician. These women opened doors for aspiring and existing women composers and performers to gain recognition, regardless of the culture. A tribute for Amy Beach, Michael Anthony quoted “Being a woman hadn’t held her back as a musician.” The confidence these women portrayed for music was tremendous. Determined to succeed in male dominance category is a challenge, but having the resilience and purpose to keep going, is what counts.
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Reich, Steve. Writings about Music. Halifax: Nova Scotia Coll.of Art & Design P., 1974. Print.
Additionally, I will look at fan feedback of the band and see if even the people who are buying the albums and going to the concerts are even acknowledging the successes of the band as something of merit, or are viewing their music in terms of how the patriarchy tells them to (i.e as a guilty pleasure). This is where I will apply the idea of discourses (whole systems of thought, speech, and knowledge production that structure institutional and social practices, (O’Brien & Szeman, 2014), ISAs, and feminist ideas of patriarchy spurring off Gill’s challenges of postfeminist assumptions of power that “women have not overthrown but rather internalized the disciplinary regime that dictates particular and compulsory ways of looking and acting” (O’Brien & Szeman, 2014), the idea that not only is the band not given respect musically, but perhaps these young women themselves become convinced that their music is more of a “guilty pleasure” than it is “quality
"Music is a common experience and a large part of societies. In fact, anthropologists note that all human communities at all times and in all places, have engaged in musical behaviours. Music as a mode of human activity is a cultural phenomenon constituting a fundamental social entity as humans create music and create their relationship to music. As cultural phenomeno...
Gender has played a large role in musical performance because women are play great music. They play and perform their instruments. One great musician is Viola Smith. She is a drummer, and is known as the “America's fastest girl drummer”. She started in a band that was directed by her father. She and a group of girls join and played their music. She is really good playing the drums. For her great talent she has been feature in magazines and offered many opportunities. In the beginning of her career, she mentioned how people thought they were not good players because they were girls. She saw the very wrong and she wrote an article in a magazine named “Give Girl Musician a Break”. In that article she argued that women musician were as great as
Print. The. Tovey, Donald F. The Forms of Music. New York: Meridian, 1959.
Keenan, E. K. (n.d.). Who are you Calling A Lady?; Feminity, sexuality, and third wave Feminism . Journal of Popular Music Studies, 378–401.
In other music communities like rock or pop, women were mainly perceived as talented singers especially in the seventies. However, the punk rock community perceived women as talented in any instrumental area the women preferred. Both men and women were recognized in the community. (Fairly 2008, 511). Additionally, for the community members, punk rock was an outlet for political discourse like gender issues (O’Meara 2003, 301). Because punk rock defies sexist stereotypes and allows the community members to express frustrations stemming from those stereotypes imposed on them by other types communities, punk rock functions as a community that respects both genders today. However, musicians’ perception that punk rock fosters gender equality a new phenomenon. In the 1970’s, the early years of punk rock, women were overshadowed by men in the community. If men made the same contribution to the community as famous female punk rock bands, like The Slits, did, men would have gotten more recognition, becoming “household names” (Reddington 2007, 16). Additionally, all the work and accomplishments women made in the punk rock community were on the men’s terms
"The Purpose of Music." EzineArticles Submission - Submit Your Best Quality Original Articles For Massive Exposure, Ezine Publishers Get 25 Free Article Reprints. Web. 23 Feb. 2010. .
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.
Music is an essential part of life because of the expression it allows people to have, its entertainment, and its therapeutic ways for the world.