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Portrayal of female in music video
Gender roles in music
GENDER INFLUENCE music preference
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Gender is a social construct that humans use as a method of distinction between the two biological sexes. The separation of the two sexes into separate distinct genders creates expectations for how each gender should look, behave, and preform their assigned gender. Our understanding of gender and gender binaries influences our understanding of music, how it’s preformed, and who is preforming it. This essay will examine three songs: “Be Your Bro” by Those Darlins, “Lola” by the Kinks, and “Boys Wanna Be Her” by Peaches. Frist I will analyze the lyrics and their connection to the theme of breaking or adhering to gender binaries. Next I will analyze the performance and sound of the music and discuss its contribution to how gender is represented and preformed. …show more content…
The singer talks about a man who wants to be involved with her romantically. However, she is only interested in friendship and wants to do more conventionally masculine activities with the man who is romantically pursuing her. She talks about wanting to play in the dirt, getting into fights, and drinking till the early morning which actions that are typically associated with men. The lyrics of this song layout strict gender binaries as to what “bros” do. The key part of the song that addresses the contradiction of biological determinism and preforming gender arrives when the lead singer states, “I may have girly parts, but I have a boys heart”. The singer is addressing the fact that other she was born female her actions and behaviors are not determined by the gender she was assigned to because of her biological sex. This theme corresponds to the music video by which the female artists have visibly apparent underarm hair, displaying their defiance to what is expected of females by not preforming their gender and engaging in altering their secondary sex characteristics through hair
I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality.
Women in popular music have created a tremendous history in the wake of feminism. They have made their presence visible by identifying themselves as feminists. Being a woman was hard during that stage. Women were not allowed to do many things due to gender inequality such as the right to vote and to own a property. Therefore, from that moment onwards, women decided to stand up and make some changes. During the early stage of feminism, women developed their skills in popular music to create awareness. They associate popular music with feminism. Although there were racial issues between the black and white during that time, both sides continued to establish in different ways, through different genres of music. Black women focused on ‘black genres’ such as blues, jazz, and gospel, whereas white women performed in musical theatres. Female artists such as Lilian Hardin, Sister Rosetta Tharpe, and Nina Simone were among the notable exceptions of female instrumentalists during feminism. In this essay, I will assess feminism focusing on the second-wave.
Race, as defined by the Merriam-Webster dictionary, is a category of humankind that shares certain distinctive physical traits (“Merriam-Webster” 2016). “The concept of race, as a construct distinguishing one group of humans from another on the basis of shared biological appearances, emerges from a legacy of human-different making that traces across humanity” (Radano and Bohlman 2000: 10). In my opinion, it is inevitable for musicians to subconsciously incorporate their ideas of racial differences in music making. With the influence of the mass media, racial differences are communicated through music, which then modifies the pre-existing perceptions of racial identities of the audiences. First, I will
They reproduce different values from the original contexts through their production. It explains their dance covers, the performance and the reproduction. For example, “Wonder Gays” catches the otherness of the original version of Wonder Girls to represent their difference: gender. It means, as mentioned, “Nobody” also reinterpreted the theme of retro in the 1960s in the U.S with the Koreanness, and reproduce the Korean style female group. “Wonder Gays” also recreate and reinterpret the otherness of female characters in “Nobody” and reproduce it through their sexual difference,
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
There are many times when feminism is incorporated into song lyrics to give a sense of women’s empowerment in an audience. Alicia Keys is an American Hip hop and R&B songwriter and singer who wrote the song “Girl on Fire” that was released in her fifth studio album in 2012 (Girl on Fire (song), 2014), and was inspired by her son, Egypt. This song is about a lonely girl who is starting to be comfortable in her own skin. It says how everyone is staring at her as she goes by because everyone can see the flame burning and glistening in her eyes. In my paper, I will talk about how the lyrics in this song are very bold that can be applicable to all girls. I will analyze “Girl on Fire” using a method that was developed by Kenneth Burke called cluster analysis (Foss, 2009). Through this method, I can identify key terms in this song and put them into clusters to discover the meaning behind the key words explained: girl, hottest, and on fire.
We have always been told from a young age that there is a big difference between men and women. First of all, they look different from their body structure, their views are different, and what’s expected from them is different. But since then, the world has changed so much, to a point where women are able to do things that men can do and vice verse. There are still things that both aren 't able to do just because of nature. As connecting to jazz music, it is considered american classical music, which can be used to describe as strengths of American diversity. Women that have been associated with jazz music have held much respect.
Since I was young, music have always played a major part in my life and to this day it
Paul Hindemith stated, “People who make music together cannot be enemies, at least not while the music lasts.” I have found this to be very accurate whether it is differences between band-mates or personal conflicts. I have played bass guitar for many different bands for around twenty years now. In this time, I have had to deal with several types of musicians and situations which has resulted in a love/hate relationship for me with my music. There are times when I feel like things would be so much better if I just enjoy my music by myself at home, but it is like a strong magnet that pulls me back every time. It is very difficult to explain, but I guess it is just part of who I am. One thing is true for me, whether the surroundings are affecting me in a positive way or negative, when the music starts, I feel as if I drift off into a different world. While my eyes are open, I do not see anything, I can only hear.
There is a moment in The Piano when the crazed husband takes an axe and chops off his wife's finger. We do not see the awful blow, but both times I watched the film the audience gasped and a few women hurried from the theater. It is a disturbing but crucial scene, the culmination of a sado-masochistic screenplay which has been condemned by some as harmful to women and welcomed by others as an important feminist work. Critics have been more nearly unanimous in their praise for The Piano, and for writer and director Jane Campion. A New Zealander, Campion made two previous low budget films with relatively unknown actors which attracted little notice and small audiences. But their quirky originality established her reputation among film cognoscenti. The Piano, by contrast, is both an astonishing artistic achievement and a major motion picture. Featuring Holly Hunter and Harvey Keitel, it has made Campion an overnight celebrity. She is being hailed as a "natural" and "original" film maker, and no doubt she is.
This class has brought excellent discussions about Asian American masculinity/femininity. I as an Asian American, want to archive and explore more about the dichotomy of what it means to be masculine and feminine in the United States. As the West views Asians as “submissive” figures, it also makes me think about how that is portrayed through media, such as music videos, advertisements, and the news. Through this, I had the internal conversation of androgyny, and what that means; if a person is androgynous are they masculine or feminine? Or are they both? This is evident in the pop culture today with Korean and Japanese pop bands. My focus for this project is to explore, research, and archive specifically on how identity is portrayed for the
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.
Music is an essential part of life because of the expression it allows people to have, its entertainment, and its therapeutic ways for the world.