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Importance of diversity and representation in the film industry
Importance of diversity and representation in the film industry
Importance of diversity and representation in the film industry
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During this experience, I have had the honor of further deepening my interest in costume and design. In this paper, I show my research and what I got out of this opportunity. I learned how to effectively choose my costumes in order to create a sense of feeling in my films, and I also had the opportunity of seeing how professionals choose certain looks and clothes to show emotion in their films.
During the course, our class of filmmakers took a period of time to study the Oscars. We studied all topics, the predictions, and the winners. Luckily, one category fits the exact topic I chose to study, which helped me in my exploration through Costume and Design.
The Academy Award for Best Costume Design is typically given to the film with the best costume design the last year. Films are chosen by the Art Directors Branch, and it is based on a voting system. The five best films are chosen and considered the nominees, and those chosen are picked to fit specific criteria made up by the Art Directors Branch.
The Academy Award for Best Costume Design was first introduced on the 21st
Academy Awards on March 24, 1949. The award was first separated into two categories, Black and White films and Color Films. In 1958, the 30th Academy Awards, they merged the two categories, making it all one award. And again, in the 32nd
Academy Awards had the two categories split once again. Later on, the Academy
Award for Best Costume Design along with others was combined to have one award.
Typically, contemporary movies won in black and white and fiction, fantasy, and animated movies won in the color category. The award is presented by the Motion
Picture Arts and Sciences.
For the 2014 Oscars, The Great Gatsby took home th...
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...ge of designing and creating the right costumes and fits for the Actors and Actresses. The designers can be expected to make their own garments or alter pre-made costumes. I found that, while interviewing the House of Make Believe, a store here Florida designated only for homemade costumes, that the need of alterations balances out with the need of costumes from scratch.
All in all, this project was a great learning experience. I got the opportunity to experiment with makeup in addition to working with costumes and design and expanded my knowledge on the importance of each individual piece to film making. Throughout this journey, my knowledge and understanding of the vitality of costume making grew in every way shape in form. I am honored to now say that I had the experience of growing and understanding in a different aspect of film.
“To me if there’s an achievement to lighting and photography in a film, it’s because nothing in the film stands out, it all works as a piece.” (Roger Deakins, cinematographer of True Grit) In the 2010 adaptation of Charles Portis’ novel, True Grit, the directors, Ethan and Joel Coen, and Roger Deakins display the beauty of cinematography within the movie. And although the film was nominated for ten Academy Awards, it did not win any! It most certainly deserves to win based on the film’s use of editing, camera movement and framing, and lighting and sound.
Dennis Dugan has not won an Oscar for his directing at this point . In the 2012 he won the Razzel award . In 2000 and 2008 won the worst director award. Some of the movie that he directed like Jack and Jill did win the Razzel award.
He said the worst thing they [costume designer] can wear are interesting clothes. “Nothing destroys confidence like cleverly inventive clothes worn by your costume or wardrobe person because it means you are spending time thinking about yourself. You need to save all of your energy and design essence for the work.” -Long, William. Interview.
Bordwell David and Thompson, Kristen. Film Art: An Introduction. 8th ed. New York: McGraw-Hill, 2008.
With many different genres and types of filmmaking, it can result in a large variety of stories and conflicts. Nevertheless, film has always brought people together as a society. If there is one thing everyone can notice about films is the achievement in style and directing. The three directors talked about in this paper are the most successful at delivering a breathtaking style and direction to their films. Baz Luhrmann, Wes Anderson, and Martin Scorsese have produced and directed films over decades and each film as impacted not only the United States but worldwide. With the unmistakable trademarks that each director has, it is very easy to feel sucked into the world in which they are shaping around you and the story. Because of these three directors, the film world and industry has been revolutionized for many centuries to come.
The Traditional Western has often been overlooked at awards time; only three have been successful at the Academy Awards, winning Oscars for Best Picture. These include ‘Cimarron’ (1933), Dances with Wolves (1990) and ‘The Unforgiven’ (1992.)
On March 3, 2010 The New York Times ran an article written by Kim Elsesser entitled “And the Gender-Neutral Oscar Goes To.” Elsesser is a research scholar in Women’s studies and psychology at UCLA with a primary focus on gender issues in the workplace. The op-ed article argues that the Academy of Motion Picture Arts and Sciences should merge the Academy Awards categories of best actor and best actress. Elsesser argues that the two categories need to become one category in order to eliminate gender segregation in Hollywood.
... gave them the edge. I personally feel different when I wear different types of clothes. The types of clothes you are willing to wear define the limits of your attitude. The raunchy costumes allow the performers to become bad, sexy and scandalous.
A crew includes a screenwriter, whose job it is to provide the written blueprint version of the entire film. This is basically the starting point for any movie. Next there is the producer. There are many types of producers; executive producers, co-producers, assistant producers and line producers. They all do very different things. Some are the producers are responsible for raising the funds for the movie while others are responsible for the production that goes on during the filming of the movie and still other producers are in charge of what physically goes on the set. Then it is time for the director. The director is in charge of the actors. The director works with the actors to visually bring to life what was written on the screenplay (Fortunato, Who Does What on a Film). Now the idea needs to come together. The idea of writing, “what you know” is not always true and writing, “what you come to know” is in fact a more accurate way to write. Other good ways to formulate ideas are to use existing plays, novels, short stories, life stories, new articles, or even past TV shows and film. When using existing work a person needs to make sure that one secures the copyrights before starting write. Securing the copyrights does not mean one is finished yet. Now a person needs...
56). Despite the origin of the word cosplay, cosplay is largely thought of as directly inspired by Japanese popular culture (Okabe, 2012). Many of the conventions that these cosplayers attend, also known as ‘Cons’ for short, began popping up in many cities in the United States in the 1990s (Pollak, 2006). Currently, conventions are held in around 30 states in the United States (Leng, 2013, p.90). As popularity for these conventions grow, more and more people have started to participate in the act of cosplay (Leng, 2013, p.90). With the emergence of cosplay trends such as gender-bending, cross-playing, and mashups it is interesting to look into how traditional expressions of gender roles and identity are undermined in the cosplay community. In this paper, I plan to investigate the relationship between gender roles, gender identity and gender expression through participation in
Piatti-Farnell (2013) stresses the symbolic value of costume in cinema, and its effect on characterisation and the relationship between a character and its audience. Morpheus once lived as a human in the matrix, he wears mostly black, including full length leather trench coat, mirrored sunglasses and black combat boots. Street (2001) talks of costumes that power to make individuals stand out and to show an individual’s affiliation to a group. Although we are first meeting Morpheus, we are able to establish a lot about his character. We can link him to the matrix, and his coat makes us feel fearful of his authority and power.
Throughout the year hotels, convention centers, and other high capacity venues are transformed into a social haven and meeting ground for fellow Otakus and cosplay fans or cosplayers for short. The act of cosplay, the abbreviated form of “costume play”, is defined by Oxford Dictionary as “the practice of dressing up as a character from a movie, book, or video game, especially one from the Japanese genres of manga and anime”. However, there is much more to a cosplayer than this simple definition leads one to believe. To its most dedicated patrons, cosplay is an art form incorporating unlimited mediums, such as textile fabrication, woodworking, clay sculpting, resin casting, and even theatrical makeup. Some enthusiasts take cosplay far more seriously than a weekend social hobby. While some would be content with purchasing a commissioned piece or mass produced costume for their convention adventures others are not satisfied until they have handcrafted a masterpiece with 100% accuracy. These cosplayers will spend week or months and hundreds of dollars insure their costume is a perfect adaption of their selected character. Yet for some that is still not enough. There are those who will not be content until they have become the living embodiment of their chosen character. They become the method actors of cosplay, memorizing the characters personality, walk, quirks, and vocalics. Going even deeper into the realm of cosplay, there are still those who are so obsessed with becoming a character they will paint their skin, whether it be pink, grey, green, or any color in between. This is where a sensitive debate explodes. Coloring yourself grey or pink for your Marceline or Princess Bubblegum adventure time cosplays will ...
Fashion and film are art forms that have coexisted for decades, and although they are different, they also possess similar qualities. Pamela Church Gibson wrote in her book Film and Celebrity Culture that “film had a greater influence on fashion than any other form of visual culture” (Gibson 55). Fashion is an important part of film as it aids directors and writers in bringing characters and their personalities to life. Simultaneously, fashion has also benefited from films, as films are a popular source of inspiration for designers, who can be inspired by anything from storylines to characters. In an article, titled Film and Fashion: Just Friends, for the New York Times, Ruth La Ferla wrote that “wittingly or not, those viewers take in colors, subtle tactile impressions or an overall atmosphere that can linger in the mind for years, part of a vast store of images that may surface at any time” (La Ferla).
the process of creating this production, we had to make several crucial decisions that impacted how everything turned out. Many of these things involved how we would represent each character. We made decisions based on how each character was feeling in that moment and what caused them to feel that way in the previous scene. We made many vital choices that brought our whole performance together.
To begin with, I shall look at what fashion is; it is a currently popular style or practice involving clothing, footwear or accessories. It mostly refers to the current trends in looks and dressing style of a person (Cumming 234). In most cases, fashion is confusedly related to costumes; when a person talks of fashion they are seen to mean fashion in terms of textile. Fashion is seen to originate from the Western world and it is copied by other places. In this paper, we shall look at how fashion affects lifestyles and the group of people who are affected most. The paper further investigates how media is used to transmit fashion from one region to the other. Although it has been seen to affect people’s lives many people have different perspectives on fashion and dressing.