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Gender roles in television shows
The history of sitcoms
Sitcoms that gender roles
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The History of Sitcoms The word 'Sitcom' derives from the words Situational Comedy. Sitcoms are a series of programs shown on television that usually involve a family or a close group of characters. Sitcoms seem to have been around ever since television was introduced to the family home, and are continuing to change along with television itself. Traditionally, sitcoms were generally centred around men, usually having only one or two female characters. Examples of this are, 'Yes Prime Minister', 'Blackadder', and the still popular 'Only Fools and Horses'. They complied with the social and ethnic majorities of old day society - middle aged, middleclass, and white characters dominating sitcoms of that day. Very young or old people were not represented, along with the disabled and ethnic minorities. This may have been so as not to offend the more narrow-minded views of society. Men and women had very stereotypical traits that were incorporated into the main characters of a sitcom. Male characters were shown as independent, irrational and delusional, whereas the leading woman was usually the opposite. She was domesticated, caring and motherly towards her blundering husband. As sitcoms developed further, camp characters were introduced along with the convention of role reversal between men and women. An example of this is 'Some Mothers Do 'Ave Em', where role reversal is used to make the sitcom funnier and more unique. In modern times, some conventions of traditional sitcoms have been maintained, and as sitcoms developed some devices have been subverted. 'My Family' is still centred around a typical middle class family, the... ... middle of paper ... ...structing her children and husband on what and what not to do. The fact that she works also takes any maternal nature out of her character, and her sarcastic, tempestuous and sometimes-immature nature is used to get laughter from the audience rather than to make a bond with them. In fact, there is no palpable affection shown between any of the rest of the Archer family either. Every character contains an element of sarcasm, and the main entertainment from My Family comes from The Families ridicule and general intolerance of one another. One thing that most sitcoms have in common is the inclusion of one "normal voice" - a character that possesses no prominent qualities. This is effective in keeping some reality to a sitcom especially if in all other aspect its is unlikely that any of its situations would happen.
Different Strokes a comedy sitcom, first aired in 1978, and lasted until 1986. This sitcom consisted of a widowed Manhattan millionaire, Phillip Drummond , who adopted two orphaned brothers. Arnold who was 8 years old and Willis who was 12. The boys' mother was Drummonds housekeeper who became very ill, so Drummond made a promise to her that he would take care of her two sons after she passed away. Drummond treated the two boys like his own. He also lived with his daughter, Kimberly, who was 13 years old, and his current housekeeper. This sitcom showed typical life lessons in growing up, and social problems that were occurring during that time. Some of the aspects of this show were both positive and negative.
On the first episode that aired, viewers are introduced to widower Andy Taylor, the sheriff of a small country town, and his son Opie. The roles of men and women are much stricter than those of today. Opie has a live in nanny named Rose that gets married so she can no longer be his nanny. Men aren’t seen as capable of looking after children alone since they don’t do any cooking, cleaning or other household chores. Aunt Bee must come and live with them so that Opie and Andy have a women to look after them. As with most norms, it would be out of the question for Opie and Andy to cook and clean for themselves. Opie even demonstrates male ignorance on the issue by making a very horrible attempt at cooking breakfast. He’s laughed at by Andy and patronized for this deviant attempt. Aunt Bee comes in to save the day, i...
During the 1950‘s suburbs such as Levitown were springing up all across the country, and the so-called American dream was easier to achieve for everyday Americans than ever before. They had just come out of two decades dominated by The Great Depression and World War Two, and finally prosperity was in sight. The need for women to work out of the home that was present during the war was no more, and women were overwhelmingly relegated to female-dominated professions like nursing, secretaries, and teachers, if they worked at all. Televisions became very popular, and quickly became part of the American cultural canon of entertainment. Leave It To Beaver is a classic American television show, encompassing values such as respect, responsibility and learning from your mistakes. But, at least in the episode used for this essay, it is also shockingly sexist to a modern viewer. This begs the question, what does the episode The Blind Date Committee1 say about the gender expectations of the 1950’s?
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
That 70’s show is about Eric Forman and his teenage friends and also is family members that live in Point Place Wisconsin through the time period of 1976-1979. The biggest surprise about the series is that despite it being only a three year time frame it managed to run for eight seasons that was seen on Fox from 1998 to 2006 which became the networks second longest running live action sitcom only trailing the show married with children. Despite the fact that the show wasn’t really based in the 70’s the production of the show did a good job to make it seem like they lived in the 70’s with cars, music etc… It’s kind of weird that the show was named “that 70’s show” when it didn’t officially take place during the 70’s.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
Now, the new sitcoms have introduced new family situations, and controversies around them. However, these family members aren’t the sweet, funny, semi-normal characters that were adored in (Full House). They seem to have very different, weird and somehow funny personalities. (Modern Family) introduces the typical “mom, dad, and three kids” family along with an old man married to a younger Columbian woman and gay men with an adopted Asian baby. These new sitcoms like Modern Family introduce family diversity, something that wasn’t exactly present in older sitcoms. Another difference between the old sitcoms and the new is that the humor is a bit more old school. Now the older sitcoms were very seldom and profane and they relied on more classic, clean cut direct humor. Current sitcoms often include less G-rated humor, relying on crude humor to get laughs. There’s not much harm in that though, as long as it doesn’t go overboard. Older sitcoms were based on more functional families, where newer ones tend to be based on dysfunctional families; new sitcoms, Modern Family especially, rely on this dysfunctionality to make their viewers laugh. Older sitcoms, like Full House, had a lot of feel-good moments of bonding between family characters, but new sitcoms seem to take away from that
The American Dream is something that defines the United States of America, where everyone has the right to pursue happiness in the land of opportunity. The American Dream is different for everyone because it is simply whatever one considers the happiest possible way of living. Although interpretations of the American Dream are different, there are usually common elements that exist, such as a house, a family, and being financially stable. Today, popular series like Duck Dynasty and Modern Family portray different versions of the American Dream and images of family life in the United States. Anyone who is even remotely familiar with these shows would agree that they could not be more different. Despite this claim, Duck Dynasty and Modern Family are becoming increasingly popular because they both display important family values and reflect struggles facing 21st century families, making them relatable to broad audiences.
Jerry Seinfeld's television sitcom, "Seinfeld," which went off the air in 1999, is still one of the most culturally pertinent shows today. The show dealt with little nuances of American society. A puffy shirt, for example, could be the main subject for an entire show. This show, which was derived from Jerry Seinfeld's observational humor, was voted as the "Greatest Show of All Time" by TV Guide in 2002. According to the show's official website, the ratings for the syndicated version of Seinfeld are ahead of many of the current primetime comedies ("Seinfeld" 2/5).
The ‘Golden Age of Television’ is what many refer to as the period between the 1950s and 60s when the television began to establish itself as a prevalent medium in the United States. In 1947, the American Broadcasting Company (ABC), Columbia Broadcasting System (CBS), the National Broadcasting Company (NBC), and the Du Mont Network were the four main television networks that ran stations with regular programming taking place. (Television, 2003) While regular television programming was a new innovation, the television itself had been commercially available for over twenty years prior to the 50s. It was conceived by many worldly innovators and went through several testing stages before it was finally completed in the late twenties. The three main innovators were Niplow - who first developed a rotating disk with small holes arranged in a spiral pattern in 1884, Zworykin - who developed the Iconoscope which could scan pictures and break them into electronic signals (a primitive form of the Cathode Ray Tube) in 1923, and lastly Fansworth - who demonstrated for the first time that it was possible to transmit an electrical image in 1927. (Rollo, 2011) However, one of the many reasons why this medium was successful in the 50s was due to the fact that it became more accessible to the public. Television sets were more affordable to middle class citizens which created further interest in the new technology. Through an historical account of the medium, the spread of television across America throughout this particular decade will be examined.
When many American children are growing up, they are introduced to cartoons. A few of the most popular cartoons for children are stereyotyoing male and female roles. By steryotyping in cartoons, children will see the cartoon and may not understand that these are steryotyoes. I would actually presume that most children who watch cartoons do not know what a steryotype is. The main shows that cause this problem are the Flintstones and the Jetsons. In both of these cartoons we have a father working outside the house and a mother working inside the home. In the Flintstones the husband Fred Flintstone is a steryotypical married male. He is overwheight, lives with a pretty wife and works to bring home the cash. When he gets home, dinner is expected of course, and it isn't Fred whose cooking. You guesse...
For a large part of the history of TV sitcoms women have been portrayed as mothers or as having to fulfill the woman's role in the private sphere. Family based sitcoms were one of the forms of sitcom that keep women in these roles, but what is interesting is that even in other forms of sitcoms women do not truly escape these roles. Sitcoms, like Sex and the City and Murphy Brown showcase women whom have seemingly escaped these roles, by showing liberated women, but that does not mean that both do not fall into the gender role showcased in family sitcoms. It draws the similarities between ensemble sitcoms and family sitcoms when it comes down to the role of women. The starring women in both Sex and the City and Murphy Brown, and even the Mary
...d what they consider entertaining or even humorous in a sitcom. Overall, modern sitcoms rely on sex, violence, and the most ridiculous situations that you could ever find yourself in to create entertainment, and although Mary Tyler Moore does have some of this, such as the “Chuckles Bites the Dust” episode, for the most part the show relies on the contemporary ideas of the time. The ideas that they explored was the feminist movement of course. This is why the show Mary Tyler Moore holds up as a historic show rather than a comedy. The audience has simply changed what they find as funny over time.
The family unit has always been a treasured and revered dynamic on television and in movies. Dating all the way back to I Love Lucy, storylines focused on the relationship between man and woman. Ozzie and Harriet introduced us to the quintessential American family—father in a suit, mother in pearls, and two exceptional children. It wasn’t until the 1970s that gay characters and lifestyles began to emerge. In 1973, An American Family, a PBS series featured one of the family’s sons revealing his homosexuality. In 1977, the television show Soap costarred Billy Crystal as an openly gay man. In the 1980s, it became trendy to feature gay and lesbian characters in ensemble casts. If you watch reruns, you can always find the token gay, that is, the really flaming homo or the butch lesbian gym teacher. The motion picture Mannequin, starring Andrew McCarthy and Kim Catrall, featured Meshach Taylor as Hollywood, an eccentric, finger-snapping homosexual. Many stereotypes such as these continued until the early nineties.