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The traditional format of the domestic sitcom has been around since the dawn of television. It is one of the more traditional formats for a television program. But like all television programs, the structure and format of a “traditional sitcom” can vary and change according to various social and cultural factors. From the 1950’s to the 1990’s, domestic sitcoms evolved with the representations of the American family by expanding gender roles for men and women and revising notions of the traditional American nuclear family. In the early days of the domestic sitcom, programs worked to portray the facsimile of real life by representing the family in a very specific way, which emphasized that men and women had distinct yet separate roles in the …show more content…
In the case of Malcolm in the Middle, the expansion of gender roles can be seen in the actions that Lois, the mother and Hal, the father, take in the episode “Bowling.” In the episode, Malcolm and his brother ask a parent to drive them to a bowling alley so they could hang out with their friends. The episode explores the alternate timelines and events that could happen to Malcolm and the rest of his family depending on who goes bowling with the boys. In the timeline where Lois drives the boys, Hal is left to discipline the youngest son Dewey. But instead of disciplining Dewey with a stern hand, from an objective medium shot, he can be seen reading Dewey stories. Instead of being the disciplinarian, this shot works normalizes the presence of males as a nurturing force in the context of the domestic space. Even though he does not discipline Dewey, the shot proves the competency of males in the domestic space and therefore expands gender roles for men. In the timeline where Lois stays home with Dewey, she acts as the disciplinarian by confining Dewey to his room and immediately telling him to go back if he’s found outside of his room. In the scene where she punishes Dewey, the camera tilts upward before cutting to Dewey at a lower …show more content…
The evolution of the sitcom also parallels the change in television from the Classic Network area to the convergence era, by illustrating that as families began to get busier and parents have to take on more work both inside the domestic sphere and out, families became more mobile to keep up with the lack of time they had due to work or other obligations. The prevalence of too much obligations and a mobile family unit worked to change the function of television from an event to one of distraction, whereby people would watch sitcoms that would closely mirror their own life to distract themselves from their own
Klumas, Amy L., and Thomas Marchant. “Images of Men in Popular Sitcoms”. Journal of Men’s Studies 2.3 (1994): 269. ProQuest. Web. 27 Jan. 2014.
According to the Bureau of Labor Statistics (2007) women’s labor force participation raised from 33.9% in 1950 to 57.5% in 1990. The TV shows Married with Children and Roseanne are similar and different in the way they portray that statistic through their gender roles. Married with Children shows the more traditional type of gender roles, while Roseanne shows gender roles that were not as common in past decades. Both shows exemplify gender roles that were common and rare compared to decades prior. The TV shows, Married with Children and Roseanne are similar and different because of the gender roles each television show displays.
Sitcoms." Fathering: A Journal of Theory, Research, and Practice about Men as Fathers 7.2 (2009): 114-39. Print. 17 April 2014.
Family comedies have evolved throughout the past century. What was once revered as classic has completely changed forms and turned into the comedic experience we witness today. Family sitcoms in particular have been converted to show a broader picture of how family’s interact in today’s world. This greatly appeals to today’s audiences and is what people want to see. Modern family specifically has tapped into what nontraditional families are all about and even with being so alternative has resonated with every type of family, making it one of the most popular shows on TV at the present moment. The pilot episode of Modern Family uses hyper-irony, allusions and uses references to technology to enforce comedic impact.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
The word sitcom is short for Situation Comedy. A good sitcom story idea places the star (or supporting character) into a situation in need of a resolution, which will cause the character to respond in unexpected, exaggerated, and hugely sidesplitting ways (Rannow, pg. 13). A comedy now days are different from how they were in the 1960's and 1970's though. Today directors use sexual content and foul language to make people laugh and do not usually have a purpose or point to get across to the audience with each show. In earlier comedy, such as The Brady Bunch, Director Jack Arnold tried have a lesson learned in each episode while still maintaining a sense of humor, minus the foul language and sexual content. Although the show is not extremely funny to most people it is still a classic show that deserves to be remembered.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
The classic network era is one of the most easily recognizable and distinct eras in television history. Both Bewitched and I Love Lucy were huge sitcoms that took up issues of gender representation and patriarchy in their programs through the representations of the main male and female characters of their respective series. While both of these series pushed boundaries when it came to the representation of women, in the end, the costuming of these men and women, how the main characters are introduced, and the domestic environment that the atmosphere takes place in, all serve to reinforce traditional gender norms and reveals that patriarchy is dependent on maintaining dominant ideas about masculinity and femininity.
Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded. During the 1950s and 1960s, 97% of the families were Caucasian. In the first five years of the 1990s, nearly 14% of the television families were African-American (Bryant 2001). These statistics obviously show the substantial impact our American culture has had on African-American television families.
On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the women’s magazines” (Douglas 136).
In American culture today, women continue the struggle of identifying what their roles in society are supposed to be. Our culture has been sending mixed messages to the modern day female, creating a sense of uneasiness to an already confusing and stressful world. Although women today are encouraged more than ever to be independent, educated, and successful, they are often times shamed for having done just that. Career driven females are frequently at risk of being labeled as bossy, unfeminine, or selfish for competing in many career paths that were once dominated by men. A popular medium in our culture such as television continues to have significant influences as to how people should aspire to live their lives. Viewers develop connections with relatable characters and to relationship dynamics displayed within their favorite shows. Fictional characters and relationships can ultimately influence a viewer’s fashion sense, social and political opinion, and attitude towards gender norms. Since the days of Bewitched and I Dream of Jeanie, where women were commonly portrayed as being the endearing mischievous housewife, television shows have evolved in order to reflect real life women who were becoming increasingly more independent, educated, and career oriented throughout the subsequent decades. New genres of television are introduced, such as the workplace comedy, where women are not only career oriented, but eventually transition into positions of power.
I will discuss a T.V show that began in 1987 and ran until 1995 and compare that to a T.V show of today Modern Family; which first aired in 2009. The two are both American family sitcoms and comedies that have had great success throughout the air. These two shows are both unique in their own way. Full House is based in the late 80’s and early 90’s in San Francisco. Now Modern Family is today and still on air going for the 7th season based in the suburbs of Los Angeles. That if you look at the family photo of the entire Modern Family cast and the complete Full House cast shows how the typical sitcom family has changed over the time. 80’s to present
one sees portrayed so happily in 1950s shows: the husband is the breadwinner, the wife is the
Throughout history, the roles of men and women in the home suggested that the husband would provide for his family, usually in a professional field, and be the head of his household, while the submissive wife remained at home. This wife’s only jobs included childcare, housekeeping, and placing dinner on the table in front of her family. The roles women and men played in earlier generations exemplify the way society limited men and women by placing them into gender specific molds; biology has never claimed that men were the sole survivors of American families, and that women were the only ones capable of making a pot roast. This depiction of the typical family has evolved. For example, in her observation of American families, author Judy Root Aulette noted that more families practice Egalitarian ideologies and are in favor of gender equality. “Women are more likely to participate in the workforce, while men are more likely to share in housework and childcare (apa…).” Today’s American families have broken the Ward and June Cleaver mold, and continue to become stronger and more sufficient. Single parent families currently become increasingly popular in America, with single men and women taking on the roles of both mother and father. This bend in the gender rules would have, previously, been unheard of, but in the evolution of gender in the family, it’s now socially acceptable, and very common.
Another major factor that influences millions of impressionable females and males is television. Not only does the television teach each sex how to act, it also shows how one sex should expect the other sex to act. In the current television broadcasting, stereotypical behavior goes from programming for the very small to adult audiences. In this broadcasting range, females are portrayed as motherly, passive and innocent, sex objects, or they are overlooked completely or seen as unimportant entities. Stereotyping women is not only rampant in the adult world; it also flourishes in the kiddie universe as well.