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An Analysis of the Television Sitcom, Different Strokes
Different Strokes a comedy sitcom, first aired in 1978, and lasted until 1986. This sitcom consisted of a widowed Manhattan millionaire, Phillip Drummond , who adopted two orphaned brothers. Arnold who was 8 years old and Willis who was 12. The boys' mother was Drummonds housekeeper who became very ill, so Drummond made a promise to her that he would take care of her two sons after she passed away. Drummond treated the two boys like his own. He also lived with his daughter, Kimberly, who was 13 years old, and his current housekeeper. This sitcom showed typical life lessons in growing up, and social problems that were occurring during that time. Some of the aspects of this show were both positive and negative.
Positive Aspects
In this sitcom there are several different ways in which minorities are positively portrayed. For instance, even though Arnold and Willis were two brothers of another ethnic background and race, Drummond who was a Caucasian millionaire still took these boys in. Another example of positive portrayal is that Drummond also called Arnold and Willis his “sons” not just his adopted children. He raised them as if they were his own children. The third example of a positive portrayal is that in this sitcom they showed evidence of social problems, such as racial discrimination. They realized that it did exist and that it was a problem. Finally, this sitcom also showed how blacks and whites could live equally and be happy together. These four portrayals are definitely positive and show how two minorities were portrayed in “Diff’rent Strokes”.
Negative Aspects
Different Strokes, which was first televised November 3, 1978, was one of the better, most influential shows of that time. This show was a perfect example of how minorities were portrayed to be unable to support themselves. The African American family characterized in this show was a single mother family, leading to the belief that most African American children were without a father in their lives. In agreement with the stereotypes of the time, their income was also low because the mother was a housekeeper. The audience may presume that she had no other skills than housekeeping which leads to the negative belief that African Americans have no job skills. In addition to these family problems and income issues, the children spoke slang and were even referred to as ghetto.
In D. W. Griffith’s The Birth of a Nation the interactions between black and white characters represent Griffith’s view of an appropriate racial construct in America. His ideological construction is white dominance and black subordination. Characters, such as the southern Cameron’s and their house maid, who interact within these boundaries, are portrayed as decent people. Whereas characters who cross the line of racial oppression; such as Austin Stoneman, Gus and Silas Lynch, are portrayed as bad. Both Lynch and Lydia Brown, the mulatto characters, are cast in a very negative light because they confuse the ideological construct the most. The mixing of races puts blacks and whites on a common ground, which, in Griffith’s view, is a big step in the wrong direction. Griffith portrays how the relationship between blacks and whites can be good only if the color line and positions of dominance and subordination are maintained. Through the mulatto characters he illustrates the danger that blurring the color line poses to American society.
This essay will examine my thoughts and those of David Sterrit on the critically acclaimed television show The Honeymooners. First, I will talk about the Honeymooners and it’s setting in postwar America. Secondly, the social and cultural issues the series portrayed. Next, would be the psychological perspective and the aesthetics of the show. Finally, the essay would conclude with my thoughts on how the Honeymooners were impacted by these aspects, but also how the show managed to leave a legacy in television today.
Starting with Sanford and Sons through the progression of The Fresh Prince of Bel-Air, it is evident that the changes transpiring in society are slowly entering the television industry. What would have been acceptable in the 1970s would be totally unacceptable in this day. No longer is an African-American father in a sitcom shown as a worthless, rude individual. The father figure is now shown more as a responsible, loving, and moral person with more realistic faults. Color now seems, through evolution, to be taken out of the equation for the African-American television families.
Women’s role in society changed quite a bit during WWI and throughout the 1920s. During the 1910s women were very short or liberty and equality, life was like an endless rulebook. Women were expected to behave modestly and wear long dresses. Long hair was obligatory, however it always had to be up. It was unacceptable for them to smoke and they were expected to always be accompanied by an older woman or a married woman when outing. Women were usually employed with jobs that were usually associated with their genders, such as servants, seamstresses, secretaries and nursing. However during the war, women started becoming employed in different types of jobs such as factory work, replacing the men who had gone to fight in the war in Europe. In the late 1910s The National American Woman Suffrage Association (NAWSA) had been fighting for decades to get the vote for women. As women had contributed so much to the war effort, it was difficult to refuse their demands for political equality. As a result, the Nineteenth Amendment to the constitution became law in 19...
The episode of Everybody Hates Chris that was shown in class is an excellent example of the negative representations of black, lower class people in the media. Specifically, the episode addresses the common black stereotypes of having poor home lives, absent parents, and the overall belief that black people are more violent and aggressive than white people. The episode addresses the everyday stereotyping that comes in a day of the life of a lower-class black, male student at an otherwise all white middle-class school.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
The twentieth century was a time of tremendous change that commenced with WWI and the Great Depression. While WWI brought countless deaths, the Great Depression affected both urban and rural Americans. Yet, underlying these devastating events was the abuse of black Americans. Both whites and blacks had to cope with the major occurrences of the time, but blacks also faced strife from whites themselves. During the early part of the twentieth century, white Americans Russell Baker and Mildred Armstrong Kalish gained kindred attributes from their families, especially in comparison to that of Richard Wright, a black American. The key differences between the experience of whites and blacks can be found within the mentality of the family, the extent to which they were influenced by their families in their respective lives, and the shielding from the outside world, or lack thereof, by their families. Through the compelling narrations of these three authors, readers can glimpse into this racially divided world from the perspective of individuals who actually lived through it.
The family goes through struggles, such as their son having dyslexia, their daughter joining private school, and George trying to find his biological father. Many of the statements and visuals portrayed are those that negatively illustrate how Mexicans and Cubans act.... ... middle of paper ... ... Social Cognition (2008): 314-332. Browne. "
During World War I, many men were drafted away from their families to fight for America. The men left an excess of jobs available for women to take. These jobs were not just an option but also a necessary responsibility to support their family, while their husbands were at war. In the absence of many men, women wore shorter skirts for functionality, learned to drive cars, and cut their hair. It is believed that because of the shortage of qualified men, women became more aggressive towards them, demonstrating behavior of a “Flapper” ("Flappers." Encyclopedia of Clothing and Fashion”) World War 1 gave women a taste of what it was like to earn a living outside of the house and they liked the independence. When the men came back from the war, women were not so eager to give it up. Also, the war had wiped out a number of males, not only leaving more jobs available for women, but also leaving wives and...
During the Great War and the huge amount of men that were deployed created the need to employ women in hospitals, factories, and offices. When the war ended the women would return home or do more traditional jobs such as teaching or shop work. “Also in the 1920s the number of women working raised by fifty percent.” They usually didn’t work if they were married because they were still sticking to the role of being stay at home moms while the husband worked and took care of the family financially. But among the single women there was a huge increase in employment. “Women were still not getting payed near as equally as men and were expected to quit their jobs if they married or pregnant.” Although women were still not getting payed as equally it was still a huge change for the women's
In my opinion, African American are discriminated against and often stereotyped more than any other race. Discrimination was a common topic in the 1900’s and therefore many shows dealt with this topic. Another show that greatly showed discrimination was “A Different World.” In one episode one of the main characters, went into a jewelry store and because of her color she was not helped immediately by the sales associate. After being helped she was questioned about a piece a jewelry she wanted to buy because of the price. She purchased it and the next day returned it because she knew she was being discriminated against. The messages portrayed in these black sitcoms do not have an effect African Americans as a whole. Most rather take the easy way out in life by trying to become a professional athlete or a rapper rather than a doctor or a lawyer.
Elizabeth Barrett Browning was born on March 6, 1806, in Coxhoe Hall, Durham, England. She was the eldest of eleven children born of Edward and Mary Moulton-Barrett (DISCovering Authors). Her father was a “possessive and autocratic man loved by his children even though he rigidly controlled their lives” (Encyclopedia of World Biography). Although he forbid his daughters to marry, he always managed to encourage their scholarly pursuits (DISCovering Authors). Her mother, Mary Graham-Clarke, was a prosperous woman who earned their wealth from a sugar plantation in Jamaica (EXPLORING Poetry). When Elizabeth was “three years old, the family moved to Hope End in Herefordshire,, and she spent the next twenty-three years of her life in this minareted country house overlooking a lake” (Hayter).
HBO's Sex and the City has become a cultural icon in its 6 seasons of running. Based on Candace Bushnell's racy book Sex and the City, the show exhibits an unprecedented example of the sexual prowess of women over the age of 35. The result is an immense viewing audience and an evolving view on the "old maid" stigma that a woman's chances of finding love are significantly reduced after thirty-five. In this paper, we will closely analyze the characters and themes of Sex and the City to explain the significance of what the show represents in American culture.
At the end of the NPR article they discuss the problem between keeping television shows diverse, “without amplifying the problems of stereotyping and prejudice” (Feld). Television shows feel that in order to a successful show with diversity, the people need to be cast-typed or take on every stereotype that is associated with that particular race or gender. The Erigha article discusses how, “many of actors were type-casted, or put in racialized roles, that fit their ethnicity” and some of these people do not necessarily fit that type, “they used Asian Actors as an example, many of the actors that were born in America, were asked to speak in a Chinese accent.”
Bureau of Justice Statistics. (2012, March 22) Office of justice programs. Retrieved April 5, 2012. From http://www.bjs.ojp.usdoj.gov