It was not until 2000 that Disney decided to group Mulan, Belle, and the gang together under the brand Disney Princess. Princess merchandise, dolls, clothing, games, home décor, toy has become a $5.5 billion enterprise and Disney’s second-most-profitable franchise, after Mickey Mouse (Suddath). Disney used to market movies, not characters. Jasmine dolls were on store shelves only when Aladdin was out—either during its initial run or when it was released. That changed in 2000, when a newly hired Disney executive named Andy Mooney went to a Disney on Ice show in Phoenix. Where he saw mothers, who were making princess outfits for their children because Disney was not selling it. He asked them, “‘If we did this, would you buy it?’ They said, ‘Loads of it’” (Suddath). That year, Disney started selling products that featured all eight princesses, many from movies that weren’t in theaters. Disney had never before sold or marketed merchandise picturing princesses from different movies together. To guard against …show more content…
At the time the film was the most successful animated Disney film release, and the first animated film to reach $100 million in North America (“Disney All Time” 1). Rereleased in 2012 in IMAX/3D worldwide total of $425 million. Beauty and the Beast received positive reviews from critics; it won the Golden Globe Award for Best Motion Picture – Musical or Comedy and became the first animated film to be nominated for the Academy Award for Best Picture. It even won the Academy Award for Best Original Score and Best Original Song for its title song. In April 1994, Beauty and the Beast became Disney's first animated film to be adapted into a Broadway musical. She is usually ranked among the top 5 princesses on the lists found online, and because she is born into no kind of nobility, she is one of the princesses that viewers can see themselves as (Rosa
In the 1930s, Disney’s first full length animated movie, Snow White and the Seven Dwarfs, was released. This movie set the pattern for future Disney movie plots, which continues for decades. In the 1940s, Disney released 3 animated movies: Pinocchio, Dumbo, and Bambi. However, these movies did not feature a main female character. In the 1950s, the two main movies that were released were Cinderella and Sleeping Beauty. These movies picked the passive heroine trend back up and had a prince to rescue the princess from her troubles. In the 1960s, Disney brought us 101 Dalmatians, The Sword in the Stone, and The Jungle Book, none of these with a female heroine. The 1970s brought about The Aristocats, Robin Hood, The Rescuers, and The Many Adventures of Winnie the Pooh. The only significant female character is Maid Marian from Robin Hood, who waits for Robin Hood to “sweep her off of her feet.” In the 1980s, The Fox and the Hound, The Black Cauldron, The Great Mouse Detective, Oliver and Company, and The Little Mermaid were released. With The Little Mermaid, Disney got back to the fairytale storyline. The 1990s brought us Beauty and the Beast, Aladdin, The Lion King, The Hunchback of Notre Dame, Hercules, Tarzan, Pocahontas, and Mulan. This is where Disney movies start to evolve with new, women-favoring, storylines. In the 2000s, Disney laid off the fairytales for a while and
Since Disney’s Snow White appeared in 1937, Disney princesses have been a present in pop culture. With the release of new movies frequent and re-release of decades old movies inevitable, a continuous stream keeps Disney princesses in the foreground of adolescent society. It is with the value of entertainment they have been created and as entertainment they should be viewed.
When Ariel kicked up her fins in The Little Mermaid (1989), she ushered in an era of spunky heroines. Like her, Belle in Beauty and the Beast (1991), Princess Jasmine in Aladdin (1992) and the title character in Pocahontas (1995) chaffed at the restrictions imposed on them. They sought to break the bonds of convention
Movies produced by Disney are some of the highest grossing movies on the planet, and for a good reason. The characters are well developed, musical numbers are choreographed to a tee, and the animations (when there are any) are vibrant and realistic. Enchanted, released in 2007 (The Internet Movie Database), is no exception. What sets Enchanted apart from other princess movies of the genre, though, is the juxtaposition between Giselle, the fair maiden, and the “real world” she becomes immersed in, courtesy of the Evil Stepmother. Enchanted defies the “Disney princess” norms set by the industry by setting the film in the very-real New York City as opposed to a fictitious fairy-tale land.
In the past all of Disney’s Princess movies tend to follow a similar plot line. It was always the same formula, the princess falls in love with the first man she meets and relies on him for comfort and guidance as they go off to live happily ever after. This formula has worked commercially and financially for Disney with movies like, Snow White and The Seven Dwarfs (1937), Cinderella (1950), Sleeping Beauty (1959), The Little Mermaid (1989), Aladdin (1992), and Pocahontas (1995). While these movies have turned Disney a huge profit they have never given young girls a strong, independent role model to look up to. These films, while entertaining and visually appealing, have taught young girls nothing but to find the person that they will spend the rest of their life with as soon as possible. Not one of the princess movies allows the princess to be anything more than something of a housewife. These women did not pursue any type of dream or career, they just fell in love with the first man they saw. Now while the Disney princess movies of the past have only been about finding love and riding off into the sunset, there was a Disney release last year that broke the cycle. Frozen, released in November of 2013, was a box office hit grossing over $400 million domestically and $700 million internationally. It did not focus on finding love for the main female character. Instead it built two strong female lead characters while focusing on the importance of sisterhood.
Smith, Ethan. "Corporate News: Disney Products Chief Quits --- Andy Mooney is Credited with Creating $4.4 Billion Princess Line of Toys, Clothes." Wall Street Journal: B.7. ProQuest. Sep 07 2011. Web. 29 Nov. 2011
Disney princesses are fun for all ages, but their target audience is young children and “as children grow and develop, they can be easily influenced by what they see and hear”. Therefore, what they see and hear in Disney movies leaves an impression on them. The first princess, Snow White, was created in a time where each gender and race had a specific role in society. Recently, many believe that Disney has come a long way in regards to gender and race since Snow White, as several multi-cultural protagonists have been introduced subsequently, and gender roles do not appear to be as stereotypical as they once were. However, many of the apparent innocent messages about race and gender in these movies, can be exposed as otherwise. Despite their mask of progression, Disney princesses still have the potential to corrupt the minds of young children through sexism and racism.
-Ng, Vincent. How Disney Princesses Became a Multi Billion Dollar Brand. mcngmarket.com/how-disney-princesses-became-a-multi-billion-dollar-brand. 2013. Web. March 27, 2014.
Ever since Mickey Mouse was created in 1928, Disney has been at the forefront of the cartoon world. Every youngster has a favorite Disney character or movie. Over the years they have created some of the best movies of all time. However, Walt Disney hasn’t always been successful. He survived bankruptcy in 1922 and had to rethink how he was going to approach his life. I think it is safe to say the approach he took was the right one. One of his first productions was an animated short film Alice’s Wonderland, which turned into what we know as Alice in Wonderland. Mr. Disney’s first attempt at a feature-length animated film debuted in 1937 after three years of production. His masterpiece of Snow White and the Seven Dwarfs is one of his most awarded movies. Following World War II Disney Production was in a substantial amount of debt. They needed to come out with a new movie that would win over the public of America. They came out with just the right movie, Cinderella, in 1950. This was their biggest hit since Snow White and the Seven Dwarfs some 15 years ago. Because of Cinderella Disney Productions stayed in business and could go on to produce many more heartwarming movies.
Disney Princess movies target children and are none other than a transfigured fairytale story in which innocence and moral virtue are questioned. In pursuit of romance and having the mindset of doing whatever it takes for love, Disney creates this magical world and targets the youth, especially young girls. Walt Disney was a creative and “radical filmmaker who changed [one’s] ...
Many celebrities overcome impediments by experiencing critical moments in their life to achieve fame. Becoming famous is more than just making money and being admired by millions of fans. It is much more complicating than it seems. Some of the most greatest and creative innovators such as Walt Disney was known as, founder and creator of Disneyland. Walt was an important inspiration to look up to because he dealt with facing hardship in his career. Experiencing challenging moments were a motivation for Walt to keep pursuing his goal.
Jasmine then become tired of all the perks of being upper class and decides to run away, where she finds Aladdin. she then goes on to say how much she hates it “Oh, sure. People who tell you where to go and how to dress” Ron. Clements (Producer), & John. Musker (Director). (1992). Aladdin [Motion picture].United States: Buena Vista Pictures. When being princess it comes with status where by law she must marry a prince before her birthday, this would fall under Max Weber 's theory of stratification. Jasmine would be considered status value, due to the fact she is a princess making her more valuable and prestige. From Jasmine 's point of view it shows that being higher class is not always the best priority, you get tired of everything being given to you as well as being told what to
Do Rozario, R.,C. (2004). Proquest. “The princess and the magic kingdom: Beyond nostalgia, the function of the disney princess”. Women's Studies in Communication, 27(1), 34-59.
Each Disney princess has different positive attributes that make her unique, the most recent Disney princesses are especially fitting in today’s society. In Jena Stephens’ analysis of the three most recent princesses, excluding Anna and Elsa, she describes Rapunzel by saying, “Her forward thinking, desire to prove she is just as capable as a man, and realistic dreaming make her a great role model for young girls”. Whether it is to become a princess and marry her true love like Cinderella or open a restaurant like Princess Tiana, all of the Disney princesses have aspirations. Jena Stephens says, “The words that Tiana sings about the necessary hard work it will take for her to reach her dream stand out as a message to young viewersone that does not covey that love is the only thing that will make girls happy”. Not only do Disney princesses have dreams but they make their dreams come true with hard work. As Liz Gumbinner described her trip to Disney World with her daughters, “The princess luncheon led to a great discussion later in our hotel room, in which we told our girls that it is okay to be strong, smart, hardworking and still dream of marrying a prince”. Disney princesses carry themselves in a humble and confident manner. The princesses are beautiful but they are not conceited. Lastly, they are never stuck up but rather loving and independent which makes their character so
This case provides a brief history of management conflict and change at Walt Disney Company. Former CEO Michael Eisner was considered to be controversial because of his abrasive style and tendencies toward micromanagement. It was this style that strained several important relationships to the Disney Company. Though his reign as CEO during the 80’s and 90’s helped advance Disney Company, it was his conflicting management style that led to his demise and the beginning of Robert Iger’s epoch at Disney. Since Iger has taken the helm as CEO Disney was ranked 67th in the Fortune 500 list for largest companies, it has become the largest media conglomerate in the world, and relationships and disputes stemming from Eisner have been reconciled.