Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Approaches to understanding and defining genre
Essay on originality
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Approaches to understanding and defining genre
THE HEIR is an original, dramatic character driven script. The concept for this proposed, one-hour series is very compelling and has strong potential. The idea of a man being forced to assume the identity of another man to get to his fortune is smart. One can envision a very intense series, as the hero has to struggle with pretending to be one man, as the threat of prison lingers over his head. One can see this as a long-term series. The script is driven by themes about justice and trust. There’s a lot to like about the script, but there are also areas that need to be discussed and revised. The concept is much stronger than the actual pilot presentation. The pilot doesn’t do the premise justice, as currently structured. First, the idea …show more content…
TV series tend to have shorter scenes. Get to the hook by the midpoint. This will elevate the interest and the stakes. Jax is a very likable character. He’s flawed and he makes the wrong choices, but for the right reasons. He cares for his father and this drives some of his behaviors. Showing him practicing his new role, as Chuma will give his character more depth and range. One assumes the “scar” on his back and how he got it will be revealed later. Natalia presents as an intriguing character. She’s also being forced to do things she doesn’t want. One can feel her conflict about setting Jax up. The idea of her “disappearing” works well. Igor is well established as a jealous thug, one can see that he will be a hindrance to Jax’s ruse. Quinn also presents as a strong foe and adversary, who blackmails both Natalia and Jax. He has a clear agenda and motivation. It’s unclear if Shaun will be a regular cast member, if not, eliminate him. Consider introducing the characters that Jax will be trying to manipulate and trick regarding his identity. The dialogue reveals information about the characters. There are some grammar concerns: “He’s going to take out bill,” – one isn’t sure this is correct. This sentence also sounds awkward: “Tell the chief Montes sent you,” (page
The plot was awful and the characters are cardboard cutouts and stereotypes. Some did not like how weak Roz was, finding that her life was made for her by men and that all she does is wait for Trae to come back to her.
“A&P” and “Godfather Death” are stories that fall under two different categories in reading. While “A&P” is a short story and “Godfather Death” is a folktale, it is clear that there are differences between the two stories. Despite their differences, there are some similarities shown through the protagonists of each story. Sammy, the protagonist of “A&P”, is an all-around character who is close to his family but makes poor decisions. The godson, the protagonist of “Godfather Death”, is also an all-around character and loves his job but takes advantage of his godfather, Death. Although Sammy and the godson are the protagonist in each story, they have differences regarding their work ethic and heroism, but they also share a few similar personalities.
At a birds eye glance into the film Au Revoir Les Enfants, it is seen to be within the world war 2 ridden time period of 1944. Further more, the film follows Louis Malle's recounts of his childhood memories, while staying at a Roman Catholic boarding school. The memories explicated though the directors lens, are rather somber and lethargic. For instance, the scene shown between the main characters, Julien Quentin and Jean Bonnet in the eery and desolate woods of Fontainebleau show the harsh cold and foggy elements that cloud sunlight and liberation, and place a perpetual dreary and dark winter. Thus effecting the actions and moods of the children and teachers of the school. Specifically, the war and winter vastly
I think that Tom is going to be very important later on in the story
One of the most useful in advancing this story is the typical, powerful character. Whether it be supernatural or cunning this character always comes out on top in the situation and holds the most control over others and their actions. The “Where Are You Going, Where Have You Been?” , “Leda and the Swan”, and “Harrison Bergeron” all utilize an archetypical powerful character to create tension from how each character uses their power.
for the first time I was moved by its well thought out plot, character shifts, editing, motif,
The use of Narrative in film and other forms of media is commonplace; it has become such that the media viewer has not only come to expect it but rely on it somewhat. There are two elements in narrative film today that combine in the engaging of the audience; 'story' and 'production' elements. One example in the Australian film industry of the use of production and story elements in such a way as to engage the audiences' attention is the film 'Two Hands'.
There are definite strengths to the storytelling and a lot to like about the characters and the plot, but at the same time the script would benefit from more development in the area of structure, especially the pace. There are some story choices that are also worth discussing.
The mess that unfolds is so well paced and while it seems that it takes some time before the real threat is identified, the drama is slowly unfolding in the background. Rather quickly we go from scenes of an idyllic farming community to utter chaos. The lead up to the bulk of the film seems to speed by, leaving the rest to unfold very naturally as our gang of heroes tries to get the hell out of Dodge without being killed by the infected, the military, or some other random assholes. The story progresses quickly, but it feels very leisurely which allows the viewer time to absorb the horror of what is happening without a smash cut to the next scene. There is little if any footage of this movie that could have been excised and that makes every second on scene count so much more without all of the filler that normally accompany these types of stories.
A personality is a combination of various attributes that belong to a single person. Each one has its own unique qualities and traits that create an individual that is different from any other human being. How this individuality is formed depends on the environment that a person has lived through and their experiences. Alison Bechdel grew up in a home with a father who alienated himself from his family so that he could conceal a dark secret from his life. Nevertheless, Bechdel was able to take from her past so that she could become a strong and independent women who kept true to who she was. Likewise, straying from the expected path of her family, Dorothy Allison was determined to become the person who she wanted to be. Expressing who she is and not changing to match others expectations has become high priority in Allison’s adult life. It was through a journey of hardship in their childhoods, both Allison and Bechdel were able to discover their individual identities in their adult life.
“The heir to my throne will be born soon.” King Charles discusses with his trusty second in command Julian. “What do you think the Kingdom of Fortundale will be like when I’m gone?” the King asks.
With that said, the script would benefit from more development. There are several areas that should be re-examined, including the structure, pace, character development, and tension.
Finally, the script is much too long, as is the idea of a 150-minute film for this genre. This should be a script at 90 to 105 pages (approximately). The audience will disconnect from a story that relies on so much dialogue, especially one at this
The dialogue, the acting, the atmosphere, the duration - everything is so sharp, precise, and to the point. I would say there's no filler material, like, at all. Everything is in its right place, carries enough meaning to justify being there and leaves its mark during watching. There's nothing that I would leave out. In this sense, I'd compare the result to good poetry. In a world full of 2+ hour movies which have only medium amount of meaningful content, we need more movies like this!
The only area that does not flow as smoothly as the others, is the ending scene where Tom gives his opinion on gun control. His answer illustrates his privilege as a white person in the United States. He will not have to actively worry about police brutality because of his race. I liked how this concept could be tactfully inferred. When it came to Keyon’s response, however, I felt his monologue was a bit blocky. This could easily be fixed by breaking up the quotes and providing imagery to describe how Tom’s belief made him feel. Moreover, I was drawn out a bit from the world you crafted when Kenny mentioned that his father, who was a cop working in the inner city, never carried a gun. I began immediately questioning if that was a real possibility open to police officers. I have never seen cops who are on duty without a handgun. This disconnect, however, can easily be remedied by having Kenyon say that despite the fact that his father was a police officer and was required to carry a gun while on duty, he never once pulled his gun out at an individual regardless of how bad the situation became. By making this slight change, the reader is not brought out of the story and his father’s virtuous character is still maintained. Overall, I really enjoyed reading your story. Police brutality and gun control are topics that are easy to get very passionate about, but you dealt with these highly sensitive issues in a