Based on George Romero’s 1973 original, Sheriff David Dutton watches as the denizens of Ogden Marsh, Iowa start going … well, crazy as you can ascertain by the title. Starting with a lone old coot gunned down on the baseball field after brandishing a shotgun, more and more people begin acting erratically and lashing out with extreme prejudice against their families and the neighbors. Before long, the entire town is affected by the water supply tainted with a military-grade biological weapon and all hell breaks loose when the military places the town under a quarantine. As David, his wife, and a small band of survivors attempt to vacate the area, they run across resistance from many different fronts. If all of this seems spoiler-ish, don’t fret. All of this is revealed in the first twenty minutes or so of the movie. The mess that unfolds is so well paced and while it seems that it takes some time before the real threat is identified, the drama is slowly unfolding in the background. Rather quickly we go from scenes of an idyllic farming community to utter chaos. The lead up to the bulk of the film seems to speed by, leaving the rest to unfold very naturally as our gang of heroes tries to get the hell out of Dodge without being killed by the infected, the military, or some other random assholes. The story progresses quickly, but it feels very leisurely which allows the viewer time to absorb the horror of what is happening without a smash cut to the next scene. There is little if any footage of this movie that could have been excised and that makes every second on scene count so much more without all of the filler that normally accompany these types of stories. Casting wise, everyone was top-notch. I am an unapologetic Tim Olyphant ... ... middle of paper ... ...s film is tense enough that you are on edge from the production company logo to the ending credits. Having been horribly desensitized to fictional violence over the years, it is refreshing to see a movie that is not afraid to invoke the natural emotion during a horror film to its most extreme. This also leads to the knowledge that not everything will come out rosy for some, if not all, of our core group. Really, I have very few issues with the movie and to share them here would spoil the greatness but they are so minimal and fleeting it almost feels silly to think about. In a world of PG-13 “horror” films, it is rather nice to know that The Crazies earned its hard R rating fair and square. It may be lacking in underlying social commentary (as I’m sure the original did, thanks Romero), but this is one hell of a movie that will shock you enough, you won’t even miss it.
I hope that people can make the right decision for their kids and only show them this movie if they fully understand the meaning of the Salem Witch Trials and why it was such a tragic time. This is the only complaint I have to make towards the movie. Overall, this movie was exciting. It has lots of important information about the Salem Witch Trails. The director of this movie knew exactly who his audience would be and hit it out of the park by adding things that the audience would understand.
I feel that the movie has no weaknesses. This is because even though I had a few things I didn’t like such as the anonymity given, I realised that there was a reason for this which I explained in my strengths of the movie below.
Halloween is rife with psychological scares that affect its audience greatly. “Symbolism, dreamlike imagery, emotional rather than rational logic” are present in Psychoanalytic criticism. Siskel and Ebert talked about how the movie makes you feel as if you are the protagonist, scared for your life and feeling every bit of suspense (Siskel and Ebert). The movie is purely fueled by emotional responses to what is happening to the characters and focuses itself purely on how the audience will respond. In the clip shown, the main protagonist talks about how she killed the killer but he is shown alive. The movie is not concerned with the logic; otherwise, the killer would have at least been slowed down by the injuries he sustained. Siskel and Ebert laud the movie on its set up of scenes, score, character development, and use of lighting to make the audience feel the terror the characters undergo.
In classical Hollywood cinema, horror films were produced in the notion that as human beings we enjoy the concept of being scared and take it as a form of entertainment. This review examines five scholarly peer-reviewed
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
In the movie Escape from New York, there are many examples of the topic Transportation. Transportation is when you move the people that are the problem away from society so they don't create any more problems for the people around them. In Escape from NY the took the crazies and trapped them on the island and barricaded them inside of walls so he couldn't get out. The people in the movie feared that if theses crazy people were in the society that they would be a major problem so what the did was put them on the island. When Snake goes over to the island of NY city he sees many things while he is trying to save the president. Snake witnesses first hand how crazy these people acted and they were not like the normal people who were on the other
It can be said that this film is more like a psychological thriller than the horror film. In fact, there is no blood, no ghost or make viewers startle and scream. Perhaps, Roman Polanski wants to against the tradition of horror film and show that he can threaten the viewer without turning off a lamp- in fact, he succeeds. The film opens with some of the main
His experimental and unique perverse screenwriting has shocked and inspired numerous people. His aesthetics painted horror vividly and presented itself dramatically. His musical and cinematic vision was a healthy extension of his devilishly, clever, and demented mind. His modes of publication with music, film and print, had and still a tremendous fanbase. He has gained our attention in every media related forum and we can’t look away, even if we try. He has left us cheering, screaming and on the edge of our seats. We leave feeling bad about ourselves for watching his visual storytelling unfold. “You know, it’s like, I’m going to sit here for 90 minutes and watch these guys get fucked up with no hope. That’s what I love about these films, you walk out feeling bad about yourself, saying “Why did I enjoy that? What does this say about me as a person?” It is a cathartic experience that horror lovers can have again and again. Not acting on those horrific urges, but instead, becoming one of his characters that were just never really understood and that evil is real. Evil never dies and revenge always wins or at least in horror
Are you a fan or horror? Or are you the one that hides under a blanket during a movie? Intense scenes, a little blood and gore mixed with creepy characters and monsters, is what makes a good horror movie, television show or even a book. Many of us wonder why we are attracted so much to these horror elements like foreshadowing, suspense, mystery and imagination within a book, movie and or tv show. There are actual characteristics of this horror related theme that gets our attention, and makes us want to crave more of the story. But the fear, obsession and power is what sets the tone for the monster realm, in both fictional and nonfictional people and characters.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
The main problem I had with the film was how much Lomax was in it. I understand that this film needs to have Dennis' child in order to help develop Dennis but it becomes old very fast and is almost distracting from the story as a whole. The beginning of the film is also fairly hard to follow and Garfield and Shannon's accents caught me a bit off guard though that feeling quickly subsided and from then on the film never looks back and constantly builds suspense with incredibile second and third
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
...impossible to find myself anywhere but sitting on the edge of my seat. It was difficult to predict what would come next, constant suspense was all around. Thus, making the situations portrayed more interesting and entertaining to the viewer of the film.
Most reviewers overall enjoyed the movie very much. Christopher Null gave the movie four out of five stars and said it was “perfection and a good memorable film”. Steven Rhodes also says it is a good film “It's the sort of film that will leave you exhausted but glad you came.” (http://www.imdb.com/Reviews/210/21041) However from a woman’s point of view the film was barbaric and violent, “it's socially irresponsible and repellent in its graphic depictions of extreme violence and brutality,” says Susan Granger. (http://www.speakers-podium.com/susangranger.) I, however, even though I am a female I enjoyed the film very much. It has become one of my favorite movies because I feel like I can relate to the topic very much because I wish I was just able to let go and do what I really want to do. Everyone has his or her own opinion of things so you should see the movie and see how you react to it.
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.