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Critical perspectives of obsession in the great gatsby
Great gatsby analysis
Critical perspectives of obsession in the great gatsby
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Undeniably, Jay Gatsby feels a strong connection to Daisy in both film and novel versions of The Great Gatsby. However, we receive the impression that Daisy does not reciprocate his feelings as strongly. "He wanted nothing less of Daisy than that she should go to Tom and say: ‘I never loved you,’” (Fitzgerald 109). As we know, Daisy never could leave Tom. Gatsby expected Daisy to forget her life and run into his arms. Nick then confronts Gatsby, telling him he cannot repair the past. To that, Gatsby responds, “Why of course you can. Of course you can. You’ll see. I am going to fix things just the way there were before. Everything’s been so... so confused since then…” (Luhrmann). Gatsby’s expectations are extreme and his reality is distorted …show more content…
For example, Gatsby states in both book and film that he felt married to Daisy even though they only dated for a short summer five years ago. Although both versions of The Great Gatsby state identical ideas, the way the statement is portrayed is vastly different. In the book, Nick narrates Gatsby’s emotions and past. “He knew that Daisy was extraordinary, but he didn’t realize just how extraordinary a “nice” girl could be. She vanished into her rich house, into rich, full life, leaving Gatsby- nothing. He felt married to her, that was all,” (Fitzgerald 149). Gatsby’s obsession with her is sketched out through a detached, impersonal narration. Although it outlines the essential idea that her rejection led to his obsession, it fails to address the meaning behind the words. Alternatively, in the film, the same statement has an entirely different meaning. “You see, I felt married to her... That was all,” (Luhrmann). These words are heard as meaningful and full of love and adoration. Even more, the audience is drawn into Gatsby’s emotions by his body language and tone of voice through the look in his eyes and the passion he speaks with. Essentially, it gives more meaning and definition to Gatsby’s obsession with Daisy and proves further that he genuinely believes he loves the girl
For example, in the film Nick is introduced as a recovering alcoholic and is in rehab writing about his story involving The Great Gatsby. In the novel, Nick is not introduced as an alcoholic and does not overuse it. He states at the first party in the movie, “I have been drunk just twice in my life, and the second time was that afternoon…” (Fitzgerald 29). However, in the movie we learn that Nick was someone who overused alcohol and is now in rehab writing his own stories. Another contrast between the novel and the film would be that in the novel, Gatsby tells Nick how Daisy was driving the night that Myrtle was struck and killed by Gatsby’s yellow car. Speaking to Nick, Gatsby says, “You see, when we left New York she (Daisy) was very nervous and she thought it would steady her to drive-- and this woman rushed out at us just as we were passing a car coming along the other way. It all happened in a minute...first Daisy turned away from the woman toward the other car, and then she lost her nerve and turned back. The second my hand hit the wheel I felt the shock..” (Fitzgerald 143-144). However, in the film the split second on the screen shows Gatsby driving the car as Myrtle was killed. These are two major differences between the novel and the
Novels are very unique things to read. They contain so much detail and information it’s almost hard to comprehend. Sometimes these unique novels are translated into movies and while most movies disappoint the reader by not capturing the complete essence of the novel, I felt that The Great Gatsby did not disappoint. Sure, there are some differences between the two but not enough to make the movie a complete disappointment. In this essay, I will begin by comparing the two together, the two being the novel and movie, then I will gradually move in the contrast of this essay.
For example, Leonardo Dicaprio’s character of Gatsby was focused on emotions. I enjoyed that Redford was very calm and cool about everything and the way he approached the character but, Dicaprio made such an open and outgoing character which made the movie more entertaining. DiCaprio captured Gatsby’s intensity and charm and brought out the crazy mood swings and took his character and the audience to a more emotional place. Both Robert Redford and Leonardo DiCaprio had their own way of approaching the character and really selling Gatsby but Leonardo DiCaprios was better. Another reason I prefer the 2013 version of the 74’ is because of the bond and friendship Nick Carraway played by Tobey Maguire and Gatsby had MaGuire was able to bring a true and strong meaning to their friendship that made his and Gatsby’s bond feel organic and real and you were able to see that clearly unlike with Waterston where you just saw the friendship and didn’t feel any emotion. But I felt much more of a connection with his character than I did with the ’74 version. If you have read the book and seen the original film, then you understood where Nick was coming from in the scene where he was furious with Gatsby, after he believe he killed Myrtle only to find out that Gatsby wasn’t the one driving the car that killed Mrytle, MaGuire, did a fantastic job in showing his emotions and how what happened to Myrtle and the person that killed Myrtle affected him. I loved that Nick was a lot more real in this movie. He didn’t hold back and he gave the audience a reaction that anyone in life would have had if they were in his situation. Nick had the major issue of being dragged into situations because of people he knows. I thought Maguire did a great job of showing ...
Both the movie and film have similar and different characteristics. The two of them all address the same points The American Dream, T.J. Eckleburg Billboard, The Green Light, and obviously the Setting. However, three things in both are notably different and alike. Character Tom Buchanan shares differences and similarities between the novel and the film. The party scenes also share similarities and differences, as they go into depth. Lastly, the T.J. Eckleburg Billboard also shares similarities and differences. Like most novels the Great Gatsby movie was based off of it, therefore the book and novel share similarities, however with the movie being made of recent years it has slight differences when compared to the novel.
Overtime death and bootlegging change. Especially between this the book The Great Gatsby and the movie 1 and movie 2 of The Great Gatsby. The start in all three sources are different; in since that how the scenes are different,how Myrtle dies, and how Gatsby dies.
Have you ever thought about when a producer makes a movie out from a well- known novel, how many scene will actually stick to the original story? It has been a trend that the movie industries tend to dismiss many details from the original book in order to gain more rating or revenue from the movie. On the other hand, many viewer will argue or dislike the fact that the movie industries disrespect the author of the book. Recently I got the chance to read The Great Gatsby by F. Scott Fitzgerald and watch the 2013 version’s movie. While the book and the film are pretty similar; there is one major different between the book itself and the movie.
The dialogue often seemed “artificial and stilted, particularly in Gatsby 's character,” and contributed to the awkwardness of the movie (Hurn). Although Gatsby’s speech in the novel is fake, since he is portraying a false identity to others, the context and background of why he does that is missing from the movie. Therefore, the audience assumes the speech is forced, which makes the actors appear foolish.
Two movies, one made in 1974 and one in 2013 are the most famous adaptations of the book The Great Gatsby. They are both similar, featuring memorable scenes like Myrtle’s and Gatsby’s parties. They are also different. The making of the 2013 movie is different because the technology now is extremely different from the technology in 1974. Special effects can drastically change the way a movie is made. The two movies, The Great Gatsby, are different in the format, the appearance of the characters, and the presentation of the book’s themes.
There are many comparisons and contrasts between “The Great Gatsby” novel and the movie. There were many aspects in the book that we didn’t get from the film. The film gave you a more vague understanding of the storyline and many things were switched. Whereas in the book you were given a more in depth understanding of the storyline. Things such as the setting, characters, and even the way the parties played are in some ways similar and different. The way some things are portrayed in the movie played out differently in more detail in the book, and the film didn’t put certain things that were in the book.
When movies are made from novels, they most likely aren't as well performed and written as the original books, although there are some exceptions such as Forest Gump. As evidence, I believe Baz Luhrmann's production of The Great Gatsby, written by F. Scott Fitzgerald in the 1920's was not performed at its best. Baz Luhrmann did well with the special effects; however, he didn't do well in portraying the characters, the symbols and the setting.
is Nick. In the novel Nick is a man who comes from a poor family who
In the book The Great Gatsby, Nick Carraway the narrator of the story describes vivid scenes of Jay Gatsby’s parties. Many of the descriptions of the parties are very similar to the descriptions in the movie. For example, Nick mentions that there is an orchestra that arrives at seven o’clock (Fitzgerald 40). I think the movie very well portrays the orchestra at the parties. It is described as, “ no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums (Fitzgerald 40). I do not think that the songs the orchestra played in the movie match the description of the songs in the book. In the book, Nick mentions the orchestra plays, “yellow cocktail music” (Fitzgerald
Controversy ran wild when the revolutionary story, “The Great Gatsby” was replicated by a modern movie version. The director of the film created many similarities and differences that both harmed and benefitted the story. The film also has certain effects that were not displayed in the novel that made the story more understandable for the viewer. Some of these differences include differences in story plot, lighting, sound, camera angle, and many more. The eras of when each story representation was written are nearly a century apart. This suggests political differences within the story.
Jay Gatsby would do anything in the world for Daisy, and he feels as though he desires to develop his affection towards her. According to Ross, “Gatsby is, of course, intent on wooing back Daisy, his sweetheart from five years earlier. Everything he has accomplished, including making a fortune, has been for her” (Ross). Gatsby will demonstrate his adoration materialistically and emotionally, however Daisy Buchanan only cares for one kind of love. Jay Gatsby was a poor man, and he did not grow up with hardly anything. He worked vigorously for everything he obtained in his lifetime, which was not comfortable. However, when Gatsby encountered Daisy for the first time, his whole life plan changed (Ross).
In The Great Gatsby, Gatsby’s love for Daisy allows him to overcome time, to find her and resume a relationship after college and five years away in the army. Because Gatsby loves Daisy so strongly, and believes that she loves him as well, “He wanted nothing less of Daisy than that she should go to Tom and say: ‘I never loved you.’…after she was free, they were to go back to Louisville and be married from her house--just as if it were five years ago…” (Fitzgerald, 116). Gatsby wants to “‘fix everything just the way it was before” (Fitzgerald, 117). Gatsby loves Daisy so much that time means nothing to him: he thinks that their relationship has resumed right where it had left off five years before.