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The role of music in movies
The role of music in movies
The role of music in movies
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• Choose one of the clips from the “Editing” section and analyze the use of editing in one short paragraph. In your analysis, describe the transitions between specific shots and the overall effect this has on the scene. The clip I choose is “The Baptism Murders” of The Godfather movie (1972).During the baptism of Michael’s nephew and godson, a parallel editing happens when the executions of the remaining 5 dons of New York. For one thing, the length of each shot is 2 seconds, 7 seconds and etc. was kept consistent between the two narratives (i.e. the baptism and the murders). For example, the priest reaches camera left for the baptismal oils and then tracks camera right to put it on the baby’s face, the next scene is the barber, reaching …show more content…
Sound techniques create a contrast between specific shots of the peaceful surroundings of the church and the violence taken place within the clip upcoming scenes. For example, a variety of medium shots involving the Catholic priests holding Connie’s baby as they all wait for the service to begin. Next to paying particular attention to the camera angles shot, a man putting a gun together while hearing the priest talk over the scene and again the use of the organs in the background. Overall, sound techniques effect one of the cinema’s iconic pieces of film on this scene. • Choose one of the clips from the “Lighting” section and analyze the use of lighting in one short paragraph. In your analysis, describe the way the light looks in specific shots, how it affects the mood and the way we view characters, and how it sets the overall tone of the film. The clip I choose is “The Baptism Murders” of The Godfather movie (1972). The movie has many different uses of light setting. For example, the lighting inside of the Catholic church the light looks dark which affects the mood to become gothic the way we view the characters in the baptism scene. Overall, the lighting sets the film tone for the audience to become restless and feeling
To create an atmosphere that both looks and almost literally feels like possibly the hottest day of the year, Lee uses orange and yellow filters throughout the film. Objects, as well as people seem to glisten in the light. Even scenes shot indoors have beams of light coming through windows and doors. The use of lighting is only one technique Lee uses to create a realistic feel for this film, which is pertinent w...
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
In order to transition “Who Framed Roger Rabbit” to a horror film genre, cinematography such as lighting, shot types, and angles, can be used. Due to the fact that “Who Framed Roger Rabbit” consists mainly of High-key lighting, it can be noted that it is not the highest-key of lighting being used, because the shadows of the toons as they walk around are extremely prominent. In order to contrast between lights and darks, as well as intensify shadows to give a horror effect, Low-key lighting must be used to remove the fill light from the three-point lighting system and give the overall deep shadow and gloomy effect. Furthermore, the use of long shots throughout the film can be used to emphasise the horroristic architecture, weather, and other
Rocky, a film by John Avildsen, shows Sylvester Stallone while it is dark outside. The streetlights are the only light in the scene. The lighting describes his life at the moment, conflicted and sad. He is a failing boxer that everyone criticizes as a low life. The light outside is used further as the plot progresses. There are scenes in the morning, showing the sunrise which signify a positive progression. The use of these lighting techniques serves to capture the movie’s certainty because it helps to set the mood of the story. This enhances theme as it shows Rocky, an average person, who finally gets a once in a lifetime opportunity to fight for the Heavy Weight title.
Initially the audience is witness to how particular sound techniques shape this film. For instance, one of the main details that the audience hears is the song that the murderer whistles. Due to the marvel of sound the audience can pick out that the whistling is related to the murderer. Along with the blind man who figured this mystery out, the audience could only put these two together with this sound technique. The director shows the audience how such a simple part of every day sound can be so important to solving such a terrible crime.
In his classic horror film, The Shining, Stanley Kubrick utilizes many different elements of editing to create unique and terrifying scenes. Kubrick relies on editing to assist in the overall terrifying and horrifying feel created in the movie. Editing in the movie creates many different effects, but the most notable effects created add to the continuity of the film as well as the sense of fear and terror.
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Just about everyone can voice their opinions on a film that viewed as we all do after leaving the theatre. It may be found to be useful when a friend or individual is interested in seeing the film themselves. However, I believe the only way that you could understand a film is by analyzing the film beyond the average person. When one begins to analyze they begin to develop an understanding of the film and may grow to love the film. The director Hitchcock is a fairly well known director. He has directed many different films from Vertigo to Psycho that are found to be popular with the viewers. In this paper I am going to analyze certain elements that spoke out to me during the film. Those elements that spoke to me the most during the film was the lighting techniques, camera movement, and symbols.
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
adding a greater effect to the moment where all the action and sound, come and peak at the climax together. This is a very dynamic way to attract us, as the audience, into being captivated by the flow of the story. Lighting in different shades brighten up what is of more importance to the scene, but it might also set the mood like something bright being warm and comforting or something dark showing sadness or despair.
As well as mind blowing casting, the visionary scene and atmosphere of the theatre is also exquisite, done by the set designer Stephen Curtis. Evocative lighting is used along with dust and smoke to translate the rich detail and drama...
at 0:08 the murmur of children in the background appears with the repeated church bell rhythm, followed by an approaching car, with a crescendo dynamic, the vehicle’s soundscape changes from a keynote to a sound signal as he approaches and then reverts back to a keynote as the car drives away (0:18 - 0:25). This can be seen on a connotative level as cars driving into the church grounds. The following sound that occurs people moving around on the church benches and paging through hymn books, that provides a pizzicato sound and with the repeated approaching car sound that finishes off the outdoor sounds with a car horn (0:27 -
The development of editing - Editing - actor, film, voice, cinema, scene, story. 2014. The development of editing - Editing - actor, film, voice, cinema, scene, story. [ONLINE] Available at:http://www.filmreference.com/encyclopedia/Criticism-Ideology/Editing-THE-DEVELOPMENT-OF-EDITING.html#ixzz2sNiIEQqt. [Accessed 10 February 2014].