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Spike lee on do the right thing movie summary
Spike lee on do the right thing movie summary
Spike lee on do the right thing movie summary
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The Message in Spike Lee’s Movie Do the Right Thing In an attempt to enlighten audiences with a powerful message about the cancer that hate and violence can bring to a society; writer, director, Spike Lee brings Do the Right Thing to the screen. Fusing a powerful story with creative film making, Lee gives us an insider’s look at life on a blistering summer day in Brooklyn. To create an atmosphere that both looks and almost literally feels like possibly the hottest day of the year, Lee uses orange and yellow filters throughout the film. Objects, as well as people seem to glisten in the light. Even scenes shot indoors have beams of light coming through windows and doors. The use of lighting is only one technique Lee uses to create a realistic feel for this film, which is pertinent w...
The first word that comes to mind when thinking about Do the Right Thing is HOT. Everything about this movie was hot, from the weather down to the themes and issues it brought up. It’s interesting too watch this movie while living with a heat wave in NYC. There’s plenty of room for debate as to whether or not anyone did the right thing in this script, in my opinion most of the characters did the wrong thing. What’s interesting to me is to think about what Spike Lee considered the right and wrong thing to do in this screenplay. It’s not just his words as an actor playing a role, he also wrote, directed, and produced the vehicle for those words and actions to come to life. So it’s hard to separate Spike from Mookie, and I don’t think Spike would even want us to. I also wonder about some changes from the screenplay and the film, and the effect the have on the overall message of the film.
of Sal. It for the most part pawns him off as a racist. On the
It’s here as a reminder for us to respect one another, no matter how difficult it may be. The film’s title”Do the Right Thing” can be studied unto itself. The idea of do what you think is right may differ from person to person, ethnic group to ethnic group. When Mookie throws the trash can into the window of Sal’s Pizzeria making the already now large riot become even more thunderous, is he doing the right thing? We followed this man throughout the film and to see him make a decision like that, we are left to wonder. By the end of the film. This the question is the one that we think the most about. We as a community need to learn to love more and grow together than hate each
People living in this neighborhood had affectionate love for Sal, but later on they became voiceless the moment their power to run their own businesses was taken away. It is because of communication breakdown that makes tension build up in the movie and ultimately ending up with Sal’s store burnt down and Radio Raheem killed by racist police officers. Spike Lee did an excellent job in the production of this movie. Spike Lee’s Do the Right Thing (1989) has won numerous awards in the cinematographic category. It has won awards in best music, best pictures, and best original screenplay. Indeed, this is a masterpiece that deserves to scoop such awards. This is a movie which lovers of the hip-hop culture would enjoy most. Any fan of the hip-hop culture should be familiar with Spike’s groundbreaking movie released in
The myths must be dispelled. First of all, coal is not a bountiful. It is a nonrenewable resource and, according to a United States Geologic Survey, it is only expected...
First and foremost, film noir refers to the visual style of a picture. The imagery of film noir was influenced by early 20th century German expressionism, featuring distorted, sinister shapes and shadows. These precursors to film noir used abstract figures and looming shadows for bizarre, emotionally stirring results. Techniques such as chiaroscuro were used to give a dark and minimalistic feeling. In many cases lighting is limited to a single harsh light source, which obscures the image, and even throws shadows across actors’ faces. These elements ensure that an audience regards the actors and the setting with equal importance. Oblique angled shots permeate many film noirs, naturally provoking anxiousness and apprehension in the viewer. In Sun...
d violence (Biography 1). While black oriented films have veered away from racism and focused more on humor and sex to attract the new younger audience, Lee has continued to focus on racial issues, keeping the door open for other directors to follow. One of the most original, innovative, and without a doubt controversial filmmakers in America, Lee admits he has been blessed with the opportunity to express the views of black people who otherwise don’t have access to power and media (IMDb 4). Lee uses this motivation coming from his passion of being able to express the views of many, along with Malcolm X himself and his philosophy that blacks need to build their own economic base, to continue contributing to Hollywood (Gale 4). There is no doubt that Spike Lee will continue to find ways to impact audiences with his controversial actions, statements and racial films.
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
Roman Polanski's 1974 film, 'Chinatown', revolutionized the film noir genre. Aside from the absense of voice-over, the film shares all the same characteristics with earlier noirs. That is, of course, except for the fact that ?Chinatown? is filmed in color. Because of this, it is more difficult upon the first viewing to immediately classify the movie to this genre. In movies such as ?Double Indemnity? even scenes that take place during the daytime are dark, and since it is a black and white film, this is easy to do. However, in a film with color it is much harder to create this dark effect, especially in scenes that are filmed outdoors. Polanski makes references to symbols that remind the audience that although ?Chinatown? is in color, it still belongs in the genre. For example, one of the first lines in the movie is, ?I just had [the venetian blinds] installed on Wednesday.? Venetian blinds are often seen in the genre, and the reference immediately makes the connection between this...
In document thirteen, we encounter a letter written by a young English soldier fighting the Germans from the woods. He starts his letter by explaining how once again he was forced to be out in the trenches for forty-eight consecutive hours. The letter, addressed to his parents, illustrates how devastating it can be for a young man out at war. When he asked for time alone they told him to take a group of men with him and after a bit of difficulty they finally let him go off on his own. While he is out on a stroll he comes across a German trench and kills an officer, he does the same thing the next day. By the end of the letter he simply defines the experience as awful.
From the start of the film it is apparent what time frame it is taking place in and the differences in the social stratification through the lack of colors. One of the most obvious portrayals of the bleakness and desperation of the era is the overall faded and washed-out look of the whole film, due to manipulation of the film saturation; the heaviness of it almost cries out to the audience. Though the film was shot during the summer, cinematographer Roger Deakins and Cinesite colorist Julias Friede were able to use digital technology to change the appearance of the colors. “Together, they worked on manipulating the [digital] saturation of the images, and in particular selecting the greens of the trees and grass and turning them into dry browns and yellows” (Escaping, 2). These dry brown and yellows enhance the audience’s impression of the desperation of the characters and the time period.
How coal is formed is quite an interesting topic. It started over millions of years ago in ancient swamps when vegetation and trees died and formed peat (it is where vegetation builds up and turns into a super messy pile of stuff). This peat was eventually covered with either dirt or sand. As the peat is covered and pressure the gas that the peat gives off starts to get trapped in the new forming coal. Several years the peat now turns to rock known as coal. As the planetary plates shift the coal moves and forms pockets and runs in the earth. Then people came along and found out how to harness is power. People had to get the coal out of the earth. One way they found out how to get it out was to dig it out of the underground tunnels to find where the coal runs. Another way to get the coal is to strip mine the coal this is where the miners remove huge amounts of dirt to get to the coal. Both of these mining techniques are extremely dangers.
It is impossible to talk about a Wes Anderson movie without acknowledging its stunning color palettes and quirky storytelling style. In one of his most exemplary works, Moonrise Kingdom, Anderson uses a warm color scheme that blends bright and desaturated colors that ranges from golden yellow, vermillion red, creamy beige, light brown, to even a hint of teal. His color scheme, which is reflected throughout the film’s props, sets, costumes, title design, and camera filters, effectively evokes nostalgia, establishes the summer-like, dreamy mood of the film, and creates a distinct contrast between the different moral values of his characters. However, in the chaotic stormy escape scene and in the costume of Social Services, the visual design deviates greatly from the film’s primarily warm color palette and instead, immerse their visual elements in a deep, dark blue color to show the contrasts in the mood of the story as well as the attitudes of the characters. Overall, Anderson’s visual
Coal is solid black or black brownish in color mineral formed beneath the earth through sedimentation process from remains of death plants. Geologically it takes hundred million years for the coal formation and need of heavy expenditure for the extraction process since coal can be found several feet beneath the earth. Depth of the coal reserve determines the method of coal extraction. Surface mining method is more convenient if the reserve or coal seam is less than 200 feet beneath and underground mining method is opted if the reserve lies beyond 200 feet below the surface. Surface mining involves removing of shallow coal over a broad area where the land is fairly flat. Huge dragline shovels commonly remove rocks overlying the coal (called
Young coal is called lignite, and is soft and brown, not much different than dried peat. Lignite has low energy content. The carbon content is low also; Lignite is typically...